IMDb RATING
6.1/10
2.2K
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A French professor and his daughter accompany Captain Nemo on an adventure aboard a submarine.A French professor and his daughter accompany Captain Nemo on an adventure aboard a submarine.A French professor and his daughter accompany Captain Nemo on an adventure aboard a submarine.
- Awards
- 1 win total
William Welsh
- Charles Denver
- (as William Welch)
Wallis Clark
- Pencroft
- (as Wallace Clark)
Joseph W. Girard
- Maj. Cameron
- (uncredited)
Ole Jansen
- Undetermined Secondary Role
- (uncredited)
Noble Johnson
- Undetermined Secondary Role
- (uncredited)
Leviticus Jones
- Neb
- (uncredited)
Martin Murphy
- Herbert Brown
- (uncredited)
Jack Tornek
- Undetermined Secondary Role
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
20,000 Leagues Under the Sea (1916) was a movie of firsts. It was the first feature length adaptation of Jules Vernes classic and was also the very first movie to film underwater.
Alas the troubles of this silent movie became apparent quite early on, namely that it's not exactly loyal to the source material. If you're expecting something strongly resembling the book then this may be an adaptation worth skipping over.
Now as mentioned this is a silent film (Entirely even devoid of music) which I'll be honest I've never liked. It's not anything snobbish or any expectations that I impose on a film, it's more that sitting for 90 minutes odd in silence gives me a migraine.
For this reason I watched this in sections and when the credits rolled I still managed to acquire a migraine and wasn't overly impressed with what I saw.
Considering it's age the majority looks fantastic as does the underwater filming. Certain parts struggle and it's unclear everything that is taking place but thankfully unlike 1907's version they are few and far between.
20,000 Leagues Under the Sea is a passable attempt at a grandiose tale and the first of many many adaptations.
The Good:
Revolutionary for its time
The Bad:
Something about silent film gives me a headache
Not loyal to the original book
Alas the troubles of this silent movie became apparent quite early on, namely that it's not exactly loyal to the source material. If you're expecting something strongly resembling the book then this may be an adaptation worth skipping over.
Now as mentioned this is a silent film (Entirely even devoid of music) which I'll be honest I've never liked. It's not anything snobbish or any expectations that I impose on a film, it's more that sitting for 90 minutes odd in silence gives me a migraine.
For this reason I watched this in sections and when the credits rolled I still managed to acquire a migraine and wasn't overly impressed with what I saw.
Considering it's age the majority looks fantastic as does the underwater filming. Certain parts struggle and it's unclear everything that is taking place but thankfully unlike 1907's version they are few and far between.
20,000 Leagues Under the Sea is a passable attempt at a grandiose tale and the first of many many adaptations.
The Good:
Revolutionary for its time
The Bad:
Something about silent film gives me a headache
Not loyal to the original book
This early adaptation of "20,000 Leagues Under the Sea" is interesting, and generally entertaining, though it lacks the depth of the original story. Its strengths are the underwater effects, the settings, and the camera work, which at times are remarkable for the era. On the other hand, it makes little attempt to convey the most important themes of Verne's story, settling instead for straightforward adventure and melodrama, which are much easier to film.
One can only guess how exciting it might have been in 1916 to see some of these images and special effects. Only occasionally does it falter a bit and lose the illusion of reality for a short time; otherwise it is quite convincing. Just seeing the underwater photography alone must have been pretty impressive at the time, and they also managed to get some interesting sea creatures on film. The photography itself is pretty good throughout the movie, and some of the props and settings are nicely done.
The story draws rather freely both from "20,000 Leagues ... " and also from another Verne story, "Mysterious Island". It is a mostly entertaining yarn, full of action and with some unexpected developments. But only a small portion of Verne's scientific vision comes across, and none of the depth of the characters and of their interactions has been preserved. Captain Nemo is one of literature's more complex and thought-provoking characters, but here he becomes more of a stock melodrama figure. Professor Arronax and Ned Land are mostly spectators, rather than providing worthy foils for the mad genius Nemo.
It's by no means a bad movie, and if you are a silent film fan and/or are interested in film history, there should be enough here to make it worth watching. But otherwise, the 1950's Disney version does a much better job of filming the profound vision and philosophical conflict found in Verne's original novel.
One can only guess how exciting it might have been in 1916 to see some of these images and special effects. Only occasionally does it falter a bit and lose the illusion of reality for a short time; otherwise it is quite convincing. Just seeing the underwater photography alone must have been pretty impressive at the time, and they also managed to get some interesting sea creatures on film. The photography itself is pretty good throughout the movie, and some of the props and settings are nicely done.
The story draws rather freely both from "20,000 Leagues ... " and also from another Verne story, "Mysterious Island". It is a mostly entertaining yarn, full of action and with some unexpected developments. But only a small portion of Verne's scientific vision comes across, and none of the depth of the characters and of their interactions has been preserved. Captain Nemo is one of literature's more complex and thought-provoking characters, but here he becomes more of a stock melodrama figure. Professor Arronax and Ned Land are mostly spectators, rather than providing worthy foils for the mad genius Nemo.
It's by no means a bad movie, and if you are a silent film fan and/or are interested in film history, there should be enough here to make it worth watching. But otherwise, the 1950's Disney version does a much better job of filming the profound vision and philosophical conflict found in Verne's original novel.
I found this film extraordinary, if for no other reason than the fact, that that they used underwater photography showing divers in deep sea helmets using what looked to be rifles with spears attached (early spear guns, I imagine) actually shooting at a large group of sharks swimming around them. I also didn't see any air lines attached to any of these divers, however, if you looked closely, you could see some air bubbles come out of the helmets of the divers every so often. They must have been using some type of compressed air with a regulator, however when I queried Google, I was informed that SCUBA wasn't invented until 1939 for the US Navy and the air regulator hadn't been invented until 1943 by Jacques Cousteau. There was a device that contained compressed air in a belt attached to a diver's helmet that was invented in 1825 but that would only allow a diver to stay under 7 minutes. Were they really able to get all of the shots with the divers within that time frame. Very curious. Does anyone have the technical details for how this film was accomplished? I give this film a 9 for technology and a 5 for story line and acting for a 7 overall.
This film combines plot elements of Verne's original 20,000 Leagues Under the Sea and Mysterious Island, then adds its own subplot involving the origin of Captain Nemo that ties everything together. I was very impressed by the writing. This was the first major film with underwater photography. The set design was impressive. I found the diving suits to be particularly interesting--essentially early versions of scuba gear. The new score fit very well into the story. All in all, a wonderful and landmark achievement in filmmaking.
This may have been thrilling in 1916, but today it seems more of a curio. The Williamson brothers invented a camera to take pictures underwater, (the prologue tells us, complete with photos of them) so there's lots of shots of fish swimming, the bottom of the sea, men in diving suits and one battle with an octopus, which was a bit fuzzy. Still, the sense of watching movie history was strong, but don't expect too much in light of more modern techniques. What really bothered me was the hammy acting styles, with lots of arm motions and exaggerated facial features. It's the style that gave silent films a bad name. One who avoided this was Matt Moore, the hero of the film, and the only actor I recognized. Perhaps that is why he was still making movies in the 50's. The film uses plot elements of Verne's "The Mysterious Island" as well as "Twenty Thousand Leagues Under the Sea."
Did you know
- TriviaUnderwater cameras were not used. The Williamson brothers had developed a system of watertight tubes and mirrors, like an upside-down periscope, and were dependent on the clarity of water and sunshine to provide the necessary light.
- GoofsIn one scene on the island the balloon survivors are at a table and a black servant appears. He never shows up again and is not rescued at the end of the film with the rest of the survivors.
- Quotes
Capt. Nemo: I am Captain Nemo and this is my submarine, 'Nautilus'... It has pleased me to save your lives... You are my prisoners.
- Crazy creditsThe opening titles announce "The First Submarine Photoplay Ever Filmed".
- Alternate versionsKino International released a video with a music soundtrack by Alexander Rannie and Brian Benison (music © 1991). Running time is 101 minutes.
- ConnectionsFeatured in To the Galaxy and Beyond with Mark Hamill (1997)
Details
- Release date
- Country of origin
- Language
- Also known as
- Twenty Thousand Leagues Under the Sea
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $200,000 (estimated)
- Runtime
- 1h 45m(105 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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