Deathstalker IV: Match of Titans

You would think that a movie that features a former 'Penthouse Magazine' model would be a bit better than this snoozer flick. The fourth (and perhaps last) of the 'Deathstalker' series movies is probably the most ambitious but second-most miserable failure of them all (though 'Deathstalker 2' was even worse).

It's the usual plot - adventuring hero teams up with beautiful female warrior and frees a city from an evil ruler. So what do you get in between the covers? Well, some good opportunities for Maria Ford to show her 'talents' are wasted for one thing. I would think that if her character was in love with Deathstalker, that there would be at least one scene with intimacy. She also has the ability to keep her clothes on in a fight. Also, every castle has a dungeon, yet we never see anybody being tortured (or even half-dressed). So what's the point of having a dungeon in the first place? And worse than that, with all of the swords being swung about, the gore is a bit slight.

If there's going to be a 'Deathstalker 5', the producers would be wise to give us what we expect in a 'B'-level movie: skin, a couple of torture scenes, and blood.

Wait...there are four Deathstalkers, if they keep this up they can have their own convention!!

Its better than part 3 and that's the only redeeming feature about this....feature.

You would see better action watching Beaches.

As you might have expected this is another cheap and shoddy sword and sorcery flick from Corman's trash factory. Not nearly as fun as Deathstalker I or II, but at least the character is back in his relaxed, tongue-in-cheek mode, unlike the too serious Deathstalker from part III. You get some bad swordfights, self-parodic machismo, gladiator action, nasty leather-lesbians, lion-men, stone-soldiers and lots of T&A. And of course once again you get to enjoy some Concorde "classic" scenes, like: "Man being dragged through the woods by a horse", "Pigman eats pork" and "thinny, hyperactive gladiator in stupid viking helmet uses penis-violence and is beaten to a pulp by a fat, hairy giant with a club".

This is clearly the best of the Deathstalker series, much better than the first three. Rick Hill (Deathstalker 1) is back, this time with more filled out masculine features and physique. He and Dionara (Maria Ford), after generally being involved in medieval combat against the bad guys at the beginning, go to a tournament hosted by the evil Queen Kana (Michelle Moffett). Sort of like "Enter the Dragon" except swords onstead of martial arts, and both men and women. It then becomes evident that the Queen has further motives than sadistically watching people die in slaughtering each other, that is, specifically to get rid of enemies present at the tournament and get a hold of Deathstalker's magical sword. Deathstalker and Dionara, with the help of a sidekick they persuade, seek to foil the queen.

There is lots of wild action, outdoors and indoors, some banquets and orgies and nudity, and the queen even has some erotic moments with Deathstalker and the sidekick. Dionara has a water hole fight with her lead rival before a climactic swordfight. But Rick and Maria make a great pair of protagonists, the best Deathstalker romantic pair. If you are into this genre, see it.

Hero Deathstalker teams up with beautiful female warrior to free a city from an evil Queen ruler.

The last installment of the Deathstalker tetralogy, opening with some great music from Simo Lazaro, along with a recap of the original Deathstalker and voice over narration from Maria Ford, Howard R. Cohen's Deathstalker IV: Match of Titans quickly dives into the realm of filmmaking dungeons.

Then subpar recycled music kicks in along with other short cut savings, reused footage from other Roger Corman produced productions including The Barbarian Queen (1985) complete with shoddy editing and sound design. The low budget sword and sorcery affair crams in clunky sword fights, self-parody machismo, gladiator action, gratuitous nudity, lion-men and warriors turned into stone-soldiers (disappointedly just grey makeup). Don't expect Ator: Fighting Eagle (1982) or anything resembling Conan the Barbarian (1982), even The Sword and the Sorcerer (1982).

Debatably it's more fun than the mid-nineties TV shows that it paved the way, including the abundance of Hercules, Young Hercules and Xena: Warrior Princess episodes. There's plenty to like, there's well dressed sets, Cohen's productions does benefit from quality costumes and real locations. It's also great to have the original Deathstalker actor Rick Hill reprise his role after being missing from the tongue-in-cheek Deathstalker II: Duel of the Titans (1987) toned down comedy of Deathstalker III: The Warriors from Hell (1988). None of the films deliver on the fantastical poster art work and this instalment is no different.

Nobody is looking for an Oscar and know what their making, but to the cast's credit they play it straight. Hill delivers some fancy sword and footwork. Maria Ford is pretty impressive with a sword and does a adequate job with Cohen's basic script. Fords narration pops up jarringly now and again for exposition. Michelle Moffett's villain sorceress Kana takes her top off as the script dictates. Like Ford, Moffett does well giving the dodgy script, even going as far to give some credence to the shenanigans. Memorable is Bulgarian actoress Anya Pencheva as Janeris who has plenty of screen presence but is sorely underused. Djoko Rosi outacts everyone as Highlander Kurgan sounding Rakshia.

Overall, there's an interesting story hiding beneath Cohen's laughable low budget offering, while it lacks the scope and execution of the Italian swords and sorcery, it's a lot more fun than it should be.