Vikings compete for power and the love of a woman.Vikings compete for power and the love of a woman.Vikings compete for power and the love of a woman.
- Director
- Writers
- Stars
Anders Randolf
- Eric the Red
- (as Anders Randolph)
Harry Woods
- Egil
- (as Harry Lewis Woods)
Claire McDowell
- Lady Editha
- (as Claire MacDowell)
Iron Eyes Cody
- Indian
- (uncredited)
Frank Ellis
- Man Who Gives Sword to Alwin
- (uncredited)
Eugene McDonald
- Minor Role
- (uncredited)
Francis McDonald
- Viking Friend of Leif
- (uncredited)
Lon Poff
- Friar Slain by Vikings
- (uncredited)
Angelo Rossitto
- Viking Dwarf
- (uncredited)
Dick Sutherland
- Viking
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"A thousand years ago, long before any white man set foot on the American shore, Viking sea rovers sailed out of the north and down the waterways of the world." "These were men of might, who laughed in the teeth of the tempest, and leaped into battle with a song." "Plundering - ravaging - they raided the coast of Europe - until the whole world trembled at the very name
"THE VIKINGS!"
"Looking out upon the North Sea from the cliffs of England, stood the castle of young Lord Alwin, Earl of Northunbria." Here, good-looking young LeRoy Mason (as Alwin) and his subjects hope their Christian faith will protect them from Viking marauders - but the Lord has other plans for this group (and, you'll know what God has in mind when you see the placement of Christian crosses in North America). The looting and killing Vikings ravage Mr. Mason's English castle. Valuables are taken to Norway, where able-bodied men and women are sold into slavery.
Mason is purchased, for three pieces of silver, by beautiful red-haired "sea rover" Pauline Starke (as Helga Nilsson). The comely Viking lass is obviously buying slave Mason with sexual pleasures in mind, and throws him some lusty looks. Mason proves to be too spirited and independent for Ms. Starke to control, and he is given to guardian Donald Crisp (as Leif Ericsson), the famed Viking leader. A courageous Christian-converted warrior, Mr. Crisp hopes to claim Starke as his bride. But, handsome Harry Lewis Woods (as Egil the Black) is also in love with Starke.
This love quadrangle goes on Crisp's great seafaring adventure to discover, and claim, the "New World" for European conquerors - at the risk of falling off the edge of what they thought might be a very flat Earth. "The Viking" (it should have been titled "The Vikings") is briskly directed by R. William Neill, with moderate action throughout. Either he or Starke should be complimented (or condemned, if you will) for the movement of her character's legs, upon introduction; you don't see this often - and, it's IN COLOR!
Specifically, "Technicolor" - which is this film's mail calling card. While not perfect, the color is strikingly well-preserved. As a bonus, it was made during the "silent film" era, and survives with its original synchronized sound effects score. This level of coloring was painstakingly produced, and was quite expensive. "The Viking" represents a peak in the art of color filmmaking.
******** The Viking (11/2/28) Roy William Neill ~ LeRoy Mason, Pauline Starke, Donald Crisp, Harry Woods
"Looking out upon the North Sea from the cliffs of England, stood the castle of young Lord Alwin, Earl of Northunbria." Here, good-looking young LeRoy Mason (as Alwin) and his subjects hope their Christian faith will protect them from Viking marauders - but the Lord has other plans for this group (and, you'll know what God has in mind when you see the placement of Christian crosses in North America). The looting and killing Vikings ravage Mr. Mason's English castle. Valuables are taken to Norway, where able-bodied men and women are sold into slavery.
Mason is purchased, for three pieces of silver, by beautiful red-haired "sea rover" Pauline Starke (as Helga Nilsson). The comely Viking lass is obviously buying slave Mason with sexual pleasures in mind, and throws him some lusty looks. Mason proves to be too spirited and independent for Ms. Starke to control, and he is given to guardian Donald Crisp (as Leif Ericsson), the famed Viking leader. A courageous Christian-converted warrior, Mr. Crisp hopes to claim Starke as his bride. But, handsome Harry Lewis Woods (as Egil the Black) is also in love with Starke.
This love quadrangle goes on Crisp's great seafaring adventure to discover, and claim, the "New World" for European conquerors - at the risk of falling off the edge of what they thought might be a very flat Earth. "The Viking" (it should have been titled "The Vikings") is briskly directed by R. William Neill, with moderate action throughout. Either he or Starke should be complimented (or condemned, if you will) for the movement of her character's legs, upon introduction; you don't see this often - and, it's IN COLOR!
Specifically, "Technicolor" - which is this film's mail calling card. While not perfect, the color is strikingly well-preserved. As a bonus, it was made during the "silent film" era, and survives with its original synchronized sound effects score. This level of coloring was painstakingly produced, and was quite expensive. "The Viking" represents a peak in the art of color filmmaking.
******** The Viking (11/2/28) Roy William Neill ~ LeRoy Mason, Pauline Starke, Donald Crisp, Harry Woods
A handsomely staged silent epic created to showcase the new 2-strip Technicolor process. All the male leads fall for Viking maiden Helga (Pauline Starke, looking exceedingly fetching in her Viking outfits), but there's little doubt about which of them will claim her heart. Worth catching for the sight of a young Donald Crisp looking like a drummer in some early 1970s prog rock band.
THE VIKING is a film I happened to come upon on TCM the other night, immediately recognizing DONALD CRISP as Leif Ericsson. I was very impressed with the female lead, PAULINE STARKE as Helga, whose lovely face, high cheekbones and steady gaze withstood all those color closeups in fine style. She also happened to be well cast at the headstrong heroine who takes a wealthy nobleman for her slave.
But what really amazed me is the quality of the Technicolor photography, at least ten years before Hollywood was making use of color photography in some of its major films.
The TCM print featured some incidental sound effects and background music. At times, I forgot I was watching a silent film and the use of title cards was minimal.
Well worth watching as a curiosity, but not for historical accuracy.
But what really amazed me is the quality of the Technicolor photography, at least ten years before Hollywood was making use of color photography in some of its major films.
The TCM print featured some incidental sound effects and background music. At times, I forgot I was watching a silent film and the use of title cards was minimal.
Well worth watching as a curiosity, but not for historical accuracy.
Viking, The (1928)
** 1/2 (out of 4)
Leif Ericsson (Donald Crisp) sales off in hopes of going West of Greenland looking for uncharted land. Along the way he battles with viking queen Helga (Pauline Starke) as well as a slave (LeRoy Mason) she bought. If you're looking for a history lesson then I'd recommend you get a book because there are certainly many liberties taken with the "truth" here. However, at the same time, I've always said that you shouldn't come into a movie expecting a history lesson because a movies main goal should be to entertain you and for the most part THE VIKING is an entertaining film. It is somewhat historic because it was an all-color production that has some of the best looking 2-strip Technicolor that you're going to see. Coming at the end of the silent era we're also greeted with a soundtrack as well as several sound effects. I don't think there's any question that the main reason to see this is for the Technicolor, which is certainly very beautiful and there's also no question that MGM went all out to make sure there were plenty of colorful items in front of the camera. The look of the costumes, sets and ships are certainly beautiful to see in color and you can tell that the studio pumped up the look so they could show off all the colors. The beautiful blues of the seas were a major highlight as was the bloody red that actually happens during some of the more violent scenes including one man get stabbed as well as another getting an ax in the head. The sound effects are mainly crowd noises such as cheers but there are still enough of them to make you forget you're watching a silent movie. The actual story being told is rather weak because there's a love triangle that really goes no where and some of the alterations to history are a tad bit funny and I don't think the filmmakers were wanting you to be laughing. The three leads are decent in their roles but I'd be lying if I said any of them really stood out. There are some rather wild moments including a brief bit where the men believes there's a witch and ghost below decks and another violent fight where the Pagans go after the Christians. Fans of Technicolor will certainly want to check this out as will silent film buffs but I'd be willing to bet that the rest will find themselves bored. THE VIKING isn't perfect and it's too flawed to be a good movie but there's some entertainment to be had.
** 1/2 (out of 4)
Leif Ericsson (Donald Crisp) sales off in hopes of going West of Greenland looking for uncharted land. Along the way he battles with viking queen Helga (Pauline Starke) as well as a slave (LeRoy Mason) she bought. If you're looking for a history lesson then I'd recommend you get a book because there are certainly many liberties taken with the "truth" here. However, at the same time, I've always said that you shouldn't come into a movie expecting a history lesson because a movies main goal should be to entertain you and for the most part THE VIKING is an entertaining film. It is somewhat historic because it was an all-color production that has some of the best looking 2-strip Technicolor that you're going to see. Coming at the end of the silent era we're also greeted with a soundtrack as well as several sound effects. I don't think there's any question that the main reason to see this is for the Technicolor, which is certainly very beautiful and there's also no question that MGM went all out to make sure there were plenty of colorful items in front of the camera. The look of the costumes, sets and ships are certainly beautiful to see in color and you can tell that the studio pumped up the look so they could show off all the colors. The beautiful blues of the seas were a major highlight as was the bloody red that actually happens during some of the more violent scenes including one man get stabbed as well as another getting an ax in the head. The sound effects are mainly crowd noises such as cheers but there are still enough of them to make you forget you're watching a silent movie. The actual story being told is rather weak because there's a love triangle that really goes no where and some of the alterations to history are a tad bit funny and I don't think the filmmakers were wanting you to be laughing. The three leads are decent in their roles but I'd be lying if I said any of them really stood out. There are some rather wild moments including a brief bit where the men believes there's a witch and ghost below decks and another violent fight where the Pagans go after the Christians. Fans of Technicolor will certainly want to check this out as will silent film buffs but I'd be willing to bet that the rest will find themselves bored. THE VIKING isn't perfect and it's too flawed to be a good movie but there's some entertainment to be had.
THE VIKING (1928) is a well made actioneer from the 'swan song' of the 'Silent Era'. Like most late silent films it had a synchronized soundtrack which featured music, sound effects and muffled voice overs. The most salient feature of the film is its brilliant Technicolor, using the new, Process Three (3) two (2) color Technicolor. The print shows strong cleaning and restoration and the soundtrack is quite clear with little distortions. The acting is natural as per the late 'Silent Era' and the title cards informative without being intrusive. This is a independent production by the Technicolor Corporation released through M.G.M. The basic plot is one of exploration and the conflict between the new accepted belief of Christianity and the older Pagan ones.
DONALD CRISP (1882>1974) leads the cast as Leif Ericsson with Pauline Starke, Helga Nilsson the main feminine interest. The other male lead was LeRoy Mason, Lord Alwin, Helga's eventual love interest and mate. Mason after this film confined his acting too 'B' Westerns with various 2nd tier and 'Poverty Row' studios. Like-wise Ms. Starke career all but ended after Silents. As for DONALD CRISP, he looked fit and authoritarian in this picture. Mr. Crisp handled his action sequences well, no surprise since he had done so before in DON Q; SON OF ZORRO (1925) a Douglas Fairbanks production. After a successful career both in Acting and Direction during Silents, he went on too triumphs in Sound as a character actor. A career that spanned 1908>1963. Winning the Academy Award for Best Supporting Actor for HOW GREEN WAS MY VALLEY (1941).
There are several other points of interest of this film. At the end there is a specious claim that a 'Watch Tower' in Rhode Island was of Viking origin, built by Leif Ericsson. Dating has shown it to be no earlier then the 17th Century. Some of the coastal exteriors appear to be shot at the same location as Douglas Fairbanks THE BLACK PIRATE (1925). Which the Technicolor Corporation provided its expertise and technology. Then finally two (2) of the supporting actors. Richard Alexander, Sigurd went on to more notable fame as PRINCE BARIN in the first two (2) FLASH GORDON serials. Uncredited Frank Shannon appeared as a Viking in Eric The Red's 'Kings Hall' in Greenland. He is better known as Dr. Alexis Zarkov in all three (3) FLASH GORDON serials.
THE VIKING moves along at a good quick pace and has little padding, running at only 90". It is worth watching just for the Historical value as one of the earliest complete Technicolor features, but does not cheat in either action and acting. True the music and staging appears to come via a Richard Wagner opera, but there is nothing wrong with ripping off the best. A good all around watch.
DONALD CRISP (1882>1974) leads the cast as Leif Ericsson with Pauline Starke, Helga Nilsson the main feminine interest. The other male lead was LeRoy Mason, Lord Alwin, Helga's eventual love interest and mate. Mason after this film confined his acting too 'B' Westerns with various 2nd tier and 'Poverty Row' studios. Like-wise Ms. Starke career all but ended after Silents. As for DONALD CRISP, he looked fit and authoritarian in this picture. Mr. Crisp handled his action sequences well, no surprise since he had done so before in DON Q; SON OF ZORRO (1925) a Douglas Fairbanks production. After a successful career both in Acting and Direction during Silents, he went on too triumphs in Sound as a character actor. A career that spanned 1908>1963. Winning the Academy Award for Best Supporting Actor for HOW GREEN WAS MY VALLEY (1941).
There are several other points of interest of this film. At the end there is a specious claim that a 'Watch Tower' in Rhode Island was of Viking origin, built by Leif Ericsson. Dating has shown it to be no earlier then the 17th Century. Some of the coastal exteriors appear to be shot at the same location as Douglas Fairbanks THE BLACK PIRATE (1925). Which the Technicolor Corporation provided its expertise and technology. Then finally two (2) of the supporting actors. Richard Alexander, Sigurd went on to more notable fame as PRINCE BARIN in the first two (2) FLASH GORDON serials. Uncredited Frank Shannon appeared as a Viking in Eric The Red's 'Kings Hall' in Greenland. He is better known as Dr. Alexis Zarkov in all three (3) FLASH GORDON serials.
THE VIKING moves along at a good quick pace and has little padding, running at only 90". It is worth watching just for the Historical value as one of the earliest complete Technicolor features, but does not cheat in either action and acting. True the music and staging appears to come via a Richard Wagner opera, but there is nothing wrong with ripping off the best. A good all around watch.
Did you know
- TriviaWhen the film opened at the Embassy Theatre in New York City on November 28, 1928, it was still silent and was accompanied by a live orchestral accompaniment. In December 1928 a musical score was recorded, sound-on-disc, and this version was distributed by Metro-Goldwyn-Mayer (MGM) in 1929.
- GoofsViking women neither shaved their underarms nor wore the strapless bustiers.
- Quotes
Title Card: A thousand years ago, long before any white man set foot on the American shore, Viking sea rovers sailed out of the north and down the waterways of the world. These were men of might, who laughed in the teeth of the tempest, and leaped into battle with a song. Plundering - ravaging - they raided the coast of Europe - until the whole world trembled at the very name - THE VIKING.
- Crazy creditsThe title card bills the three stars in the order Pauline Starke [top billing], Donald Crisp [second billing], and Le Roy Mason [third billing]. But the opening credits end with "The Players" listed in the order: first "Leif Erickson ... Donald Crisp," second "Helga . . . Pauline Starke, third "Alwin . . . Le Roy Mason," etc. The characters appear on screen in the order Alwin, Helga, and Leif Erickson.
- ConnectionsFeatured in New England Legends: Creepy Christmas (2019)
- How long is The Viking?Powered by Alexa
Details
Box office
- Budget
- $325,000 (estimated)
- Runtime
- 1h 30m(90 min)
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