The Astronomer's Dream; or, The Man in the Moon

This is actually a very elaborate fiction film for 1898. Made by Georges Méliès, it lasts over three minutes, when most films during the period lasted about a minute or less. Early cinema historian Frank Gray refers to this film as having consisted of three shots and 60 meters length. Yet, I can't precisely distinguish or separate shots or scenes in it, as the entire film takes place from a fixed framing and long-shot perspective. One could go to either extreme: saying that this is a single shot-scene film since its perspective is stationary, or you could say it consists of dozens of shots, including the trick splices for appearances, disappearances, substitutions and stop-motion animation, which is to say this film is a series of jump cuts.

"The Astronomer's Dream", however, does contain a three-part structure, I'd say. The bookend parts are of the astronomer safe within his laboratory, with the longer, middle part being the nightmare. There are also at least three slightly different decors used: the outer one with the telescope and the entire laboratory; a tighter, less furnished, yet similar one for closer views of the moon during the dream; and, briefly, a wall. Moreover, as indicated by this film having three entries in the Star catalogue, it was available to exhibitors in three parts, which was common then, as films were generally sold in 20-meter lengths. Regardless, this is a sophisticated narrative and production for its time.

The following year, Méliès would produce his first féerie film (fairy film), "Cinderella", which consists of at least four distinct scenes transitioned by dissolves. "Cinderella", albeit, is in the tableau, theatrical style of stationary shot-scenes, but it does distinguish spatially separate scenes for a more advanced narrative construction. One fiction film in 1898, Robert W. Paul's "Come Along Do!" also contained two spatially separate scenes with action continuing across them. "The Astronomer's Dream", however, was Méliès's then most elaborate and sophisticated dream or trick film, although it does contain a fairy godmother type in the goddess Phoebe, who protects the astronomer from attacks by demons, the moon and the rest of the nightmare. It's purely part of what Tom Gunning has referred to as "the cinema of attractions"; the attraction here being the magic or tricks accomplished mostly through substitution splices (a.k.a. stop substitutions), as well as theatrical props and transitions and a brief chalkboard animation within the scene. Today, these trick films hold up well and remain at least amusing because of Méliès's wacky and imaginative humor; their primitiveness is even part of their charm.

George Méliès makes my mind melt and my jaw drop again! This short film is actually better than the last! It has the extremely cool illusions of people appearing and disappearing out of thin air (still do not know how that was accomplished), but this one steps it up a notch. There's this really creepy moon that eats the furniture that moves on its own and it looks awesome. The guy who is playing the astronomer did a great job. His performance made me laugh. The biggest improvement though is the addition of music. Just simply adding music helps, but it's even better when the music fits perfectly and adds another level of enjoyment to something, which is the case here. This makes me way more eager to check out more of George Méliès work, and I think I can safely say I won't be disappointed.

An astronomer (dressed like a wizard) is visited in his observatory by various imps and fairies, and eventually a giant, eye-rolling anthropomorphic moon that eats his telescope, dissolves his umbrella, delivers a couple of frolicking moon-children, and eventually eats the old fellow himself. The entire phantasmagoric night turns out to be a dream (hence the original title ('The Astronomer's Dream'), which was more accurate than the deceptive American release "A Trip to the Moon"). The film is a wonderful showcase for Méliès' early experiments in 'trick photography' and includes a number of well done (for the era) substitution splices as the fanciful characters appear and disappear, and a clever animation scene in where images on the astronomer's black-board come to life. A clever and imaginative fantasy film from the early days of cinematography.

This is another very early (19th century still!!) and simply MAGNIFICENT example of Georges Melies' magic: a queer 'science fiction' story (certainly one of the first EVER) about a scientist (played by Melies himself) who is hooked on his researches about the moon - which seems to take its revenge: first it comes alive on the drawing board, and when he looks at it through its telescope, it comes REALLY close to him, literally only 'a meter away', as the title says; and starts eating up everything in reach...

Here we have the great pleasure to enjoy more of the magician's cinematographic tricks he knew so perfectly well: people and things vanishing and reappearing, the drawn settings seemingly coming alive... THOSE are the 'little' shorts (with a running time of only about 3 minutes then) which led to today's movies with their special computer effects and almost unbelievable scenes - something that EVERY film fan should see in order to get to know the ORIGINS OF TODAY'S CINEMA!

Fantastic short film from pioneering filmmaker Georges Méliès. A great companion piece to his later classic, A Trip to the Moon (1902). That name was also given to this one when released in the US. The original (and more fitting) name is The Astronomer's Dream. The story to this is an astronomer who looks like Merlin is visited by a woman and a demon and has dreams about the moon. The special effects and sets are really cool, especially when you consider this film's age. Méliès was ahead of his time in many ways. Definitely worth a look for anyone into film history or silent shorts or anyone with a few minutes to spare. I can't imagine anyone seeing this and regretting it. Well, a-holes maybe.