A noble underachiever and a beautiful valedictorian fall in love the summer before she goes off to college.A noble underachiever and a beautiful valedictorian fall in love the summer before she goes off to college.A noble underachiever and a beautiful valedictorian fall in love the summer before she goes off to college.
- Awards
- 1 win & 3 nominations total
Pamela Adlon
- Rebecca
- (as Pamela Segall)
Johnny Green
- Luke
- (as John Green Jr.)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
7.3100.8K
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Featured reviews
Didn't quite get me.
A friend of mine who also likes John Cusack movies told me to check this one out, that I'd like it a lot. Maybe I tried too hard, because the movie fell short of capturing me. Granted, I'm bitter and cynical about love, but some movies can "break" me, as it were. It was almost as if the plot created a relationship that was improbable in its conception, but got a little too good. They had to slap together a way to make that mid-film falling out, and it didn't quite work. The controversy with her dad's business created more drama in Diane's life than perhaps it should have, and created an unwanted dragging effect 3/4 of the way through. Not as funny as Cusack's mid-80's outings, but has its moments. Still worth the 3 bucks I paid to rent it. 6/10
10The_Wood
Who says teen romance needs to be perverse? 10/10
Very few films have even tried to be as smart and honest as Say Anything. The film, which is more then 10 years old, still remains to be one of the strongest pieces of romantic cinema. Not only do John Cusack and Ione Skye have perfect chemistry; not only is John Mahoney's character one of the most complicated father figures in the history of film; not only is the screen play delightfully honest; but everything just seems to fit right in this movie. A true treasure
10saprater
Romantic Masterpiece
I rented this movie solely based on the excellent reviews that it has gotten everywhere. I missed it during its theatrical release (as so many others did) and had the hardest time finding a copy of it at our local video rental stores. Not because it wasn't popular but b/c, according to the clerks, people kept stealing or "losing" their copies...especially around Valentines Day. When I finally got my hands on a copy I was blown away. I had thought this was going to be just another in a long link of Pretty in Pinkish movies with predictable characters and a bad case of puppy love, but what I got was a surprisingly refreshing, unconventional story with a complicated and well-developed emotional depth flawlessly captured by the actors and Cameron Crowe.
And talk about role reversals! I'm so used to seeing the man take the assertive and mature role while courting a woman of limited financial or intellectual means...but in this film it's the girl that's got her future together and the guy who's more than willing to concentrate his attention on making her happy. And Lloyd Dobler isn't just a shiftless man with no future. He's an eternal optimist who lives in the present and recognizes, admires, and compliments the qualities in Diane that go beyond her amazing intellect. She becomes his dare-to-be-great situation and his absolute love and devotion to her is anything but unmanly. The force of it is palatable and immensely erotic without being reduced to cheap teenage lust. The sight of Lloyd in the shadows defiantly blasting out the truth of their love through the boombox is a scene which would have seemed awkward and goofy in any other movie but this one. It's easy to understand why even the critics of the time gave Say Anything two enthusiastic thumbs up. This is one of the few films that really captures the feeling of love.
And talk about role reversals! I'm so used to seeing the man take the assertive and mature role while courting a woman of limited financial or intellectual means...but in this film it's the girl that's got her future together and the guy who's more than willing to concentrate his attention on making her happy. And Lloyd Dobler isn't just a shiftless man with no future. He's an eternal optimist who lives in the present and recognizes, admires, and compliments the qualities in Diane that go beyond her amazing intellect. She becomes his dare-to-be-great situation and his absolute love and devotion to her is anything but unmanly. The force of it is palatable and immensely erotic without being reduced to cheap teenage lust. The sight of Lloyd in the shadows defiantly blasting out the truth of their love through the boombox is a scene which would have seemed awkward and goofy in any other movie but this one. It's easy to understand why even the critics of the time gave Say Anything two enthusiastic thumbs up. This is one of the few films that really captures the feeling of love.
Be a man, not a guy
That was one incredible line: "I gave her my heart and she gives me a pen." You could just feel the pain. I caught this tonight and was really surprised. Cusack was magnificent. Maybe I need to watch more of his movies to get some tips.
Ione Skye was so much more that "Girls in Prison." She really played a great part and was so sweet. She has that Drew Barrymore smile.
I really like Lili Taylor, too. She really played a great part. And, when he went to the guys, I swear I recognized one of them, but I can't place him.
All in all, I have to agree that this was one good movie.
Ione Skye was so much more that "Girls in Prison." She really played a great part and was so sweet. She has that Drew Barrymore smile.
I really like Lili Taylor, too. She really played a great part. And, when he went to the guys, I swear I recognized one of them, but I can't place him.
All in all, I have to agree that this was one good movie.
It's a wonderfully written film, with equal acting, to remind us all of falling in love for the first time without all the hurt, mistrust and disbelief in oneself.
A wonderful film which made me laugh, cry and heavily identify with the first time I ever saw it. Then, some 13 years later, after buying it on DVD with faded memories, I watched it again and it all came back.
I laughed; I was moved; I cheered inside when things went well for the hero, and I even remembered things about my first love. Especially the shaking with happiness moment (Judith). This film has survived 13 years with me, and it's not all down to my own memories.
John Cusack and Ione Skye give such wonderful performances that are so believable there's not a second that you're thinking of them as actors. Everything they feel and do seems so real. John Mahoney portrays the over protective Father very well, and his understated struggle when he realises this is superbly done.
Cameron Crowe has excelled himself in capturing the feelings and moments that you can so easily identify with to make them just right, and seem so natural.
It's a wonderfully written film, with equal acting, to remind us all of falling in love for the first time without all the hurt, mistrust and disbelief in oneself. It even manages to provide one of the best endings I've ever seen.
I laughed; I was moved; I cheered inside when things went well for the hero, and I even remembered things about my first love. Especially the shaking with happiness moment (Judith). This film has survived 13 years with me, and it's not all down to my own memories.
John Cusack and Ione Skye give such wonderful performances that are so believable there's not a second that you're thinking of them as actors. Everything they feel and do seems so real. John Mahoney portrays the over protective Father very well, and his understated struggle when he realises this is superbly done.
Cameron Crowe has excelled himself in capturing the feelings and moments that you can so easily identify with to make them just right, and seem so natural.
It's a wonderfully written film, with equal acting, to remind us all of falling in love for the first time without all the hurt, mistrust and disbelief in oneself. It even manages to provide one of the best endings I've ever seen.
Did you know
- TriviaDirectorial debut of Cameron Crowe.
- GoofsWhen Lloyd first calls Diane, he gives 555-1342 as his phone number. But when Diane reads the message taken by her father, the number is 555-2342. Even though she has the wrong number written down, it still works.
- Quotes
Lloyd Dobler: I don't want to sell anything, buy anything, or process anything as a career. I don't want to sell anything bought or processed, or buy anything sold or processed, or process anything sold, bought, or processed, or repair anything sold, bought, or processed. You know, as a career, I don't want to do that.
- Crazy creditsThe 20th Century Fox logo plays without the fanfare.
- ConnectionsEdited into Saturday Night Live: Joseph Gordon-Levitt/Dave Matthews Band (2009)
- SoundtracksAll For Love
Written by John Bettis and Martin Page
Produced by Richie Zito
Performed by Nancy Wilson
Courtesy of Capitol Records
- How long is Say Anything?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Digan lo que digan
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $20,781,385
- Opening weekend US & Canada
- $4,058,496
- Apr 16, 1989
- Gross worldwide
- $21,515,196
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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