Max goes to bed, leaving Ko-Ko at the peak of a steep mountain. Ko-Ko doesn't stay perched for long, and soon finds himself battling strong winds and upsetting a giant, before entering the r... Read allMax goes to bed, leaving Ko-Ko at the peak of a steep mountain. Ko-Ko doesn't stay perched for long, and soon finds himself battling strong winds and upsetting a giant, before entering the real world to exact his revenge on a sleeping Max.Max goes to bed, leaving Ko-Ko at the peak of a steep mountain. Ko-Ko doesn't stay perched for long, and soon finds himself battling strong winds and upsetting a giant, before entering the real world to exact his revenge on a sleeping Max.
- Director
- Star
Max Fleischer
- Cartoonist
- (uncredited)
Featured reviews
Dave Fleischer was responsible for many gems. Ones that were amusing and charming, though over-cuteness did come through in some efforts and the stories were always pretty thin, with appealing characters, outstanding music and visuals that were inventive and with innovative animation techniques.
Ko-Ko similarly was an always amiable character to watch and among the better recurring characters in Fleischer's early work. Likewise, his series of Out of the Inkwell cartoons were among the best early efforts of Fleischer and silent cartoons in general. Fleischer may not be at his very finest and there are other cartoons of his that fit the word gem more. It is impossible to dislike 'Bed Time' however as it is so enjoyable to watch and really put a smile on my face and provided plenty of laughs, a perfect antidote for when you're in a not so good mood.
Actually can find very little to fault 'Bed Time'. As said many times in other Ko-Ko cartoons, the story is slight and it can get slightly erratic on occasions.
Everything else though is done so brilliantly that any issues had with the story don't stay for long. The delight of the character interplay and how well the animation and live action is handled so seamlessly for so early on, the wild fun and the live action interplay are just a few things to like.
One expects the animation to be primitive and very low quality, judging by that it's the early 20s when animation techniques were not as many, as refined, as ambitious and in their infancy. While Fleischer became more refined and inventive later certainly, the animation is surprisingly good with some nice visual wackiness and wit.
Pacing is lively and the bizarre and wild nature of the humour is done very imaginatively and never less than fun to watch, making the most of a strong concept. Koko as ever is very likeable and amusing and love his interaction with Max and Max's inspired role.
Overall, very good and wild cartoon. 8/10 Bethany Cox
Ko-Ko similarly was an always amiable character to watch and among the better recurring characters in Fleischer's early work. Likewise, his series of Out of the Inkwell cartoons were among the best early efforts of Fleischer and silent cartoons in general. Fleischer may not be at his very finest and there are other cartoons of his that fit the word gem more. It is impossible to dislike 'Bed Time' however as it is so enjoyable to watch and really put a smile on my face and provided plenty of laughs, a perfect antidote for when you're in a not so good mood.
Actually can find very little to fault 'Bed Time'. As said many times in other Ko-Ko cartoons, the story is slight and it can get slightly erratic on occasions.
Everything else though is done so brilliantly that any issues had with the story don't stay for long. The delight of the character interplay and how well the animation and live action is handled so seamlessly for so early on, the wild fun and the live action interplay are just a few things to like.
One expects the animation to be primitive and very low quality, judging by that it's the early 20s when animation techniques were not as many, as refined, as ambitious and in their infancy. While Fleischer became more refined and inventive later certainly, the animation is surprisingly good with some nice visual wackiness and wit.
Pacing is lively and the bizarre and wild nature of the humour is done very imaginatively and never less than fun to watch, making the most of a strong concept. Koko as ever is very likeable and amusing and love his interaction with Max and Max's inspired role.
Overall, very good and wild cartoon. 8/10 Bethany Cox
"For the love of Mike, why don't you go to sleep," an annoyed Max Fleischer asks Koko the clown, which is a kind of strange since Max just drew the character a few minutes early. Why draw him and then go right to bed, and then complain when the clown makes noise? It doesn't make sense, but sets up the gag for the nine-minute silent cartoon: Max doing what he has to, in trying to get some sleep
First, Max, in his pajamas, gets back up and draws an isolated mountain area and puts Koko on top of a steep mountain. "That will keep you busy for the night," says the real-life somewhat nasty cartoonist to his subject.
The cartoon really gets wild from that point with guest appearances from Mutt and Jeff, and other "stars" of the day as Koko experiences one adventure after another.from the "Cave Of The Winds" to Goliath chasing him all over.
This insane cartoon was one of the "From the vault" extra features from disc 3 on the "Popeye The Sailor Man Volume One DVD set. Those who enjoy something different are advised to check this out.
First, Max, in his pajamas, gets back up and draws an isolated mountain area and puts Koko on top of a steep mountain. "That will keep you busy for the night," says the real-life somewhat nasty cartoonist to his subject.
The cartoon really gets wild from that point with guest appearances from Mutt and Jeff, and other "stars" of the day as Koko experiences one adventure after another.from the "Cave Of The Winds" to Goliath chasing him all over.
This insane cartoon was one of the "From the vault" extra features from disc 3 on the "Popeye The Sailor Man Volume One DVD set. Those who enjoy something different are advised to check this out.
During the 1920s, one of the best cartoon characters was Koko the Clown. Not only were the cartoons fun and innovative, they hold up very well when you watch them today...providing silent movies CAN be terrific entertainment.
In these cartoon shorts, Dave Fleischer dressed up as Koko and his movements were Rotoscoped...meaning that animator Max Fleischer (Dave's brother) would trace the footage...giving Koko much more fluid and realistic movements. Nearly all of the shorts began with Koko climbing out of an inkwell or being drawn onto art board by Max...and the two would soon begin interacting.
"Bed Time" is a good film...though compared to many other Koko films it's a tiny bit of a disappointment. This is because what happens during most of the cartoon just seems very random and you do later discover why this is the case....but it also makes for a cartoon that is fun but with less lasting impact than other Koko shorts. Still, slightly subpar Koko is still much better than nearly any other silent cartoon of the era.
In these cartoon shorts, Dave Fleischer dressed up as Koko and his movements were Rotoscoped...meaning that animator Max Fleischer (Dave's brother) would trace the footage...giving Koko much more fluid and realistic movements. Nearly all of the shorts began with Koko climbing out of an inkwell or being drawn onto art board by Max...and the two would soon begin interacting.
"Bed Time" is a good film...though compared to many other Koko films it's a tiny bit of a disappointment. This is because what happens during most of the cartoon just seems very random and you do later discover why this is the case....but it also makes for a cartoon that is fun but with less lasting impact than other Koko shorts. Still, slightly subpar Koko is still much better than nearly any other silent cartoon of the era.
Did you know
- TriviaOne of many Max Fleischer/Out of the Inkwell silent cartoons to be repackaged with soundtracks and distributed for television in the 1950s by Stuart Productions, Inc.
- Alternate versionsThe 1950 Stuart Productions television release features an added soundtrack.
- ConnectionsFeatured in Roger Rabbit and the Secrets of Toon Town (1988)
Details
- Runtime
- 9m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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