The Hoodlum

Bratty young Mary Pickford (as Amy Burke) lives a life filled with tantrums in her fancy Fifth Avenue mansion, while wealthy grandfather Ralph Lewis (as Alexander Guthrie) wheels and deals. At first, Ms. Pickford is thrilled when Mr. Lewis announces a trip to Europe. She wants to go shopping. For no particular reason, Pickford decides she doesn't want to travel. It could be a woman's prerogative, or Pickford may be missing writer daddy Dwight Crittendon (as John Burke), an apparent sociologist. When her father suddenly returns, Pickford moves with him to slummy Craigen Street, where he plans to work on a book.

So, Pickford goes from pampered rich girl to street hoodlum - it's a struggle, but Pickford's plucky.

Previously, one of Mr. Lewis' business endeavors required the jailing of an innocent man, arousing bachelor Kenneth Harlan (as John Graham). Mr. Harlan turns out to be one of Pickford's ghetto neighbors. Pickford thinks Harlan might make good husband material, unaware he is plotting against her grandfather, who canceled his trip to Europe and has also moved into the area. "The Hoodlum" is hospitable Pickford fare. Her "little girl" character is broadly played, and provides salvation. Some of the early sequences are not pieced together well; for example, Pickford's father should have returned before she declined the European trip.

And, the early running time plays more painful than funny (especially for animals), and out of place.

But, once the story moves to an artificially created poor side of town, the film becomes quite visually strong. Scene-stealing street kid Melvin "Buddie" Messinger (as Dish Lowry) looks like the template for an early Mickey Rooney. Pickford's director Sidney Franklin, photographer Charles Rosher, and editor Edward McDermott combine camera shots and coordinate personnel to marvelous effect; their screen is incredibly alive. Though this is not one of Pickford's strongest overall characterizations, she excels in several sequences; a highlight features her lost in a bluesy-tinted New York City rainstorm, without an umbrella.

******* The Hoodlum (8/31/19) Sidney Franklin ~ Mary Pickford, Ralph Lewis, Kenneth Harlan, Buddy Messinger

Mary Pickford fails to convince as a spoiled rich girl forced to live àmongst slum-dwellers with her sociologist father (who more or less disappears from the movie once they are camped amongst the rough-but-noble poor) after falling out with her wealthy Grandfather. Sidney Franklyn does a good job of capturing the flavour of an early 20th Century slum, however.

This film is a typical Mary Pickford vehicle from the middle phase of her career. Mary plays the spoiled granddaughter of ruthless industrialist Alexander Guthrie (Ralph Lewis) whom her father, sociologist John Burke (T. D. Crittenden), takes on a study- and book-writing trip to the slums of New York. There she has a change of heart... There are several things I liked about this picture, which Mary Pickford's own company produced and which she consequently strongly influenced. In particular the scenes in the slum - 'slum' not in the sense of shanty town but rather in that of cheap neighbourhood - are well done and historically highly interesting. They were evidently filmed on location and offer insights into how recent immigrants of diverse ethnic backgrounds and poor New Yorkers were living in the early 20th century. It is also very well-acted. Pickford is lively and at least in the latter part of the film charming, Lewis plays the industrialist with aplomb and Pickford's love interest Kenneth Harlan convinces as well. On the other hand: Pickford begins by playing a little girl. She acts in front of slightly oversized furniture so that she appears to be maybe 8 or 10 years old. In the space of what, according to the plot of the film, can only be a few months she turns into a teenager and finally into a young woman whose marriage we are witnessing. Strange. Also, her conversion from spoilt brat to understanding young woman is handled poorly. All that is necessary is her father telling her that in order to get on with the people in the slum she has to become one of them. Suddenly she dresses as if she had spent all her life in that neighbourhood, speaks the slang and generally gets on famously with kids and adults alike. Still, all in all this is an interesting and entertaining film. I am happy I watched it.

It's too bad the title of this film would be a turn-off to many people, because the story is delightful, the acting fantastic, and the print that I saw of the film excellent. This has become one of my favorite of all Mary Pickford films.

After watching Amy Burkeses transition from high-brow Fifth Avenue to the ghettos of New York I had to read the book it was based on. The film is quite different than the novel, but both are enjoyable in their own ways. Mary's script makes the romance a little sweeter, and the storyline in her film is less political.

I would love to see this one on DVD with a new musical score.

Despite the rather reckless-sounding title, the Mary Pickford feature "The Hoodlum" is actually an entertaining and thoughtful movie that resembles many of her other films, with a few touches that make it different and worthwhile. The story-line is a bit too far-fetched on some occasions, but otherwise the movie works very well.

Pickford gets to play the kind of high-spirited but innocent character at which she excels, and she makes full use of the material. After her character moves in with her father, some of the scenes of her transformation are quite amusing. Pickford had the rare ability to bring out a character's yearning for change and desire for experimentation without making the character come across as self-righteous or rebellious.

The production and the rest of the cast are solid, but it's mostly Mary's show, and she pulls everything together. Her interactions with her grandfather are nicely done on both ends, and add some real substance to a movie that was already entertaining. The settings are believable, and especially so in the slum neighborhood. The story is relatively simple (if implausible at times), but it is thoughtful and worthwhile.