Miracle Mile

This is a find I will treasure, all the more because it's flawed. It has a plain TV-look and seems pretty straightforward, nothing that will pass muster for Criterion certainly, but if we learn to detach ourselves from aesthetic preoccupation and focus on meaning, we'll find it in the most inconpicuous of places. Such as here.

Imagine a fairy-tale fantasy about a man, who having stood up the one-in-a-million' girlfriend he just met, imagines a scenario of apocalyptic destruction that will permit him to redeem himself in her eyes and become the savior. When he rushes into her apartment to pick her up she is sleeping, a sleeping beauty and he the prince charming.

Now imagine this planted inside a world of chaotic synchronicity, the Los Angeles, nuclear-paranoid version of After Hours. Like the Scorsese film, this unfolds as latenight chance encounters - except at the doorstep of the end of the world. Lovely LA streets, empty, beckoning us to travel. Empty architecture, kitsch (the burger joint) or futuristic (the apartment high-rises). Clean looks, but things are delightfully askew. A gun-totting man walks into a gym and yells at a crowd of lycra and spandex that he needs a helicopter pilot (and finds one).

Better yet, consider this. The film starts with TV footage about the creation of life from the Bang onwards. Evident is a plan, a structure that births from nothing intelligent life. The actual story begins with the man finding perfect love, the soulmate that completes into one. This rare moment of attaining perfect balance in life, the rest of the film progressively assaults by showing how entropy and chaos foil the plan. There is no plan. Except it all begins with the man setting in motion the entire story of destruction, karmic or a deeper instinct of destrudo that overpowers the desire to love. Makers of our own fate.

Here the film falters, in the finale. The apocalyptic vision of an entire city in the grip of bloody frenzy is one of the most potent, better than most zombie films about the end of times ever achieved, but it ends the way it does. It's so strong it threatens to swallow everything into its black hole.

Others might like this last part more. Whatever you do, this is a sleeper you can't afford to miss. Criterion will not do the work for you on this one, this you have to seek out.

This movie digs down deep into dream logic. Characters make bizarre choices, the stakes go from 0-60 in no time flat. And the tone! It moves from Rom-com to "After Hours" dark humour to serious dread. I saw this with an audience and we had strong vocal reactions to the movie's "convenient" contrivances. (Denise Crosby seems to be dropped in from another movie to deliver high powered info and to get the plot moving. What is she doing in this diner at 4am?) Follow up question: Why is the 24hour gym having aerobics classes at 4:45 am? I must admit, though, I wasn't bored. The movie doubled down on the premise and steered into the crazy. I think it's going to stick with me.

So, at first, Miracle Mile doesn't appear to be anything that special. Harry (Anthony Edwards) meets Julie (Mare Winningham) and things seem to go along well. But then he misses their date and happens to answer the payphone next to the diner. And from thereon out the film is pure bonkers.

Miracle Mile is the very definition of why you should see movies outside the mainstream media. Its premise is pure madness, its actors are relatively unknown, you won't have heard of anything its director has done. And yet it's one of the most profound films to have come out of the 80s.

Miracle Mile takes a fairly typical apocalypse setting and milks every single possible drop of drama out of it. It focuses on a single individual and their struggle to comprehend the unthinkable.

Definitely not something that could win over mainstream audiences. It's too focused, too out there, to win over audiences.

But for those of us that can see the shape of the forest for the trees, this is something special.

I'm a big fan of post-apocalyptic movies; for some reason, the thought of civilization as we know it grinding to a halt on a backdrop of nuclear bombs falling intrigues me to no end.

There are a host of movies that deal with Life After The Bomb, a whole lot more dealing with Life While Preventing The Bomb, but not very many that deal with Life Immediately Before The Bomb. This is one of the latter, and I think it pulls it off really well.

This offbeat movie chronicles a few hours in the life of a character who has just found out that the missiles are on the way.

This movie is rather offbeat; the acting is not bad, but just unlike normal hollywood acting, even despite a few familiar faces. The pacing is different, the sets are different, the colors are different. And in this case, the differences give it an edge that is quite intriguing.

The main character (tom cruise's ill-fated co-pilot in top gun) displays such an acute, personal anxiety that really grabbed my attention and really made the movie hit home.

While some of the other acting is less than stellar, in a movie like this it does not detract.

This movie really did make me think about what I would do in a similar situation. Very thought-provoking.

If you are as intriguied by nuclear war as I am, you should definitely watch this film.

8 / 10

Stylistically unique examination of a concentrated cross-section of humanity's real-time reaction to the (potential?) prologue to the apocalypse. Swings effortlessly from quirky to grounded, sweet to severe, & hopeful to bleak. #nitrosMovieChallenge.