Little Caesar

There's a villain and he's out to make his name, Caesar Enrico Bandello, just has no shame, with a cannon in his hand, shoot you down just where you stand, there's no way that he'll be stopped, he won't be tamed. He's taken over a small gang, after a heist, where the crime commissioner has paid a price, a rival boss then shoots him down, but it only leaves a frown, then 'Big Boy' gives him Chicago's Northside vice.

Isn't Edward G. Robinson always spellbinding, especially in his more devious roles. The ascent and decent of a larger than life ego, the cost to others and the ultimate price paid in the quest for power.

Mervyn Leroy directs this excellent crime drama. Exceptional camera work for the early '30s. Edward G. Robinson plays Caesar Enrico "Rico" Bandello a small time hoodlum that becomes an underworld crime boss. The rise and fall of Rico and his dealings with rival gangs and pushing his way to the top makes for a classic. Very good supporting cast featuring:Douglas Fairbanks Jr., Sidney Blackner, Glenda Ferrell and George E. Stone. Robinson makes this role memorable for the ages. A must see for gangster movie fans.

Edward G. Robinson's memorable performance in "Little Caesar" is rightfully one of his best-remembered roles. While he deserves also to be remembered for his versatility in many other performances as well, it's easy to see why this one in particular is still remembered. Along with James Cagney's role in "The Public Enemy", Robinson's portrayal here helped to exemplify the kinds of characters that for some time defined the genre.

The story is not without interest in itself, as it follows the rise and decline of various gangsters and their followers. The fragile nature of their form of 'power' comes across quite clearly, and of course there is plenty of action as well. It's not especially subtle, but it wasn't supposed to be. The supporting cast all give solid performances, but Robinson's character is always the center of attention. Douglas Fairbanks, Jr. has the most interesting character to work with among the supporting roles.

The story moves at a good pace, especially given its release date, and is over almost before you know it. Even aside from Robinson, it's one of the better features of the earliest years of sound movies, handling the dialogue and sound better than most. Like "The Public Enemy", it was set in its own time, but it's a good production overall that still works rather well decades later.

Seminal gangster film about the rise and fall of Enrico Bandello, a Chicago hoodlum, based on the novel by W.R. Burnett. The prototype for Enrico was, like so many other gangster heroes, mobster Al Capone. If you know a little bit about his life story, you got your basic gangster plot for practically all films that followed, like Tony Camonte in SCARFACE.

This film was the first of "the big three", together with PUBLIC ENEMY (1931) and SCARFACE: SHAME OF THE NATION (1932) and provided the blueprint for the modern gangster crime flic. It was the first gangster film to reach a wide audience and launched Edward G. Robinson to stardom. The story is simple and straightforward and might feel a little overly familiar to modern audiences, but the film lost little of its power and still holds up pretty well. It's a tough movie, but mostly tough talking with not much violence on screen.

But the film would probably be instantly forgettable without Robinson's superb performance. Whenever he's on screen, his presence is incredibly menacing. The rest of the cast is so so, but Thomas Jackson as Flaherty, Rico's nemesis, gives a wonderfully cynical performance, mocking Rico and all the other gangsters. Like most other early gangster films, it lacks the real emotional depth and complexity that came with later films, like the French gangster films of the fifties or THE GODFATHER and was made primarily as popular entertainment. Pleasant entertainment nevertheless with Edward G. Robinson portraying the first classic gangster role in screen history.

Camera Obscura --- 8/10

Boy, is this gangster movie dated but Edward G. Robinson makes it so entertaining! Robinson, like James Cagney, can dominate a film. He certainly does that in this movie, and is sure fun to watch as "Enrico Bandello."

Everything about the movie, including the DVD transfer (although a lot better than the VHS) is dated-looking and sounding, but that helps make it interesting. The dialog is so passe that it's almost weird. I put on the English subtitles so I could understand everything because the slang of those days is something foreign to us nowadays. The different expressions of the day are fun to hear (and read).

The acting by the man (Thomas Jackson?) who plays the main cop is also strange, very wooden-like. He just didn't sound natural. Some of the other actors were likewise, others were fine. It was one of the early "talkies" so maybe things were still needed to be smoothed out, film-wise and acting-wise. In other words, some of the actors sounded professional and others amateurish.

The following year, James Cagney's "Public Enemy" came out and was much better, production-wise. What a big difference in the camera-work, for one. This film may not be the caliber of "Public Enemy" but it's still good and one to have in your collection.