Deathstalker IV: Match of Titans

This is clearly the best of the Deathstalker series, much better than the first three. Rick Hill (Deathstalker 1) is back, this time with more filled out masculine features and physique. He and Dionara (Maria Ford), after generally being involved in medieval combat against the bad guys at the beginning, go to a tournament hosted by the evil Queen Kana (Michelle Moffett). Sort of like "Enter the Dragon" except swords onstead of martial arts, and both men and women. It then becomes evident that the Queen has further motives than sadistically watching people die in slaughtering each other, that is, specifically to get rid of enemies present at the tournament and get a hold of Deathstalker's magical sword. Deathstalker and Dionara, with the help of a sidekick they persuade, seek to foil the queen.

There is lots of wild action, outdoors and indoors, some banquets and orgies and nudity, and the queen even has some erotic moments with Deathstalker and the sidekick. Dionara has a water hole fight with her lead rival before a climactic swordfight. But Rick and Maria make a great pair of protagonists, the best Deathstalker romantic pair. If you are into this genre, see it.

I didn't think anyone else had even heard of the Deathstalker films, let alone actually owned them - so when I saw this 'un on sale for a couple of quid second-hand, the appalling decision had already been made...

It's not a good film, obviously. In fact it's pretty terrible. I can't say just how terrible it is in relation to its three predecessors, because they were experienced way back in my murky, impressionable childhood and the only bits I can remember are the bits that were inexplicably recycled in this one.

But the real tragedy of Match of Titans is that while it's certainly a long way from the likes of the Conan films in terms of production values and, well... everything, really, it's also not quite inept enough to be funny. Don't get me wrong, the scale of incompetence runs pretty high considering it's the fourth instalment in a series, but when it comes to the crunch Rick Hill goes and ruins everything by turning in an inappropriately decent performance. Maria Ford's worth looking at, too. Not worth watching, mind you, but definitely worth looking at. There's a difference.

Still, the 'special' 'effects' are well down to standard for the genre, as are the 'plot', 'dialogue' and 'continuity'. And I can only speculate that the 'fight scenes' were choreographed by a couple of arthritic, wheelchair-bound 85-year-olds drunk on gin, which is great for a film entirely based around a hand-to-hand combat tournament. So it's not all bad, then.

You would think that a movie that features a former 'Penthouse Magazine' model would be a bit better than this snoozer flick. The fourth (and perhaps last) of the 'Deathstalker' series movies is probably the most ambitious but second-most miserable failure of them all (though 'Deathstalker 2' was even worse).

It's the usual plot - adventuring hero teams up with beautiful female warrior and frees a city from an evil ruler. So what do you get in between the covers? Well, some good opportunities for Maria Ford to show her 'talents' are wasted for one thing. I would think that if her character was in love with Deathstalker, that there would be at least one scene with intimacy. She also has the ability to keep her clothes on in a fight. Also, every castle has a dungeon, yet we never see anybody being tortured (or even half-dressed). So what's the point of having a dungeon in the first place? And worse than that, with all of the swords being swung about, the gore is a bit slight.

If there's going to be a 'Deathstalker 5', the producers would be wise to give us what we expect in a 'B'-level movie: skin, a couple of torture scenes, and blood.

As you might have expected this is another cheap and shoddy sword and sorcery flick from Corman's trash factory. Not nearly as fun as Deathstalker I or II, but at least the character is back in his relaxed, tongue-in-cheek mode, unlike the too serious Deathstalker from part III. You get some bad swordfights, self-parodic machismo, gladiator action, nasty leather-lesbians, lion-men, stone-soldiers and lots of T&A. And of course once again you get to enjoy some Concorde "classic" scenes, like: "Man being dragged through the woods by a horse", "Pigman eats pork" and "thinny, hyperactive gladiator in stupid viking helmet uses penis-violence and is beaten to a pulp by a fat, hairy giant with a club".

Things get off to a decidedly poor start in this, the fourth entry in the Deathstalker series. During the very first scene I was immediately struck by two things: 1)The camera work looked as though it were achieved by strapping the camera to the rear end of a rodeo horse. and 2)Who ever is responsible for the bloody awful, tuneless and distracting 'music' accompanying this scene needs be executed.

On the latter point, words really just cannot describe just how atrocious the aimless, meandering sequence of seemingly random 'notes' are.

Luckily things suddenly look brighter when the original Deathstalker himself, Rick Hill turns up on the scene to save the day (he even performs his trademark 'wipe the blood from sword behind leg' move after he slays the bad guys, just like he did way back when he originally played the titular role) Interestingly, Ricks portrayal of the main character here carries far more humour than in his first appearance (no doubt the script in keeping with the comedic nature of the two previous sequels) Alas, this humour all but dries up save for a few scenes as the film progresses, which I felt was a real shame.

If there's one thing that everyone seems to agree on in the Deathstalker films, it is that the ladies present within them are universally stunning to behold. In this regard, the movie in question surpasses itself by casting the absolutely gorgeous Maria Ford as Deathstalker's love interest who also happens to be an incredibly feisty warrior!

It's such a pity that the rest of the film fails to have the same lustre. Whilst I've certainly watched far worse in my time, this movie overall just feels flat and uninspired and I can really only describe it as average at best. However, it IS great to see Rick Hill back in the title role and as previously mentioned, Maria Ford is truly stunning to behold, which is a real bonus!