Shadows

A magnificently acted film by Lon Cheney and, to a slightly lesser extent, the rest of the cast. Marguerite De La Motte is not only beautiful, but exceptionally expressive for a starlet of her time. The writing is also wonderful, with likable characters, a plot that unfolds only as it needs to, and a wonderfully suspenseful climax. Also, the story stays engaging throughout, whereas other films of the time, especially dramas, have a tendency to drag at points. A slightly disappointing ending seems to reinforce the rather egotistical view that everyone is better off Christian, but this can be forgiven in light of the films numerous merits.

I am not that familiar with the films of Lon Chaney, Sr. I first saw this sometime in the 1960's on Chicago's local PBS station. As I was about 15 years old at the time, I didn't appreciate old films or silent films as I do now. I do remember that the main characters names were Sympathy and Malden. Malden was actually the hero's sir name, but he is referred to through as "Malden". The moralistic story hinges on the marriage of an idealistic minister to a woman recently widowed. There is intrigue and blackmail involved, and it is up to Lon Chaney to help set things straight. He gives a very touching performance as a Chinese. His expressive face puts forth a convincing performance as a lovely, gentle soul. The DVD transfer was acceptably clean and there is a generic classical musical score underlining this version. This film appealed to me a great deal, much more so than when I was a kid.

Chaney's performance as the chinese launderman is really the only thing lifting this film above the level of mediocre. Still, it provides a story with gothic overtones, albeit cliched ones. A woman (De La Motte, always competent) marries an evil seafarer who meets an early grave at sea; she marries the new town parson. But a jealous 3rd party convinces the parson that the first husband is still alive, blackmailing him in that man's name and driving him to stop sleeping with his wife (hence the gothic element of "true love thwarted"). It's up to Chaney, of course, to clear it all up and be "converted" (as usual, see "The Penalty") on his death-bed.

Chaney's make up is excellent, although not quite as astounding as his asian makeup for the later "Mr. Wu" (in which he appeared as 100 + years old). His playing is somewhat coy, in keeping with the tone of the film in general. As usual, we don't get to see as much of him as of the film's leading man, in this case the stolid Ford (slightly better than he usually is here).

Should be seen by Chaney fans, but may not be the best introduction to Chaney's art (as suggested by others) -- his gothic masterpieces being of course "The Unknown" and "He Who Gets Slapped" as well as the memorable "Unholy 3" and others. Unfortunately, this film ("Shadows") falls for me into the category of overblown films that feature excellent Chaney performances (such as "Phantom of the Opera" and "Hunchback of Notre Dame").

Wow! If you had any doubts at all, any - about Lon Chaney's skills as an actor, then Shadows should make a believer out of you as Lon gives one of his very best performances as a meek, hobbling Chinese cripple who does laundry in a small fishing village. Yen Sin is a very complex character for a film so early as he is kind and Christian in reality but to most of the village he is seen as a non-believing heathen and an Oriental. Prejudice flys all over this film as those that demand Yen Sin convert openly defy the very principles they want to force on him, and Yen Sin sees no reason to convert because of this very reason. He sees people for what they truly are - at least that is what I got out of it. Chaney's performance rises way above the source material here as the main story is not about Yen Sin, but rather about a young, principled minister marrying a woman whose husband was recently declared dead at sea. But wait! Just like any good melodrama, some one is very unhappy and secretly loves the young woman. Is it her husband who really was not dead at all? Maybe it was the minister's deacon and best friend? Perhaps is was Yen Sin himself, or maybe the little fat boy that had befriended Yen Sin because he gave him his Lychee nuts? Tune in to find out!

This film doesn't land in the masterpiece category but it has all the essentials needed to make it entertaining and very worth watching. The story about love, spousal abuse,jealousy, cruel prejudice and extreme religious fervor are timeless ones which provide good roots for the plot to grow and branch out. Marguerite De La Motte's acting performance is just right with facial expression and gestures that convey their intent but are not overdone. I thought all the acting was pretty good but it is Lon Chaney who, of course, captures your heart and emotions with his portrayal of Yen Sin. His masterful skill is evidentas he maintains that hunched over posture throughout the film and makes you believe he is an old Chinese man with poignant expression while wearing considerably little make-up.

Yen Sin's character is one of depth. We are given insight to his kindness and selflessness on many occasions.His kindness to the little kitten (when he gives the kitten his new pillow and does without himself) is just one of many touching moments that give us an interest in this character which stays fervent until the film's end. I would recommend this film not only to Chaney fans, but to anyone who likes silents,as it is a picture with a moderate length, timeless topic, and great acting.