A documentary about militant student political activity in the University of California-Berkely in the 1960's.A documentary about militant student political activity in the University of California-Berkely in the 1960's.A documentary about militant student political activity in the University of California-Berkely in the 1960's.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 4 wins & 4 nominations total
Stokely Carmichael
- Self
- (archive footage)
John De Bonis
- Self
- (archive footage)
Allen Ginsberg
- Self
- (archive footage)
Grateful Dead
- Themselves
- (archive footage)
- (as The Grateful Dead)
Lyndon B. Johnson
- Self
- (archive footage)
- (as Lyndon Johnson)
Clark Kerr
- Self
- (archive footage)
- (as Dr. Clark Kerr)
Martin Luther King
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Discussion of turbulent issues on the country's most turbulent campus
This film provides an interesting look at the major issues of the 60s on one of the most liberal campuses in the country. Similar to the War at Home (based on the anti- war protests in Madison), the film interviews leaders of the different political movements to get their perspective of what was happening at the time. Good variety of people, if not ideologies. Especially enjoyed the ending that was a "where are they now" update. Glad to see that a number of them didn't stick their beliefs in their back pocket and become part of the "Hippie Beemer" set after they finished college.
Long hair hippie dope fiends battle the pigs
Dramatic documentary highlighting the new awareness of the young, middle class white kids, blacks, and women. Lots of good footage showing of the happenings during the sixties, including excerpts from several speeches given by both radicals and politicos. A lot of this program I remembered from back then, but much of it was new to me. Very enjoyable look back.
Fabric of '60s Counterculture Politics : Weaving the Threads via Berkeley
This is a superb, valuable documentary.
Berkeley was at the epicenter as the counterculture politics of the '60s emerged. And revisiting the political ferment of '60s Berkeley can offer an unusually helpful overview of these interwoven political currents. This film does that very, very well.
The fascinating footage (including early glimpses at Reagan as a relatively new "pol"), the deft editing, the years-later retrospective reflections of "now-grown-up" participants in the Berkeley "FSM" (Free Speech Movement) -- these are all very engaging, and beautifully assembled. But what makes the film great for me is its clarity in reflecting the interplay of counterculture themes: the movements for free speech and for civil rights, the movement against the Vietnam War, and assertion of the new feminism. Along with the energetic pursuit of "sex, drugs and rock 'n' roll," these elements blended into one 'tsunami' of a movement -- were experienced by us all coming of age during that time, throughout the US and throughout much of the world. But as a young person during that era, who became very swept up in the self-proclaimed "dawning of the Age of Aquarius," I recall also feeling unclear on how these ideological components -- which otherwise seemed to me distinct and substantively unrelated became intertwined in the social politics of that era.
Whether the film is slanted, and whether "The Movement" was positive or negative, seem to me besides the point. The Movement was; like it or not, that reality is indisputable. From varying perspectives, our entire culture experienced it, and was affected by it. Most of the many millions of us on college campuses during that time were forever changed -- for good, for ill, or both. This film presents the most coherent depiction I've seen of how this happened, what it's "logic" was and manages to do so engagingly, without becoming pedantic. That's a whole lot for one film to do, even for someone who respects and loves film as our culture's greatest current art form.
Berkeley was at the epicenter as the counterculture politics of the '60s emerged. And revisiting the political ferment of '60s Berkeley can offer an unusually helpful overview of these interwoven political currents. This film does that very, very well.
The fascinating footage (including early glimpses at Reagan as a relatively new "pol"), the deft editing, the years-later retrospective reflections of "now-grown-up" participants in the Berkeley "FSM" (Free Speech Movement) -- these are all very engaging, and beautifully assembled. But what makes the film great for me is its clarity in reflecting the interplay of counterculture themes: the movements for free speech and for civil rights, the movement against the Vietnam War, and assertion of the new feminism. Along with the energetic pursuit of "sex, drugs and rock 'n' roll," these elements blended into one 'tsunami' of a movement -- were experienced by us all coming of age during that time, throughout the US and throughout much of the world. But as a young person during that era, who became very swept up in the self-proclaimed "dawning of the Age of Aquarius," I recall also feeling unclear on how these ideological components -- which otherwise seemed to me distinct and substantively unrelated became intertwined in the social politics of that era.
Whether the film is slanted, and whether "The Movement" was positive or negative, seem to me besides the point. The Movement was; like it or not, that reality is indisputable. From varying perspectives, our entire culture experienced it, and was affected by it. Most of the many millions of us on college campuses during that time were forever changed -- for good, for ill, or both. This film presents the most coherent depiction I've seen of how this happened, what it's "logic" was and manages to do so engagingly, without becoming pedantic. That's a whole lot for one film to do, even for someone who respects and loves film as our culture's greatest current art form.
Those were the days.
This documentary, focuses on the turbulence of the Berkeley student demonstrations, during the volatile 60s. There's plenty of interviews, with former Berkeley student radicals. Also included, is commentary from members of the Black Panthers, the Berkeley Mayor, local police, and concerned Bay area citizens. Berkeley, and the San Francisco Bay area in general, were the epicenter of political and social unrest, for young people in the 60s. The chaos of the student movement that began at Berkeley, spread to other campuses throughout the nation. Never before, had college students in America been so thoroughly dedicated to positive change, as they were during the 60s.
I lived in the Bay area, just two years ago. And it's undergone a 280-degree turn from its enlightened, progressive character, that was its signature zeitgeist in the 60s. It's become positively inhumane! It's been overtaken by affluent Yuppie WASPs, who have driven the price of housing to astronomical levels. As a result, homelessness is at epidemic levels there. So is unemployment. Even the most highly educated people, have to beg for low-wage jobs there. Racism, and even gay-bashing, now plague the once warm and tolerant Bay area too. High tech geeks are the new gods of the Bay area, and everyone else there is regarded as useless. Bohemians of all stripes, are no longer welcome there. They can't afford to live there anymore, anyhow.
This film is very informative, about how Berkeley students fought valiant battles for social justice in the 60s. It's a real shame, that the Bay area has become a haven for the Capitalist pigs, that the Berkeley students railed against over 40 years ago.
I lived in the Bay area, just two years ago. And it's undergone a 280-degree turn from its enlightened, progressive character, that was its signature zeitgeist in the 60s. It's become positively inhumane! It's been overtaken by affluent Yuppie WASPs, who have driven the price of housing to astronomical levels. As a result, homelessness is at epidemic levels there. So is unemployment. Even the most highly educated people, have to beg for low-wage jobs there. Racism, and even gay-bashing, now plague the once warm and tolerant Bay area too. High tech geeks are the new gods of the Bay area, and everyone else there is regarded as useless. Bohemians of all stripes, are no longer welcome there. They can't afford to live there anymore, anyhow.
This film is very informative, about how Berkeley students fought valiant battles for social justice in the 60s. It's a real shame, that the Bay area has become a haven for the Capitalist pigs, that the Berkeley students railed against over 40 years ago.
Documentary mostly emphasizes 60s Movement's limitations as remembered by former activists.
Berkeley in the Sixties is an historical documentary that alternates between 1980s oral history and actual period photo-journalism.
So it is composed largely of apparently network-sponsored news footage of the street politics and culture wars of the time. Reflecting an irony of the period, most of this footage of revolution was presumably shot and edited by the action-seeking network video journalists (employed by 1960s Fortune 500 corporations) who recorded the street politics and culture wars of the time.
One reviewer imagines "hypothetical" conservative viewers "talking back to the screen". But the only controversy of this film comes from giving any voice at all to the memories of today's teachers, social workers and businessfolk who (after all) mostly IN THEIR YOUTH had been involved with organizing and direct action in Berkeley. And this social history and oral history ("Heavens!") may be what one conservative reviewer calls "bias". The personal memories of these movements' various opponents (often unavailable anyway by 1990) are mostly not recorded. (Rather only their statements at the time are represented.)
History, like life, necessitates a particular perspective and position. And this one is admittedly not Ronald Reagan's or Ed Meese's or J. Edgar Hoover's history. But the film could by no stretch be called either Leftist or nostalgic or romanticized history of the 60s in the U.S. or abroad.
In the oral history testimonies, the "lessons" attested to are pretty darned mixed. Hardly sentimental, approximately two former activists' testimonials emphasize the MISTAKES and excesses of the period for every one that recalls a success or virtuous result, by my count. In other words, if this is propaganda, it is clearly NOT Leftist propaganda. Neither is this a Sunday a.m. tv pundit debate among major party-allied think tank representatives. The film is an attempt to probe the experience of folks who, like the rest of us, shaped human history both deliberately and inadvertently.
Moreover this is as much another worthwhile film about boomers recalling their hyper-televised, activist youth as it is an attempt at serious history. and yet in the end Berkeley in the 60s does an excellent job of both tasks. It is among the most . thought-provoking films I have seen. --Todd from Brooklyn
So it is composed largely of apparently network-sponsored news footage of the street politics and culture wars of the time. Reflecting an irony of the period, most of this footage of revolution was presumably shot and edited by the action-seeking network video journalists (employed by 1960s Fortune 500 corporations) who recorded the street politics and culture wars of the time.
One reviewer imagines "hypothetical" conservative viewers "talking back to the screen". But the only controversy of this film comes from giving any voice at all to the memories of today's teachers, social workers and businessfolk who (after all) mostly IN THEIR YOUTH had been involved with organizing and direct action in Berkeley. And this social history and oral history ("Heavens!") may be what one conservative reviewer calls "bias". The personal memories of these movements' various opponents (often unavailable anyway by 1990) are mostly not recorded. (Rather only their statements at the time are represented.)
History, like life, necessitates a particular perspective and position. And this one is admittedly not Ronald Reagan's or Ed Meese's or J. Edgar Hoover's history. But the film could by no stretch be called either Leftist or nostalgic or romanticized history of the 60s in the U.S. or abroad.
In the oral history testimonies, the "lessons" attested to are pretty darned mixed. Hardly sentimental, approximately two former activists' testimonials emphasize the MISTAKES and excesses of the period for every one that recalls a success or virtuous result, by my count. In other words, if this is propaganda, it is clearly NOT Leftist propaganda. Neither is this a Sunday a.m. tv pundit debate among major party-allied think tank representatives. The film is an attempt to probe the experience of folks who, like the rest of us, shaped human history both deliberately and inadvertently.
Moreover this is as much another worthwhile film about boomers recalling their hyper-televised, activist youth as it is an attempt at serious history. and yet in the end Berkeley in the 60s does an excellent job of both tasks. It is among the most . thought-provoking films I have seen. --Todd from Brooklyn
Did you know
- Quotes
John Searle: "... worst yet, we attracted to Berkeley, the worst collection of kooks and nuts you've ever seen in your life. Everybody saw this on television, and they had a completely distorted conception of it. They thought, 'what you do is you go to Berkeley, and you riot and you just have a great time; its one big political, sexual, drug feast.'" TC:38.52
Details
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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