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6.8/10
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A tipsy doctor encounters his patient sleepwalking on a building ledge, high above the street.A tipsy doctor encounters his patient sleepwalking on a building ledge, high above the street.A tipsy doctor encounters his patient sleepwalking on a building ledge, high above the street.
- Awards
- 1 nomination total
Wally Howe
- Her Father
- (as Wallace Howe)
Marie Benson
- Unidentified
- (uncredited)
Mark Jones
- Hotel Bellboy Number 2
- (uncredited)
Charles Stevenson
- Police Officer
- (uncredited)
Molly Thompson
- Woman in corridor
- (uncredited)
Noah Young
- Man who breaks hotel room door
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I rarely mention what other reviewers say but since there are only a half dozen reviews of this Harold Lloyd Short, I read them all and would pretty much agree with the comments about it being "uneven" and Lloyd's drunk routine not up to his 'character,' a persona he had acquired by the mid to late '20s, I admit, though, he and actor Ray Brooks team up to do a few funny gags as the two drunks stagger their way around town. It's obvious Lloyd is talented, but was still learning what roles were going to work best for him down the road.
There are some other clever sight gags in here (a man tying himself up in post, Lloyd pretending to be his first patients as a doctor, etc.) but overall this isn't really much until the final five minutes when Harold goes into his walking-on- the-ledge of a building routine. It's pretty amazing stuff. The romantic ending with the quickest wedding 'ceremony' in history is totally goofy but fun to watch.
To be perfectly honest, I was expecting more. This isn't one of Lloyd's films I sit through often, even if it is short.
There are some other clever sight gags in here (a man tying himself up in post, Lloyd pretending to be his first patients as a doctor, etc.) but overall this isn't really much until the final five minutes when Harold goes into his walking-on- the-ledge of a building routine. It's pretty amazing stuff. The romantic ending with the quickest wedding 'ceremony' in history is totally goofy but fun to watch.
To be perfectly honest, I was expecting more. This isn't one of Lloyd's films I sit through often, even if it is short.
For much of the running time of this Harold Lloyd comedy, the quality of the story and the gags is somewhat uneven, but the last several minutes more than make up for any weaknesses. The whole movie is worth seeing, although for much of the time it alternates some very funny moments with more routine material. Later on, though, everything comes together in a finale that is funny, clever, and exciting.
Lloyd plays an inexperienced young doctor who falls in love with a patient played by Mildred Davis, and who then goes on a drinking binge with a friend played by Roy Brooks. There are some very funny gags in the 'drunk' sequence, and in particular the confrontation with the policeman features some very good timing and slapstick. The drunk act is slightly unusual material for Lloyd, and while most of the same things had already been done by screen comics like Charlie Chaplin and Roscoe Arbuckle who were particularly adept at it, much of it works here.
But it's the climactic sequence at the hotel that really makes "High and Dizzy" worthwhile. It's set up well, and it anticipates the more elaborate, brilliant sequence in "Safety Last". It also ties things together cleverly, and by saving the best for last, it turns a solid slapstick comedy into a very entertaining movie.
Lloyd plays an inexperienced young doctor who falls in love with a patient played by Mildred Davis, and who then goes on a drinking binge with a friend played by Roy Brooks. There are some very funny gags in the 'drunk' sequence, and in particular the confrontation with the policeman features some very good timing and slapstick. The drunk act is slightly unusual material for Lloyd, and while most of the same things had already been done by screen comics like Charlie Chaplin and Roscoe Arbuckle who were particularly adept at it, much of it works here.
But it's the climactic sequence at the hotel that really makes "High and Dizzy" worthwhile. It's set up well, and it anticipates the more elaborate, brilliant sequence in "Safety Last". It also ties things together cleverly, and by saving the best for last, it turns a solid slapstick comedy into a very entertaining movie.
Fast-paced fun which, as often with Harold Lloyd, features distinct - and proved - backdrops for his gags: first, the doctor's office (where the star, as a novice M.D., is forced to impersonate his own clients as a ruse to attract genuine ones!); then, the city streets after a drinking binge with his pal (capped by a pre-SAFETY LAST! [1923] scene in which they fall foul of a policeman); next, the hotel lobby where the reception desk and an elevator become the 'targets' of Lloyd's drunken havoc; and, finally, the trademark 'thrill' sequence in which both the tipsy Lloyd and sleep-walking heroine Mildred Davis are seen walking perilously on the ledge of a tall building!
In this silent short Harold Lloyd plays a young doctor who has lack of patients.Then a father (Wallace Howe) brings her daughter (Mildred Davis) to the doctor.She has a problem with sleepwalking.The doctor pays too much attention to the daughter so the father takes them away.Harold's doctor friend (Roy Brooks) asks him to join in a drinking binge so they both get very, very drunk.Soon Harold finds himself at the same hotel as the girl is.And yes, she starts sleepwalking.High and Dizzy (1920) is directed by Hal Roach.The young Harold Lloyd gets to show his comical talent.He and Mildred Davis work great together.No wonder they got married three years later.They click in a way only a future married couple would.This movie is 26 minutes of pure fun.I found myself laughing to Mr. Lloyd's comedy more than once.
Dr. Hale (Harold Lloyd) is a bumbling new doctor out of medical school. Work is rare. A man and his daughter walk into his practice. Hale works hard to pretend to be busy. It's love at first sight for him and the sleepwalking beauty. The father is not impressed and quickly takes his daughter away. Hale ends up getting high and dizzy on his office neighbor's secret stash of moonshine. The two drunks go to the hotel where Hale encounters the sleepwalking girl on the ledge.
This has Lloyd's brand of physical comedy. It has his highrise stunts still at its primitive stage. This Hal Roach short film is a precursor to his masterpieces later on. There is a bit of bite to his character in this one. It's a fun introduction.
This has Lloyd's brand of physical comedy. It has his highrise stunts still at its primitive stage. This Hal Roach short film is a precursor to his masterpieces later on. There is a bit of bite to his character in this one. It's a fun introduction.
Did you know
- TriviaThe opening title cards refers to the beginning of Prohibition in the United States. Cloves were chewed in an attempt to mask the odor of alcohol on one's breath.
- Quotes
Title Card: The Time ~ That never to-be-forgotten period when cloves, cork-screws and foot-rails went out of fashion.
- ConnectionsFeatured in American Masters: Harold Lloyd: The Third Genius (1989)
- SoundtracksAh, non credea mirarti
From the opera "La Sonnambula"
Music by Vincenzo Bellini
Heard on the soundtrack as the heroine is sleepwalking
Details
- Release date
- Country of origin
- Language
- Also known as
- Höhenrausch
- Filming locations
- 147 North Hill Street, Los Angeles, California, USA(Bradbury Mansion on top of Bunker Hill - exterior of building set contructed here to give the illusion of height)
- Production company
- See more company credits at IMDbPro
- Runtime
- 26m
- Sound mix
- Aspect ratio
- 1.33 : 1
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