IMDb RATING
7.2/10
3.9K
YOUR RATING
A salesgirl pursues a handsome playboy.A salesgirl pursues a handsome playboy.A salesgirl pursues a handsome playboy.
- Awards
- 1 win total
Elinor Glyn
- Madame Elinor Glyn
- (as Madame Elinor Glyn)
Elmo Billings
- Office Boy
- (uncredited)
Gary Cooper
- Newspaper Reporter
- (uncredited)
Lloyd Corrigan
- Yacht Cabin Boy
- (uncredited)
Cheryl Holt
- Baby
- (uncredited)
Eleanor Lawson
- First Welfare Worker
- (uncredited)
Rose Tapley
- Second Welfare Worker
- (uncredited)
Dorothy Tree
- Waltham Employee
- (uncredited)
Featured reviews
Nothing earth shattering here, no high art, just pure entertainment! A bit like today's light romantic comedies, but a tad better in a lot of instances! The real star here is Clara Bow who could after all really act and wasn't just another pretty face, although she was that and more! It's not difficult to see why she became a popular personality with her vivacity, energy and contagious charm! The girl just exuded fun! As Antonio Moreno said in the movie, "She has plenty in reserve!" There are some cute lines in the movie, like when Monty says, " I feel so low I'd have to walk on stilts under a dachshund." William Austin is an entertaining secondary character.
The print I saw was in good shape and I enjoyed the high angle shots of the department store at the beginning of the movie with the camera panning down to the street, the amusement park scenes and the scenes on the yacht. Makes me want to see Clara in a serious drama too! Worth watching for Clara to see what It was all about! I don't think It has changed that much even in the present day!
The print I saw was in good shape and I enjoyed the high angle shots of the department store at the beginning of the movie with the camera panning down to the street, the amusement park scenes and the scenes on the yacht. Makes me want to see Clara in a serious drama too! Worth watching for Clara to see what It was all about! I don't think It has changed that much even in the present day!
I decided I'd watch a little bit of this film on the computer. Knowing me I usually get distracted and stop watching but this film was so very different. My first silent film, and already a favourite. I could literally not stop watching Clara Bow, she was absolutely fascinating. I'd read David Stenn's wonderful biography on her so it was great to see her finally acting. When she's on screen you block out everything else and her acting ability wonderful - she can cry at the drop of a hat! So, instead of getting distracted I watched this movie the whole way through and enjoyed every moment of it... but my favourite parts were definitely with Clara. In fact, you could say I wasn't really interested in anyone else! This movie is HER movie. It's fun, flirty and just a great movie. I recommend it for anyone who loves silent movies, Clara Bow, or flirtatious movies pushing the limit. Age wise, I think I can recommend it for about 15 onwards - I'm 14 and I really enjoyed it - but not all teenagers will appreciate the film. Which is a pity, because it's wonderful!
Two years after "It" came out the silent picture would be a thing of the past. Still, the most striking thing about this movie, after the always beautiful Clara Bow, is how modern it looks. On the Kino DVD the picture is sharp and clear, with excellent contrast. It looks as good as black and white can.
The story itself is fluff. The It of the title, which translates roughly as sex appeal, is irrelevant to the plot. Salesgirl Betty Lou Spence (Bow) falls in love with owner of big department store Cyrus Waltham, Jr. (Antonio Moreno). She chases him, he chases her, misunderstanding separates them. Even though the plot is light, it fulfills its modest goals well, largely due to Bow's energy. William Austin, as Moreno's friend Monty, is also a high point. In one key scene he also shows himself to be a far more caring and sensitive person than Cyrus, and probably a better choice for Betty's affections. Sadly, that's not how this kind of movie works.
The camera work is pretty sophisticated for the time. The scenes of Betty and Cyrus's date at the beach, with quick cuts as the two laugh, play and fall in love, are now a cliche, although one that's still used. The use of panning, different angles during scenes and plenty of close-ups keep the movie moving, without the long shots before a stationary camera that characterized many indoor scenes during the silent era. Were it not for the lack of sound and the title cards, one could easily think this movie was made as late as the start of WWII.
"It" is not an important movie in the development of cinema, either in terms of technique or theme. Instead, it's an entertaining romantic comedy, largely due to Bow's electrifying screen presence and Austin's satisfying performance. Clara Bow was a huge star, who defined the female sex symbol during the 20s. Even today it's hard to imagine anyone watching her and being able to deny that she does indeed have It.
The story itself is fluff. The It of the title, which translates roughly as sex appeal, is irrelevant to the plot. Salesgirl Betty Lou Spence (Bow) falls in love with owner of big department store Cyrus Waltham, Jr. (Antonio Moreno). She chases him, he chases her, misunderstanding separates them. Even though the plot is light, it fulfills its modest goals well, largely due to Bow's energy. William Austin, as Moreno's friend Monty, is also a high point. In one key scene he also shows himself to be a far more caring and sensitive person than Cyrus, and probably a better choice for Betty's affections. Sadly, that's not how this kind of movie works.
The camera work is pretty sophisticated for the time. The scenes of Betty and Cyrus's date at the beach, with quick cuts as the two laugh, play and fall in love, are now a cliche, although one that's still used. The use of panning, different angles during scenes and plenty of close-ups keep the movie moving, without the long shots before a stationary camera that characterized many indoor scenes during the silent era. Were it not for the lack of sound and the title cards, one could easily think this movie was made as late as the start of WWII.
"It" is not an important movie in the development of cinema, either in terms of technique or theme. Instead, it's an entertaining romantic comedy, largely due to Bow's electrifying screen presence and Austin's satisfying performance. Clara Bow was a huge star, who defined the female sex symbol during the 20s. Even today it's hard to imagine anyone watching her and being able to deny that she does indeed have It.
If there's any question why Clara Bow became one of the top box office stars of the late silent era, "It" answers that question. The film, perhaps the one with which she will always be associated, is indeed a star turn, but a great one.
Bow,playing a counter girl who wins the heart of the owner of the great department store she works, turns in a memorable performance.
She brings everything you could want to the role, from great comic timing to a very robust physical presence. More than anything, of course, she is incredibly photogenic, a magnetic presence that simply lights up the screen.
Most heartening to me was the very large number of people well under 30 who viewed this film with me the night I saw it. They seemed to absolutely loved it.
Bow,playing a counter girl who wins the heart of the owner of the great department store she works, turns in a memorable performance.
She brings everything you could want to the role, from great comic timing to a very robust physical presence. More than anything, of course, she is incredibly photogenic, a magnetic presence that simply lights up the screen.
Most heartening to me was the very large number of people well under 30 who viewed this film with me the night I saw it. They seemed to absolutely loved it.
I first saw "It" last year at a mini-festival at the Kemper Museum in Kansas City. The audience was about equally middle-aged (50's, 60's; I'm 63) and young (many 20's and early 30's). Everybody roared with laughter and delight throughout the film.
This is not only a sweet, wacky comedy (with a strong ending--how I wish current filmmakers could learn that lesson!), but also a demonstration, as others have pointed out, of one of the most magnetic personalities ever to face a camera lens. Clara Bow's presence is simply heart-stopping and her basic goodness, at least in this role, is such that it makes me feel maybe there's a little hope for humankind after all.
I watched it again, with a friend, at home this evening and marveled anew at the extraordinary vitality of this wonderful young woman. The extremely silly story doesn't matter in the least. The lesson of the film, as much as there is one, is "where there's a will, there's a way," and to follow the exploits of our heroine's will is pure balm for any weary soul.
This is not only a sweet, wacky comedy (with a strong ending--how I wish current filmmakers could learn that lesson!), but also a demonstration, as others have pointed out, of one of the most magnetic personalities ever to face a camera lens. Clara Bow's presence is simply heart-stopping and her basic goodness, at least in this role, is such that it makes me feel maybe there's a little hope for humankind after all.
I watched it again, with a friend, at home this evening and marveled anew at the extraordinary vitality of this wonderful young woman. The extremely silly story doesn't matter in the least. The lesson of the film, as much as there is one, is "where there's a will, there's a way," and to follow the exploits of our heroine's will is pure balm for any weary soul.
Did you know
- TriviaElinor Glyn gave many confusing and sometimes contradictory explanations for what "It" meant, but she always said that "It" did not mean "sex appeal" necessarily and that anyone who said it did was vulgarizing her concept. Nonetheless, "It" became a euphemism for "sex appeal," which caused that pronoun to be entered into the American lexicon as a noun in the late 1920s.
- GoofsAs Waltham climbs onto the anchor, his shirt sleeve is intact. The scene cuts away to Monty and Adela in the rowboat for a brief moment; however, in the next scene, Waltham's sleeve is completely torn.
- Quotes
Monty Montgomery: I feel so low, old chap, that I could get on stilts and walk under a dachshund.
- ConnectionsFeatured in The House That Shadows Built (1931)
- How long is It?Powered by Alexa
Details
Box office
- Gross US & Canada
- $411,891
- Runtime
- 1h 12m(72 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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