A Romance of the Redwoods

Romance of the Redwoods is an early western feature film produced and directed by Cecil B. DeMille if stars Mary Pickford as Jenny Lawrence. And Elliott Dexter as 'Black' Brown. The story line goes as Jenny is sent west to live with her uncle after the death of her father. In the meantime her uncle has been killed by Indians and Black Brown as assumed his identity They both make it to Strawberry Flats a gold rush town. Jenny makes it to Blacks cabin and knows he is not her uncle well they fall in love and the law catches up to Black the rest is to be watched.

It is good to see Pickford play a real woman in a film and she really makes this movie worth watching. Also Dexter does a good job of acting as does the rest of the ensemble. The real downfall of the film is the implausibility of the story line along with an unbelievable ending. It is nice to see Big Basin State Park used for the exterior shots this is one of the loveliest places in all of California, Grade C

Jenny left home for meeting her uncle. She arrived at the town where she and her uncle were determined to see each other. But there was not her uncle, the strange man who was a burglar appeared in front of her. His name is Black Brown. Black Brown let her know that her uncle was killed by arrows of apaches. Then Brown pretended to become her uncle at the moment, Jenny told other people that he was her uncle. His mind got weaker(I am unsure), owing to her innocent personality. He swore to not do something bad to Jenny. Brown, however, broke a vow, stole gold, and then purchased the doll to give Jenny a present. Sheriff and other people came, were determined to strangle him. Brown confessed the truth that he was not Jenny's uncle, requested her to save him. Jenny requested Sheriff or one man. After all, Brown was not strangled. Then Jenny and Brown left the town together.

Black Brown was quite hot in the film. It was cute that his heart became weaker in front of Jenny. Jenny was boyish, she targeted someone(She did not know the man was Black Brown at that time) with the gun. Eliott Dexter looked a lot younger than his age, forty-six or seven in the film.

Romance at the Redwoods, A (1917)

** 1/2 (out of 4)

Jenny Lawrence (Mary Pickford) goes to stay with her Uncle in California at the height of the gold rush after her grandmother dies. What she doesn't know is that her Uncle has been killed by Indians and an outlaw known as "Black" Brown (Elliott Dexter) has taken his identity. When Jenny finds out the truth she decides to stay with the outlaw in hopes of reforming him. As is the case with many of DeMille's silents, this one here is rather hit and miss. The biggest problem are some logical issues, which ring out very loudly with the first one being why in the heck does the religious Pickford stay with this guy when she has plenty of opportunities to escape or turn him in. All of this makes for a very predictable story, which leads to a very silly ending, which doesn't do the film any good. Pickford is very charming and delightful, as usual, in her role and she makes the film worth watching. Dexter is also very good in his role as is Tully Marshall and Charles Ogle (Edison's Frankenstein) in his small role. Character actor Raymond Hatton is also very good. The cinematography is rather bland considering the era that the film was made and I think this is something DeMille, and his ego, wasn't allowing himself to expand on. Those expecting something epic or big in terms of production since this is DeMille will be disappointed because this is a pretty small melodrama that never tries anything in larger terms. This might be due to the fact that the budget was set at $135,000 with $97,000 of that going towards Pickford's salary.

A ROMANCE OF THE REDWOODS is an odd little film. This 1917 entry has Mary Pickford as an eastern girl who heads west to be with her uncle, her last surviving relative. In separate action we are introduced to Black Brown (Elliott Dexter) a desperado who comes upon the body of a dead man and changes clothes with him, assuming his identity. When a posse comes upon the dead man, they assume it's Black Brown.

In the mining town of Strawberry Flats, Dexter continues his charade as the dead man and everything goes well until Pickford arrives in town and takes up residence in his cabin. Of course he's still robbing stagecoaches. Pickford begins cleaning up the filthy cabin and comes upon a bandana with odd holes cut out of it. She holds it up to her faces and peers out through the holes.

She realizes Dexter is not Uncle John but he threatens to tell the world she's his gal if she breathes a word about his identity. Of course they fall in love.

The twist ending is quite good. Not a major vehicle for Mary Pickford, the film really stars Elliott Dexter, a favorite leading man of director Cecil B. DeMille. The location shooting is a plus. Look for Tully Marshall, Charles Ogle, Walter Long.

Romance Of The Redwoods was the first of two films that Mary Pickford did for Cecil B. DeMille. Pickford came as part of the package when the Famous-Players Company merged with the Jesse L. Lasky Picture Corporation to form Famous-Players-Lasky which eventually was Paramount. Adolph Zukor asked DeMille to do a film with her and DeMille wanted a war film. Zukor insisted on a western first and we got Romance Of The Redwoods.

Both DeMille and Pickford came from the tradition of the Victorian Theater and in fact when DeMille was an actor he appeared with Pickford on stage in one production. Now she was a big star and rising and usually had her own way in terms of crew, script, and directing. That was not how DeMille worked and he got his way.

Romance Of The Redwoods sadly is terribly dated and could use some restoration. Mary plays a girl gone west to live with her uncle in the California gold fields. But her uncle was killed by Indians. Notorious road agent Elliott Dexter finds the uncle's body and swaps clothes and identity with him as he's looking to get out of the outlaw game as folks are getting tired of the lack of law and order and are ready to form a vigilante committee.

Mary, America's Sweetheart, faces a challenge in that she knows Dexter is not her uncle, but where else can a good girl go in those wild mining camps and keep her virtue. As for Dexter he's impressed with her virtue and the inevitable happens.

As another reviewer said, the ending is quite unbelievable but it was in keeping with the Pickford image and the mores of the times. Still it's sadly dated and probably won't find favor with current audiences.