Shoulder Arms

Charlie Chaplin's Little Tramp or Little Man character wins World War I, called The Great War at the time, single handedly, even capturing the Kaiser, something the entire Allied armed forces were unable to do. Too bad it all turns out to be a dream, which is somewhat of a cop out and the weakest part of this mesmerizing silent short (almost a feature film at 46 minutes).

There are inventive gags galore including Charlie having to put on a gas mask to eat Limburger cheese sent from home, then using the cheese as a weapon against the Germans; Charlie sleeping underwater in a flooded trench next to a soldier he continues to annoy; Charlie disguising himself as a tree--one of his best sketches ever--and Charlie pretending to beat up his friend who has become a POW, then hugging him when the enemy is out of sight.

One amazing feature is how much Charlie, when he is behind enemy lines dressed as a German, resembles Hitler over ten years before Hitler and his Nazi thugs rose to dominate German politics. Obviously Hitler patterned his appearance after Charlie's from this film.

Charlie is a boot camp private who has a dream of being a hero who goes on a daring mission behind enemy lines.

"Shoulder Arms" proved to be Chaplin's most popular film, critically and commercially, up to that point. This is understandable given the interesting themes and visual gags. The tree is pretty funny, and the underwater sleeping arrangements are amusing.

What I find particularly interesting about this film's success is how it seems to be now more or less forgotten. I mean, of course any Chaplin film or silent comedy fan will know it. But compared to "The Kid" or "Modern Times" or "City Lights", it is far removed... is this now even one of the top ten most popular Chaplin films?

In these modern times (as subject known quite well to the director of the short film that this German count is going to talk about…), politically correct films are the "leitmotiv" of the modern young filmmakers' projects. "Shoulder Arms" directed by Herr Charlie Chaplin during WWI (the film was released only a few weeks before the armistice) is an obvious example of why the early cinema pioneers were a very bold people, certainly! To direct a humorous film inspired in the terrible, bloody First World War was a complicated matter that only few directors with those dangerous and daring ideas could be allowed to do… to venture upon such delicate enterprise and with success was reserved only to geniuses.

As this German count said, "Shoulder Arms" was made during WWI, that time in where definitely the whole world lost its innocence (fortunately not the German fat heiresses of this aristocrat…) and it is a hilarious, inventive social satire about that and any war. The film it is full of great gags and entertaining film continuity for a story in where that tramp will live though risky and courageous adventures in the front …whether a hero for the allies… or not.

To mock the war trenches, the unhealthiness, the frontal attacks and the Germans (how you dare!!... by the way, there are a lot of inaccuracies in the film … the German soldiers by that time had moustaches and longer beards not to mention that the Kaiser lacks many medals in his uniform…) in an elegant, funny and delicate way it is even today a film miracle impossible of being surpassed. Keeping in mind those terrible wartime circumstances, the difficult task is only possible thanks to a lot of creativity and talent. Obviously Herr Charlie Chaplin had very much of it.

And now, if you'll allow me, I must temporarily take my leave because this German Count must go back to the Schloss trenches.

Herr Graf Ferdinand Von Galitzien http://ferdinandvongalitzien.blogspot.com/

It's a comedy about the trench warfare just as WWI is about to come to an end. Charlie Chaplin is a doughboy in boot camp. In a series of scenes, he defeats many Germans. Then he wakes up.

It's a pretty long film at 45 minutes. There are some pretty funny scenes. The limburger cheese gag is somewhat weak. Capturing the 13 Germans could have used more slapstick. I do love the part where he's in enemy territories disguised as a tree. The Germans try to chop him down for firewood. That is by far my favorite part. The movie's success probably had a lot to do with the timing and the subject. However I can see the immense risk Chaplin was taking by making a comedy about trench warfare.

The big names in cinema tried to do their part for the war effort, and Charlie Chaplin was no exception. This patriotic and propagandist picture, "Shoulder Arms", is part of his contribution, although the war was nearly over by the time of its release. The Tramp goes to the front, humorously accomplishes acts of heroism and kicks the Kaiser in the bum. It's a very funny film, although I don't think it nearly one of his best. It's with "A Dog's Life" as his better output for First National before he made his early masterpiece "The Kid". They were his first three-reelers, which contain sustained, more elaborate gags than he could usually orchestrate in his two-reel shorts at Mutual.

It can be difficult to balance a pro-war message with slapstick antics and scenes of burlesque in battle, but one wouldn't think so watching "Shoulder Arms". It's also preferable in many respects to a "more serious", dramatic work with a similar message, such as Griffith's "Hearts of the World". Chaplin had become a true virtuoso of screen comedy by this time; he makes it look effortless. He knew very well by then that a film with fewer gags--with more elaboration, refinement and careful timing--could be better than any knockabout, Keystone-type farce with a dozen pratfalls a minute. The sequence where Chaplin is disguised as a tree is a pertinent example. Even with wars raging, Chaplin can lift the spirits of millions.