Warlock

The late 80's and 90's have not been a particularly good time for big-budget horror movies, but Warlock, a kind of supernatural Terminator, works particularly well. Everyone is well-cast, although the focus is on the three leads. Julian Sands is at his most diabolical, but Richard Grant also does well, neatly portraying Redferne as a man out of time (essentially Michael Biehn's character from Terminator, in reverse). Lori Singer is...well, tolerable. The Warlock is not the all-powerful deity that the writers could have portrayed him as (and as he'll be portrayed in the next movie), meaning that the battles between him and Redferne are actually pretty interesting.

An interesting combination that is surprisingly entertaining.

The cinematography is good and the directing is excellent. The characters are interesting and the cast is very good.

A lot of effort has been put into the film, the director really made an effort to transfer this interesting story to the big screen. The film is entertaining and at times bizarre, but in a good way.

It possesses some strange charm despite its shortcomings which it compensates with entertaining characters and interesting plot. The concept is interesting and the director has achieved a good balance between horror and an entertaining film with a dose of subtle humor.

Julian Sands is interesting and sinister in the role of Warlock, and Richard E. Grant and Lori Singer are entertaining in the roles of Redferne and Cassandra.

A fun combination of several genres.

A witch hunter (Richard. E. Grant) is chasing an evil warlock (Julian Sands) that got transported from the 17th century to 1980's Los Angeles. With help from a young woman (Lori Singer) who's received a hex from the warlock, they team up and rush against the clock to stop him from getting his hands on the pages of the Grand Grimoire (satanic bible) and in doing so he could undo all creation.

Director Steve Miner (Friday the 13th Part 2 & 3, House) achieves probably his best film in "Warlock". Some people might say his best is "Lake Placid", but I couldn't stand that annoying film myself. Anyhow, the fact is the plot of "Warlock" might be very formulaic and lack depth in the religious lingo, but he delivers a pleasurable supernatural chase thriller here. Involving some enterprising performances that go in hand-to-hand with the well-paced story, witty humour and energetic action scenes. All of these elements seem to gel perfectly for an incredibly fun ride that hardly has a dull moment to be had.

There are some nice effects are on show (warlock flying through the sky) and good makeup is provided. The violence is hardly graphic, but there's some mild graphic scenes and implied violence too. Miner adds in some nice added touches with extremely solid direction that keeps a solid pace and well-orchestrated camera-work that captures the rather exquisite scenery when the film takes a detour in the countryside. Not particularly suspenseful or uneasy viewing, but well organised action set pieces, some horrific sequences and humorous moments (ingenious ending) makes up for it. There are some well-organised scenes of excitement and thrills, especially the sequences involving a farmhouse and a terrific climax in the eerie graveyard. It's layered with a potent score by Jerry Goldsmith that builds on some rare tense scenes, but more on the rapid mood of the film.

What truly make the film standout are riveting performances even though they feel hammy. There is such an excellent blend of chemistry between the leads. With each of them throwing back and forth to each other smart and witty dialogue. Julian Sands central performance leaps out as a powerful warlock out to destroy mankind. He fit's the role perfectly with this deviously venomous presence about him. Richard. E. Grant is charming as the very determined warlock hunter Giles Redferne. When these two characters meet, the confrontations between them always spices up the film. Lori Singer is enjoyable as the unknowingly Kassandra who adds to the humour and zest of the film.

The film might be nothing out of the ordinary, but you can't deny the upbeat tempo of a thrilling adventure that leads you on a whirlwind trip from Los Angeles to Boston.

I rarely watch any thriller type movies that involve the supernatural and and sort of monster or witch. They all tend to have similar plots and fail to challenge the imagination. I only saw this movie because my wife and daughter had just tuned it in when I arrived home one day. I watched simply to spend some time with them and chat during commercial breaks. I was caught up in this story very quickly and remained glued to my seat until it was over. Basically a male witch, played by Julian Sands, who wishes to reverse creation by finding a long hidden biblical document, makes the leap from the 15th century to present day to search for it. He is pursued by an equally determined witch hunter, played by Richard Grant. The movie is comical one moment and bone chilling the next. It's well presented and thrilling from start to finish. The witch chaser pursues the warlock across country, with the assistance of a young lady who falls into the story, with the chase culminating in a Graveyard in a very old section of Boston. Lots of excitement, drama, comedy and horror along the way. A delight to watch.

An evil warlock (Julian Sands) travels from the 17th century to modern times, in search of the pages of the Grand Grimoire (the Devil's bible), which, when assembled together, will reveal God's true name and allow creation to be undone. Hot on his heels is a witch-hunter, Giles Redferne (Richard E. Grant), who enlists the help of Kassandra (Lori Singer), a pretty girl who has been cursed by the warlock (for every day that passes, she ages 20 years).

Written by David Twohy (Pitch Black) and directed by Steve Miner (Friday the 13th Part 2 and 3, House), Warlock is a fun, if unexceptional, slice of supernatural horror. Twohy has obviously done his homework and fills the script with interesting little snippets of witch lore: Redferne uses a witch compass to track his foe, uses salt as a weapon (witches hate the stuff) and creates a potion (from the boiled fat of a boy!) to enable him to fly. Miner's direction is similar in style to his earlier movie, House, with the emphasis on fun rather than fear. The film is workmanlike but not particularly memorable visually, and is unfortunately let down by some poor special effects.

Warlock is diverting enough entertainment while it lasts and worth checking out if you're a fan of all things 'witchy'. Just don't expect anything exceptional.