The Taming of the Shrew

Just as an additional; comment to one of the earlier reviews - Channel 4 in England did show the original 1929 version of this film in the late 1980's. The print was in excellent shape and the lack of music did not greatly harm the film. Unfortunately although I taped it at the time I've since erased it and the public domain copy I bought later is the 1966 re-dubbed and cut version - which is not as good.

This is a wonderfully entertaining movie. I'm a fan of Shakespeare, having seen live performances of all the plays, including a dozen different Shrews, my favorite of his comedies. This movie is not a full or faithful version of Shakespeare's play, but objecting to the film for either of these reasons is silly because the producers, Fairbanks and Pickford, intended it as a star vehicle for themselves, which it succeeds in being. Petruchio fits perfectly the Fairbanks persona and Kate is well within Pickford's abilities. Also, Pickford is gorgeous and I loved her costumes and all the closeups of her pouting and fuming and winking knowingly. Apparently she thought this was her worst performance, but this viewer thinks she did just fine.

As to the unfaithfulness to the text, the film has Kate overhearing Petruchio's plan to tame her and she then turns the tables on him. Though not Shakespeare, this works in the film. As to faults, I did think Grumio's sneezing fit overlong and the frequent closeups of his reactions throughout the film were annoying. I suppose his part was built up to provide additional comedy, which was unnecessary. Aside from Petruchio's tedious apple core munching, which was Fairbank's idea, much of Shakespeare's wittiest dialog and jokes are intact and just as funny today as they were 400 years ago.

Mary Pickford and Douglas Fairbanks star in this bowdlerized version the the Shakespeare play. This was Fairbanks' full talkie debit and Pickford's followup to her talkie debut in Coquette, which won her an Oscar. Hollywood legend has it that this film was a huge flop--not true. While not a resounding success, it did make money. It was the marriage between the 2 superstars that was flopping. Their careers were also nearing their end as well: Pickford was to make only 3 more films; Fairbanks made 4. What hurts The Taming of the Shrew most is that there are long silent sequences, sequences where director Sam Taylor allows the stars to mug at each other rather than talk. But when the stars talk, the film is fine. Both are good actors (stage trained), but I guess they just didn't trust the new medium of sound. Geoffrey Wardwell is a handsome Hortensio, and Edwin Maxwell is good the the father. But Dorothy Jordan as Bianca has like 2 words to say and is in hardly any scenes. Jordan is best remembered as Marie Dressler's "daughter" in Min and Bill. I'm sure the DVD version I saw is the re-release from 1966 that had new music added and some judicious cutting. There are several instances when actors are mouthing words, but nothing is heard. Nevertheless this is a charming film with 2 of the biggest stars of the era and wonderful sets. The opening scene of the city street is excellent. This is the second film I'm seen where Mary Pickford wields a whip. The other was The Pride of the Clan (1917).

Douglas Fairbanks is Petruchio and Mary Pickford is Catherine, with bad direction by Sam Taylor. Plus I'm sure that The Bard was not amused that Sam Taylor thought he could improve his original dialogue. But I digress.

The big problem is that Pickford is so small; when I got my first look at her, she looked like a little girl playing at fancy dress. Taylor stages things so she is equal in height or taller than Fairbanks when they are side by side, but when standing apart she is obviously much shorter. Maybe a match in bad manners, but she is obviously not his physical equal. For example, she is blown about by a high wind in one scene, while Fairbanks is unaffected.

Fairbanks as Petruchio is actually playing one of his swashbucklers, and Pickford as Kate is one of her many spunky waif characters. She does not inspire fear, just a "isn't that precious!" reaction given her size. Notice that when Pickford is supposedly beating up servants and smashing furniture, she does so out of view of the camera, because someone her size would not be capable of doing all of that damage.

The odd thing is that the film looks like great care went into the art direction and photography, and the supporting players are pretty good. Neither Fairbanks nor Pickford have that stiff early talkie way about them, but they are given to wild gestures as though they are still in a silent film. So it is the little things that are done well and with care, while it is the big things that sink the film. I'd give it 5/10 with four of those five going to the physical production design.

This film essentially begins with a young man named "Horentsio" (Geoffrey Wardwell) desiring to marry a woman by the name of "Bianca" (Dorothy Jordan) who is the daughter of a wealthy man named "Baptista" (Edwin Maxwell). The only problem is that Baptista refuses to give Bianca away in marriage until her older sister "Katherine" (Mary Pickford) is wed first. And therein lies the rub as nobody--and I mean absolutely nobody--wants to marry Katherine as she has an extreme temper and a generally bad disposition all around. However, as luck would have it, just when both Horentsio and Baptista think the situation is hopeless, along comes a superbly confident young man named "Petruchio" (Douglas Fairbanks) who is not only excited about the challenge but also thinks quite highly of the dowry which he will acquire should he marry Katherine. For her part, Katherine wants nothing to do with Petruchio and for that reason she intends to make things as difficult as possible for all concerned. Now, rather than reveal any more, I will just say that this film deviated quite substantially from the actual play by William Shakespeare. That being said, while I don't normally like Hollywood adaptations, I thought that this one turned out quite well--all things considered. I especially liked the over-the-top facial expressions by both Mary Pickford and Douglas Fairbanks which were, no doubt, a product of the transition from silent films to those incorporating sound. Be that as it may, I enjoyed this movie and I have rated it accordingly. Above average.