Hugely influential, surreal and anarchic parody of the variety show format. Vic Reeves and Bob Mortimer introduce a selection of eccentric characters. The show often appears to be completely... Read allHugely influential, surreal and anarchic parody of the variety show format. Vic Reeves and Bob Mortimer introduce a selection of eccentric characters. The show often appears to be completely random, ramshackle and nonsensical.Hugely influential, surreal and anarchic parody of the variety show format. Vic Reeves and Bob Mortimer introduce a selection of eccentric characters. The show often appears to be completely random, ramshackle and nonsensical.
Browse episodes
Dudley Freeman
• 1990–1991
Mark Swan
• 1990–1991
Charles Rayford
• 1990
Mark Wingett
• 1990
Michael Starke
• 1990
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Featured reviews
10stu531
Fantastically surreal
To me, this is/was the best television programme ever - simple as.
There's something about BNO that has stuck with me since I first saw it in the early nineties. It was cheaply made, a minimal cast, yet for that it was honest and ridiculously hilarious. It has a natural funniness that I've just not seen on anything since - it just didn't try too hard, it was just that funny.
But as a couple of reviewers have said here, either you get it or you don't - there is absolutely no middle ground. You won't 'half' like it. It is truly silly - but intelligent at the same time. Part of its humour is the way lots of different comedy concepts are seamlessly included - verbosity, falling over, sarcasm - it works on many levels. But there you go - I'm over-analysing.
Just watch it; if you don't find it funny, you've lost nothing. But if you do, you might have just discovered what you'll see as the funniest thing ever.
There's something about BNO that has stuck with me since I first saw it in the early nineties. It was cheaply made, a minimal cast, yet for that it was honest and ridiculously hilarious. It has a natural funniness that I've just not seen on anything since - it just didn't try too hard, it was just that funny.
But as a couple of reviewers have said here, either you get it or you don't - there is absolutely no middle ground. You won't 'half' like it. It is truly silly - but intelligent at the same time. Part of its humour is the way lots of different comedy concepts are seamlessly included - verbosity, falling over, sarcasm - it works on many levels. But there you go - I'm over-analysing.
Just watch it; if you don't find it funny, you've lost nothing. But if you do, you might have just discovered what you'll see as the funniest thing ever.
The start of pure genius on our TV'S
Just been gifted the DVD set for my birthday
I'm having trouble writing this as my sides hurt from laughing so much
Genius is often banned about these days but in this case Genius is the only word fitting
VIC REEVES WILL SAVE US ALL!
The start of a great career
Big night out is probably the worst show ever on English television - but that is what makes it so great. Vic Reeves and Bob Mortimer guides us through a world of their own including Les - a man who fear chives and people being sentenced to being part of the cast of Jesus Christ Superstar for a year.
Anyone with a taste for the bizarre should see this show.
Anyone with a taste for the bizarre should see this show.
The only thing I have everor will ever award 10 stars.
This show is hilarious. When it first came out it changed the way I saw the world. In the UK it was the last show that everyone watched and everyone talked about it every week.
Comedy snobs might criticise it for catchphrases and prop comedy, but only the ones who think Otto and George should be marked down for being a puppet act. Sure, a lot of hack comedy uses props, puppets or catchphrases but to use them and be strikingly original (And derivative) takes genius. The point of comedy is to be funny. Stick your rules where the sun don't shine.
It's regrettable that none of their subsequent work has lived up to this striking beginning* but, to paraphrase Josef Heller, whose has?
This show made the world a better place for me and millions of others and I'm forever grateful. Thank you Slim. Thank you, stocky feller.
*On TV anyway. Vic's drawings are brilliant and Bob's podcast Athletico Mince is superb.
Comedy snobs might criticise it for catchphrases and prop comedy, but only the ones who think Otto and George should be marked down for being a puppet act. Sure, a lot of hack comedy uses props, puppets or catchphrases but to use them and be strikingly original (And derivative) takes genius. The point of comedy is to be funny. Stick your rules where the sun don't shine.
It's regrettable that none of their subsequent work has lived up to this striking beginning* but, to paraphrase Josef Heller, whose has?
This show made the world a better place for me and millions of others and I'm forever grateful. Thank you Slim. Thank you, stocky feller.
*On TV anyway. Vic's drawings are brilliant and Bob's podcast Athletico Mince is superb.
Absolute rubbish!
"Vic Reeves Big Night Out" is stupid humour for the very juvenile mind. There is more intelligent humour to be found in a children's day care center than in this show.
I like surreal humour as much as the next person, but I swear I could feel my brain cells dying off while viewing this waste of time.
Fortunately, Vic Reeves and Bob Mortimer redeemed themselves later with the enjoyable and stimulating Randall and Hopkirk(Deceased).
If you have not yet purchased this show on DVD, keep "Vic Reeves Big Night Out" out of your DVD collection. If this is what a Big Night Out is like, I'd rather stay in.
I like surreal humour as much as the next person, but I swear I could feel my brain cells dying off while viewing this waste of time.
Fortunately, Vic Reeves and Bob Mortimer redeemed themselves later with the enjoyable and stimulating Randall and Hopkirk(Deceased).
If you have not yet purchased this show on DVD, keep "Vic Reeves Big Night Out" out of your DVD collection. If this is what a Big Night Out is like, I'd rather stay in.
Did you know
- TriviaVic Reeves' Big Night Out began life as a solo comedy show by James Moir in the Goldsmith's Tavern in London in the mid-1980s. Moir met Bob Mortimer during a performance of one of his shows, and they began working together as a double-act. The show, now with Mortimer on board, moved to a bigger venue in Albany Theatre in Deptford in 1989. It began to attract the attention of several comedians, including Charlie Higson, Paul Whitehouse and Jonathan Ross. Ross' company Channel X, brought the show to Channel 4, which aired as a six-part series in 1990. After attaining a cult following, a second eight-part series was aired in 1991.
- Quotes
[repeated line]
Vic Reeves: You wouldn't let it lie!
- ConnectionsFeatured in It'll Be Alright on the Night 7 (1993)
Details
- Runtime
- 25m
- Color
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