A Better Tomorrow III: Love and Death in Saigon

A Better Tomorrow III:Love and death in Saigon (1989) is an underrated masterpiece. The film takes place during the final days of the Vietnam War. Mark Go (Yun-Fat Chow) and his friend (Tony Leung Ka-Fai) are in South Vietnam on a business trip and also to meet Leung's father. The two have a rough time getting into the country until they meet a mysterious gangster's moll (Anita Mui). Awhile later, the three form an unusual friendship. Mark Go learns a lot from Ms. Mui as she teaches him how to survive in a brutal environment.

A great film from the ever reliable Tsui Hark. What I like about his films is that he always has strong female characters. Anita Mui is simply wonderful in this movie. She also shows her vulnerable side (she's not always hard as steel). Mark grows up quick in war torn Saigon. Tony Leung Ka-Fai is good as well (serious for a change instead of playing his usual goofy gigolo persona). The action scenes are staged very well (they don't dominate the film). And what's a film starring Anita Mui without those skinny jokes (yes, a movie with Anita is not complete without a couple of skinny jokes at her expense. The movie was knocked in many ways because it's so different than the first two. I say,"So what!" The film is an essential action film from the master Tsui Hark.

Highly recommended.

Anita Mui also performs the songs in the film. Especially the haunting theme song heard in the middle and during the end credits of the film. A fitting song in so many ways.

A lot of people tend to think this movie is inferior to the first 2 ABT's. If you are one of these people, keep in mind that its pretty much due to the story. I think the direction and acting wasn't bad at all. Like many prequel/sequels, it suffers from hype and expectations. If its made exactly like the previous movies, then we have a rehash. If it goes in a different direction (like in this case) it runs the risk of alienating a lot of loyal fans.

Not sure how many of you knew the storyline prior to watching the film. I was at least privy to the plot summary before watching it in the theaters way back when. So I at least knew it took place in the 70s in Vietnam. Right there and then, I knew it would be very different from the first 2 films. War-torn Vietnam of the 70s would hardly be the kind of place where you find our heroes riding around in Rolls Royce's, making high stake deals in fancy hotels or mansions, wearing Fracescetti suits, etc. A lot of the "cool" element of the original is due to Chow of course, but settings and atmosphere had something to do with it as well. And Vietnam is not the kind of setting we're previously used to.

What the film does show, is probably a more realistic side of smuggling and counterfeitting. You make your deals at night in dark alley ways, your clothes are cars are are much less flashy (to avoid attracting attention to yourself). And of course, Mark hasn't acquired his cool persona yet, so we're missing that important element throughout most of the film.

In short, much of what we see is not entirely unexpected if you took the time to read the synopsis on the video box. Because the movie takes place at the time and place it did, I'd say the crew did an OK job.

As a prequel to ABT, I am a bit surprise at the choice of location if not the time. I remember a scene in the original ABT where Mark talks about the "old days" of making counterfeit deals with Ho in Indoesia!! That was suppose to be 12 years ago according to movie dialog, which would place us in the early 70s as well. So the movie would've been more continuous if we had Mark working for the H.K. crime organization already, and making drops in Indonesia (with or without Ho, depending on whether they can get Ti Lung back for the role). I also think it might have been more interesting this way. Anita can still play Mark's love interest, and much of the current ABT3 storyline can be incorporated; as long as Mark isn't so goofy and inexperienced.

There are two great heroic bloodshed films by John Woo, and this irksome slog of a prequel.

Mark (Chow Yun Fat) owes everything to Anita Yuen- his shades, gunmanship, matchstick & trench coat- Anita is too amazing... she can fire a machine gun with one arm,pointing wildly around the room yet still mow down dozens of inept military personnel who just run into rooms. Her skills derive from being a nightclub singer, as they would.

The direction is clunky, editing laboriously bad , the dialogue cringeworthy. The love triangle is mawkish and feeble. The action scenes are uninvolving & predictable.

I watched this film not long after its release and actually enjoyed it mildly (though overall was disappointed) due to CYF's typically charismatic performance. I watched it again recently & it was an utter chore & bore to get through.

Its just far too contrived. Everything is a bit daft... eg- Opening scene- Mark has a cigarette in his mouth & the passport control admin points to a no-smoking sign. Mark hides the cigarette in his mouth, but could have just put it in his top pocket. Moments later he coughs up the now soggy mess of the cigarette for comic effect.

The is also a perfect leitmotif for the rest of the film-It is a soggy mess.

Others may claim this is a masterpiece, even the best of the series, I would seriously disagree and could list 50 films off the top of my head that were similar, yet far better made between the mid 80s to 90's in HK.

Different to John Woo's original two films, but it's almost as good. Chow (coolest man in the world) yun fat, gives a very charismatic performance, hilarious in the opening scenes when he walks around the airport with an unlit cigarette hanging from his lip, and gives a raw, powerful, emotional performance at the end. The action scenes although lacking the finesse of the John Woo trademark mayhem, are still high velocity and powerful. Aided well by the soaring soundtrack, this film although it can be a little slow, is a welcome and worthy addition to the better tomorrow films. I just loved every second of it. Although the subtitles were a little tricky to read in places but you can't blame the film for what someone else did to it. The major problem is the badly done music editing after the credits have rolled. However seeing as the actual film had finished by that point, not many people would notice.

Tsui Hark directed this sequel (1989) to John Woo's classic heroic bloodshed films Better Tomorrow 1 and 2 made couple of years earlier, and this third installment is more a prequel than sequel. It concentrates on what happened before the first two films and has more drama than action in it. Chow Yun Fat is again Mark Gor who is in Vietnam and meets there his cousin Mun (Leslie Cheung) who is just released from prison when Mark arrives in Vietnam. They meet mysterious female assassin Kit (the beautiful sweetheart Anita Mui) and both of the men are attracted by Kit. The film concentrates pretty much on the war infested Saigon and the hell that's free in there, so there isn't any particular plot in the film, but that doesn't mean it's not interesting.

I think there's couple of strong scenes of social criticism, mostly the horrific "customs scene" at the airport when Mark, Mun, Kit and Mun's father try to travel away from the country and are abused by the corrupted custom officers. Also the scene at the hospital is very harrowing and is there to underline righteously the state of the world of that time, and unfortunately there are even today places with same kind of circumstances in our world. Fortunately Tsui's attitude isn't this time as underlining as in his Once Upon a Time in China (1991), and Tomorrow 3 is therefore perhaps more noteworthy film as commenting society.

The visuals are also brilliant as can be expected from this director. There are great use of blue smoke again and the gun fights are incredibly beautifully shot and are more effective than any gun fight in some Western effort. The slow motion death scene of one important character in the film's finale is perhaps among the most beautiful "heroic death scenes" I've seen and it is finished very carefully and thus it has such a power. After that scene everyone should know what this name "heroic bloodshed" for this genre means and what makes it so unique. The end is very sad, too, but as we know how Mark ends up in his subsequent adventures, it gives some positivism for the sad ending of this third film. The ending is little irritating due to it's prolonged gun battles and fire power, and I think it should have stopped little earlier in order to be more effective finale for the otherwise pretty great film.

Better Tomorrow 3 is not as great and interesting as Woo's films, but still this is much more than average effort from Hollywood, and due to Tomorrow 3's great look and visuals, I give this gladly 8/10 rating and think this is among the greatest films Tsui Hark has directed himself. He has produced perhaps as many films as he has actually directed and many have said he is better producer than director, but this film shows that he really knows how to direct noteworthy films, too.