They Go Boom!

Perhaps it's because that this movie is probably the Laurel & Hardy short I've seen most in my life that I got sort of tiresome of watching it but I don't find this movie to be the most hilarious or best constructed and executed Laurel & Hardy comedy short around. But you know, when you watch this movie objectively just for what it is, so not necessarily as a part of the Laurel & Hardy shorts alone you have to conclude that this is a pretty entertaining and fun little movie.

The movie its premise is extremely simple and gives both Stan Laurel and Oliver Hardsy to let their comical talents shine, since they're basically the only two actors in the movie, except for the last couple of minutes in which Laurel & Hardy regular Charlie Hall, among others, shows up as the landlord.

The comical routines are rather simple but I guess they are effective enough, since they surely amuse. It just isn't the most hilarious or imaginative Laurel & Hardy comedy around but that doesn't of course mean that this movie is bad or not entertaining.

7/10

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Laurel and Hardy made a ton of comedy shorts so it was inevitable that they'd have a few disappointments. While this film is watchable and mildly amusing in spots, it is certainly not a very good film by their standards. The problem was the script. It was incredibly mundane and unexciting and was later remade in much funnier ways. For example, the same basic plot and landlord (Charlie Hall) return for LAUGHING GRAVY. It wasn't a huge improvement, but adding the dog and allowing some of the action to take place outside really helped to pick up the pace. But with THEY GO BOOM!, it's all contained in their small apartment and the entire movie revolves around two unfunny gags--Ollie overreacting after he gets a cold and Stan mucking up the attempts to alleviate Ollie's sneezing as well as a rather lame joke about over-inflating the air mattress. It's worth seeing, but there are so many better Laurel and Hardy films I recommend this one to devoted fans only.

These guys work in two modes. The mode I like is brilliant, when Stan basically looks at the camera in gasping anguish for what punishment is upon him. It is the first example of direct dialog with the audience while keeping in character.

The other mode is this, which is the same basic gags that dozens of others were up to: The flypaper joke. The feather joke, the blowing up the fat guy joke.

Go elsewhere if you want to see better comedy. But look at this if you have any illusions about them portraying borderline homosexuals. Its not just a matter of passing interest because much of Laurel's manner became adopted by later portrayals of gays and thus "stuck" to the subculture.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Laurel and Hardy are simply trying to get a good nice sleep but Mr Hardy has a really bad case of the sniffles and can't get off easily. Laurel just wants to help and tries various remedies including a bath of hot water, a mustard plaster and a water bed. But try as he might things don't seem to be getting any better for Hardy.

A oft repeated theme is used to good effect here – Laurel is simply trying to help Hardy but yet he only manages to make things worse in one way or another. In this film Hardy is a little full of the cold so Laurel tries to help. The routines are pretty funny – my favourite gags are the little running ones rather than the bigger set ups. So, for example, I loved the bath of water constantly getting in the way or the fat that Hardy kept getting hit in the head. The self contained nature of the film and the fact that the plot isn't something that needs a great deal of setting up works in it's favour.

Laurel does well in his wide eyed innocent role but as always Hardy has to carry the majority of the prat falls and does it very well indeed. The support cast have a very small contribution to make and it shows their class that Laurel and Hardy carry almost 100% of the screen time here.

Overall an enjoyable little short that is self contained and all the better for it.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess). 'They Go Boom!' is not one of the best and funniest Laurel and Hardy short films up to this point of their output, but it is still great fun. Their filmography, apart from a few bumps along the way, was getting better and better and 'They Go Boom!' exemplifies this.

Not a lot to criticise here, though the story is slight and takes time to get going.

Once again, 'They Go Boom!' is non-stop funniness all the way when it gets going. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy, the lack of vulgarity that is a large part of 'They Go Boom's! ' memorability and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive. The slapstick is classic Laurel and Hardy in the best of ways

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'They Go Boom!' we are far from robbed of that. Their comic timing is impeccable.

'They Go Boom!' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

Overall, great fun. 9/10 Bethany Cox