Nomads of the North

If it weren't Lewis Stone week at Hot Toasty Rag, and if I didn't have my heart set on reviewing the oldest movie of his I could get my hands on, I would not have sat through Nomads of the North. Now I finally understand why people today don't like silent movies. It's nearly two hours, extremely boring, predictable, and very overacted.

Betty Blythe stars as the woman on the mountaintop that every man in the movie wants. She's also the only woman in the movie, so they don't appear to have much choice. Ranger Lewis Stone is in love with her and hikes miles out of his way just to call on her at home. The wealthy, and evil, log baron Francis McDonald is also in love with her, but Betty refuses his offer of marriage because she's waiting for her old boyfriend, Lon Chaney, to come back to her. Francis pays a stranger to tell Betty that he witnessed Lon's death, but Lon comes back to town just in time to object at their wedding ceremony. Betty and Lon are married, but when he accidentally kills a man, they go on the run in the wilderness.

Folks, you don't have to rent this movie. I watched it for you, so you can just pretend you've seen it. I've never seen a Lon Chaney movie, but it's clear I picked the wrong one to start with. I'll give him the benefit of the doubt and not hold Nomads of the North against him during the next movie I see. He has a pet bear cub he cuddles and plays with as well as kisses, but that's not worth sitting through nearly two hours. This is one of those silent movies that give the others a bad reputation.

Lon Chaney stars as the handsome hero in this one (was The Penalty the film that started him down the path of playing villains and monsters?). A fur trapper who was stuck up in northern Canada for a year longer than he had planned, he returns home, some 300 miles south, to find his fiancée (Betty Blythe) about to marry the villainous son (Melbourne MacDowell) of the man who runs the town. Chaney gets into a fight and kills a man, but escapes with the girl. A while later, MacDowell finds the couple settled in the wilderness and enlists an honorable Mountie (Lewis Stone, who would go on to co-star in Grand Hotel) to bring Chaney to justice. It's a pretty standard melodrama from this period, but it's entertaining. The forest fire climax is quite well done. There's a lot of emphasis on Chaney's pets, a dog and a bear. Near the beginning, they get separated from their master (tethered together - you expect them to die horribly), and even have dialogue with each other. It almost turns into a silent Homeward Bound for a while!

This is definitely not one of his better films.

He is cast as the "hero", and a rather bland hero at that. It simply did not offer the incredibly talented Mr. Chaney enough "to do", so he chews the scenery through most of his scenes.

Point to note in this film, the stars were nearly killed in the big fire scene when their escape route was cut off. All three wound up in the hospital.

If you are a Chaney fan you will watch this and enjoy it regardless, but it will not be anyone's favorite Chaney film.

...from director David Hartford. In a remote forest community named Fort O'God, the local company boss Duncan McDougall (Melbourne MacDowell) rules with an iron fist. His sleazeball son Bucky (Francis McDonald) has the hots for Nanette (Betty Blythe) who is apparently the only girl of marrying age in the area. She rebuffs Bucky's advances, though, just as she turns down a marriage proposal from nice-guy Mountie Mike O'Connor (Lewis Stone), because her heart belongs to long-missing trapper Raoul Challoner (Lon Chaney). When Bucky convinces Nanette that Raoul is dead, she agrees to marry him, but Raoul, along with his pet dog and pet bear, shows up in time to stop the wedding. This eventually leads to violence, and Raoul and Nanette head out into the vast Canadian wilderness to live as fugitives. O'Connor is assigned to track them down and arrest them.

Part of this plays as overwrought melodrama, other parts as outdoor nature comedy, with long passages of Chaney's pets cavorting in the woods. Some of the pets' shenanigans would give the modern day ASPCA palpitations, but no overt animal cruelty is shown. Chaney gets to play a normal, romantic leading man, which is odd, and also a bit boring. Stone is square-jawed, and already sports all-white hair. I'm sure the outdoor footage was a treat for viewers at the time.

This is one of those films made before Chaney became a great star and is, sadly, just another potboiler. Chaney himself overacts wildly and you might be forgiven for thinking this movie was made ten years earlier. Betty Blythe is no more than homely.Lewis Stone acts with dignity and is understated throughout, though scenes of him looking for Chaney are too obviously posed, a little like the much mocked "catalogue" pose. Greatest credit goes to Brimstone and Neewa who consistently maintain their standards throughout the film. There is a rather feeble use of miniatures in the storm at night scene, but the great forest fire is obviously genuine and there are some wonderful shots of the northern landscape which, on my copy, are backed by a fairly suitable classical track-it may be Tchaikovsky, but I'm not certain.