Mickey's Choo-Choo

The same Mickey mouse, singing and dancing. But there's a little more to the story. First, there's a running train which plays a part, then Mickey and Mini have got voices, which are wierd to say at least. By 21st centuries standards, it is a poorly made film. But I don't expect much from a 90 years old film. So, it's just good for me.

Mickey and Minnie take a ride on the Reading. Mickey seems to own his own train and takes his main squeeze on a romantic ride. The problem is that the train gets totally out of control and they end up endangering everything around them. It is musically clever and certainly harmless. Like so much of this era, there is little story, just a bunch of excuses for various pratfalls. Mickey is pretty reckless, but he is optimistic and exciting.

The animation is this cartoon short was pretty pencil-like, but still works nice, especially as it coincides with the sound effects.

No plot or story in this cartoon short, and no laughs or real comedy as well. But, it's not a bad one for the kids.

Grade C

A Walt Disney MICKEY MOUSE Cartoon.

MICKEY'S CHOO-CHOO takes Minnie on a dangerous ride on the roof into the countryside.

This little black & white film has a plot entirely controlled by the soundtrack. Energetic & fast moving, it is still quite humorous to watch. Walt supplies Mickey's squeaky voice.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.

Like so many early Mickey Mouse cartoons, this one isn't especially heavy on plot but it's also quite charming and worth seeing--even if it is pretty crudely made according to today's standards.

The film begins and ends with Mickey riding the rails but in the middle he and Minnie have assorted minor adventures. Then, at the end there is a wreck and stuff gets pretty weird as Mickey and Minnie go careening down the rails on a boxcar. Nothing much more to it than this, but it is pretty clever and the film still keeps your interest today.

By the way, get a load of the train. It's a pretty adorable anthropomorphic train and has quite a bit of personality.