Slipstream

Slipstream is, in my opinion, a very under-rated movie, with an excellent cast. Bill Paxton is entertaining in his role as the unlikely hero, Bob Peck is superb in his role as Byron, the fugitive -- Even F. Murray Abraham and the great Ben Kingsley make appearances in this unlikely post-apocalyptic action film. But the best performance of all, in my opinion, came from Mark Hamill, playing a very nasty cop. I've never seen Mark Hamill play the "bad guy," and he did an EXCELLENT job convincing me that he was not only a sociopathic jerk, but that he was not Mark Hamill. In fact, I didn't even realize who he was until the third time I saw this film - his performance is excellent, and different than anything else I've seen him do.

Unfortunately, the film has its problems. The plot suffers from some cheesy moments, the music is overbearingly loud, and while it is well orchestrated and very majestic, it's often a bit too majestic for what's going on. There are also some long scenes that could have been shortened or even cut to the benefit of the film. The ending is disappointing - abrupt and more than a bit ridiculous. Add to this that nearly every copy I've seen is on low-grade VHS, recorded at a slow speed.

This said, overall, the movie is entertaining, and interesting. If it was based on a book, I'd love to read it. I came away from the movie wishing I knew more about the characters involved, and curious about what would come next for the main characters. The movie kept my interest, and I did watch it again - several times.

Slipstream is far better than the review rankings indicate. The film is a nice break from today's frayed sci-fi kill the monster or be killed plot lines. Slipstream fits in more with the likes of Asimov, Bradbury, or Dick. Sure, there are some familiar plot points like a dystopian near future, environmental devastation, societal collapse, human movements back into nature (actually, sounds a bit like right now, huh?). Intriguing, though, is the common mode of transport, ultralights. With the shifting of the jet stream to cover more of the planet and closer to the surface, the pilots use these "slipstreams" to get around as ground transport is nearly obsolete. And these elements are kept nicely in the background, providing a tapestry for the story, which is a basic cop chase, double crosses, introspection, and interesting character (one of which is an android) interactions. It is worth watching the film for the flying scenes and the key exterior locations alone -- Cappadoccia, Turkey, and Malham Rocks UK. Director Steven Lisberger (Tron), Music Elmer Bernstein, Cast includes Bob Peck, Mark Hamill, Kitty Aldridge, Bill Paxton, Robbie Coltrane, Ben Kingsley, F. Murray Abraham? Come on! Get it!

I've liked this movie for years, and it is actually quite muddled and strange, it is difficult to understand, the performances are sometimes strained and overdone; and still it is charming. A lot of original ideas, some quiet, delicate, odd moments, and Bob Peck's performance make it really lovely in a certain way. Don't miss it if you enjoy movies that are outside the Hollywood box. It has a thing that is more than the sum of its' awkward parts.

I got this movie as part of a 20 movie collection that cost $20. Therefore, I got it for a dollar. It's worth about that much. Not to say it's BAD, it's just that half of it is 10-minute montages of gliders flying around. However, the performances by Hamill and the guy playing the convict save it from all of the WEIRD choices made by the director and scriptwriter. For example...is this an action movie, or a story of a man's journey of discovery? I don't know, but love scenes in museums with montages (again) of stuffed animals with quick cuts to long focuses on Christmas lights don't give me any better of an idea. Still, it's worth the dollar I paid, just to see Hamill looking cool.

I remember the release of this movie way back in 1989, mainly as it saw the return of Mark Hamill to the big screen after an absence of 6 years (Jedi being his last movie). I also remember the poster proudly highlighting that it was produced by Gary Kurtz, producer of Star Wars episodes 4 and 5. Unfortunately, no one seemed to care about these "selling" points and mediocre reviews ensured that the film was ignored and was not even given a US release. It took almost 10 years before it got its British TV premiere (tucked well into the late night schedule) , but I didn't hesitate to give the film a look. Surprisingly, I actually enjoyed this movie and it's far from being one of the worst films ever, as some of the previous comments have made out.

The main players in the film put in some good performances, especially the late great Bob Peck for whose character I did manage to feel sympathy for and care about thanks to his acting skills. A bearded, peroxide blonde Mark Hamill gives a terrifically sinister bad guy performance as the unrelenting cop, albeit a little OTT. You could sense Hamill clearly loved being on the "dark side" for once. Bill Paxton gets most of the action and does a reasonable job. Cameos, from Ben Kingsley and F.Murray Abraham add some class to the credits. Also look out for Robbie 'Cracker' Coltrane.

Story wise (essentially a chase movie) it is highly unoriginal, borrowing heavily from Blade Runner and Midnight Run, all done in a futuristic Mad Max style. It does tend to meander in places, leaving the viewer a little disorientated. However, my interest was sustained mainly due to the strange character played by Peck. Unfortunately, his character wasn't explored adequately, and I was left wanting to know more about him and his past. Indeed, the story is underdeveloped and incomplete. The movie doesn't hide the fact that it is trying to convey some sort of message about humanity and the future with religious undertones.

Special effects and action scenes left a lot to be desired; the shoot out in the forest was very shoddily done (one of the worst I've seen). The aircraft looked like large Air Fix models and the flying shots looked unrealistic and rushed. I suspect full use of special effects available at the time were not utilised due to budget constraints. It almost feels like a T.V movie despite the cast and experienced crew. However, a mention must go to the kite scene, which is very well done and is quite exciting. It's probably the highlight of the film. The final action scene is good too, rounded off with an optimistic feel good ending and a rousing Elmer Bernstein score as the credits roll. The locations are used effectively and go some way to make up for the poor special effects.

Slipstream, is an all but virtually forgotten British Sci-Fi movie and it appears it will stay that way. Pity really, as it's a decent effort, with an interesting, if unoriginal story and good acting. Refreshingly, the makers have avoided any wanton violence and gore. If you are in the least bit interested in Sci-Fi try and watch this film if you come across this in the video store, or if comes on T.V, if only to see Hamill ham it up and play a bad guy. You could do a lot worse than this.

6 out of 10.