His Wedding Night

Buster Keaton got his start in movies alongside Fatty Arbuckle. Keaton obviously ended up more famous due to the collapse of Arbuckle's career following a scandal. Nonetheless, their collaborations were usually enjoyable. An example is 1917's "His Wedding Night". It's basically an excuse for them to pull a series of zany gags, one involving a watermelon.

One of the most famous things about this short is that we get to see Buster Keaton smile, one of the rare instances when he did so onscreen. But even beyond that, it's just a funny short. It just goes to show that talent is main thing required to make any performance work. You're sure to enjoy it. Available on Wikipedia.

A strictly routine Arbuckle comedy in which most of the laughs are to be found following the belated entry of a young Buster Keaton, who is mistaken for store assistant Roscoe's bride-to-be. Modern-day viewers will no doubt find some racist gags and a scene in which Roscoe deliberately chloroforms a young woman so that he can kiss her as she sleeps offensive.

Roscoe Arbuckle and Buster Keaton made several enjoyable two-reel comedies together during Buster's apprenticeship as a filmmaker, but in my opinion His Wedding Night is not one of their better collaborations. It's an early credit for Buster, his fourth film, and he doesn't appear until almost the halfway point, but within moments of his entrance -- as a dress maker's delivery boy on a bike -- he promptly steals the show with a spectacular flip over the bicycle rack. (And he made such stunts look easy! Easy for him, anyway.) Buster also appears in drag, in a wedding gown no less, and milks his entrance in this costume for all it's worth.

Meanwhile, Roscoe "Fatty" Arbuckle is up to his usual tricks. Here he's a clerk in a drug store, elaborately mixing malted drinks, flipping utensils in the air and deftly catching them. The location offers ample opportunity for of Keystone-style shenanigans, as when Fatty tussles with a mule, insults customers, bilks a rich man out of money for "gasoline" that is actually water, and once again engages in a rivalry with nasty Al St. John over a pretty girl. It's no mystery why Al St. John's character is always so unappealing in these comedies -- for one thing, when the girl jilts him he has a tendency to assault her, as he does here -- but it's remarkable that Arbuckle manages to be so likable when he behaves as he does. In this film, for instance, a running gag involving chloroform leads to a moment when Fatty deliberately renders a pretty girl unconscious so he can kiss her. You may or may not find that gag funny, but when he performs it Roscoe comes off like a naughty boy, not a pervert. Within a few years, of course, after the sex scandal that destroyed his reputation and his career, it would have been impossible for Arbuckle to have performed such a scene without stirring deeply unpleasant associations in viewers' minds.

Over all this film feels like a somewhat routine effort, not as inspired as the best Arbuckle/Keaton shorts produced for Roscoe's "Comique" company. For me it's marred by an interlude of racial humor near the beginning that leaves a sour after-taste. The scene involves a customer in the store, an African-American lady who is the butt of several gags -- literally, in one instance. Racial gags turn up frequently in silent comedy, and the scene in His Wedding Night is far from being the worst offender in the Comique series (that dubious distinction belongs to a mean-spirited sequence in Out West which ruins that film), but the bottom line where this comedy is concerned is that the material in question simply isn't funny.

The best Comique shorts, such as The Bell Boy and The Garage, are full of inventive gags and routines that still provoke laughs. His Wedding Night doesn't hold up nearly so well, but the limber young Buster Keaton provides it with some enjoyable moments, and he remains the best reason to watch.

'Fatty' Arbuckle works in the drugstore where he serves the drinks and also services the gasoline pump. He is about to marry Alice, the daughter of the drugstore owner. Al St. John, again, stars as Fatty's rival. When he gets pushed aside by Alice he decides to kidnap Alice. Unfortunately they kidnap delivery boy (Buster Keaton) who were just showing off the wedding dress to Alice.

Nothing too original, clever or inventive - Fatty again fights over a woman with his rival Al St. John. Buster Keaton's role is literally just being thrown around by others.

Most interesting moment in the movie was a scene, where Arbuckle's character (who were supposed to be sympathetic and heroic) drugged the female customers in the store to make out with them. Something that definitely couldn't pass nowadays.

In something of a thematic follow-up to The Butcher Boy from just a few months prior, Fatty Arbuckle plays a drug store clerk with a thing for the owner's daughter. Despite the sweetness of his immediate wedding proposal and the usual array of silly antics and messy customer confrontations, Arbuckle's character explores some strangely dark corners in this one. Price-fixing the gasoline and taking swigs from the pump may be one thing, a disconcerting throwaway gag, but swapping perfume samples for chloroform is another, especially when he uses the opportunity to make advances on the kayoed shoppers. It's weird and out of place, a dirty turn for what's, otherwise, a very light-hearted romp around the soda fountain. Buster Keaton is kicking around the store, too, as a harried delivery boy recruited to model gowns for the bride-to-be, but he's a less active participant than usual and the comedy suffers for his absence. The best scene, pictured in most promotional materials, involves Arbuckle's ill-fated attempts to somehow get a live mule up on his shoulders. Strange but mostly amusing.