Show People

Perhaps the funniest 'backstage at Hollywood' movie ever, especially for a look at comedy short factories like Keystone.

Marion Davies should get a medal for bravery for taking a part where acting poorly in front of a camera is part of the role. Plenty of cameos for film buffs.

Oh it's so cool to watch a Silent Classic once in while! Director Vidor is simply delightful and even makes a lengthy (at least for 1928) cameo as himself. The story is about having success in life and the way it changes you. Marion Davies plays a girl that leaves its friends in a little comedy studio to be part of a larger "drama" studio. She becomes a big star and the consequences are she really alienates from the real world. For a moment she even denies her (poor) past! The cameos are simply hilarious, certainly the scene where the main character (Marion Davies) sees...Marion Davies in the studios and concludes she doesn't seem that special... It's got to be one of the first movie-in-the-movies here and for real freaks it's awesome to see the cameras and material from way back then. A must-see if you ask me!!

A young lady from Georgia (Marion Davies) goes to Hollywood in the hopes of becoming an actress.

"Show People" offers an entertaining inside look at 1920s Hollywood and reflects on the actual acting career of starlet Marion Davies. Though one of the great comic talents of her day, featured in many of the decade's successful comedies, such as "Tillie the Toiler" (1927), she too often appeared in extravagant, costly period romance films at the behest of her newspaper tycoon lover William Randolph Hearst, who supposedly enjoyed seeing his mistress in fancy costume.

This is a great semi-fictional look at 1920s Hollywood, with some great cameos. I especially love the encounter with Charlie Chaplin, because I can relate to the Davies character. It took me many years to be able to recognize him when not in his tramp disguise, and I suspect this is what prompted the scene -- how was one to know what he looked like (or sounded like) at the time without the mustache?

This for me was a wonderful introduction to the talents and beauty of Marion Davies. She is not only gorgeous but hilarious in this film. (I believe that Lucille Ball may have modeled her later career on Davies' style, that could be termed "zany beauty".) Vidor's direction is light but sure-handed, the story is a chestnut of course but the acting is marvelously contemporary, and the star-watching element for fans of the silent era, with many cameos, adds to the overall fun. It combines the elements of slapstick with adult drama and good old timeless romance quite well. For all movie fans who have a knee-jerk reaction to watching silent films, sit through this one and it may change your attitude.

The great and underrated Marion Davies shows her stuff in this late (1928) silent comedy that also showcases the wonderful William Haines. Davies plays a hick from Georgia who crashes Hollywood with help from Haines. They appear in cheap comedies until Marion is "discovered" and becomes a big dramatic star. A great lampoon on Hollywood and its pretentions. Davies & Haines are a wonderful team (too bad they never made a talkie together) and the guest shots from the likes of Charlie Chaplin, Douglas Fairbanks, William S. Hart, John Gilbert, Elinor Glynn, and Marion Davies (you have to see it) are a hoot. A must for any serious film buff or for anyone interested in the still-maligned Marion Davies!