The Pay-Off

Lowell Sherman was a very versatile man in the world of early film. He was successful in both silents and talkies. He could play a dastardly heel (Sanderson in Way Down East) as well as a good hearted man, as seen in this film. He could act, direct, or both, as he does in The Pay-Off. There were a few issues with the film, mainly due to it being from 1930 - the dialogue is sometimes fuzzy and tough to hear, and at some points, some of the actors overact, as was typical for an early talkie. Still, the film is very good for a 1930 talkie. Sherman's performance is magnificent, as his acting seems as natural as can be, as though he'd been making talkies for years. The film is just over an hour and moves at a quick pace to keep the viewer interested. There's a mix of older and younger actors in the film, and as a whole, the acting is pretty good. Overall the film is an 8/10 and definitely worth watching.

This film begins with New York's stupidest couple (Hugh Trevor and Marian Nixon) falling asleep on a park bench. When a cop wakes them, it's the middle of the night. Now you'd THINK a sane couple would immediately leave the park. Instead, dopey Rocky begins talking rather loudly and imprudently about the $200 plus that he's carrying on him!! It's really hard to believe anyone could be that dumb--and this is clearly a sign of poor writing. Not surprisingly, a thug overhears them and robs the young couple.

Now if this happened to you, what would you do? Well, these rocket scientists decide to don masks and hold up a group of crooks to get the money they were saving in order to get married!! The plan, naturally, backfires and the big boss-man, Gene Fenmore (Lowell Sherman) feels sorry for them and takes him under his wing. They do not realize he's the local mob leader and think he's just a swell guy. At first, their good fortune seems assured but later Fenmore's shady dealings end up getting the couple arrested for a crime they didn't commit. So what's next? The only reason to watch this film is to watch Sherman. He was a fine actor and very few of his films are seen today. He had a very likable and natural style and "The Pay-Off" is no exception. Unfortunately, the film is full of silly writing and a decent idea for a film is squandered. Not great but still very watchable despite its many deficits.

On an early morning in New York City, school-boyish 20-year-old William Janney (as Thomas "Tommy" Brown) and his mature-looking 18-year-old girlfriend Marian Nixon (as Nancy Porter) wake up on a park bench. The cute couple are planning to get married on the $230 Mr. Janney has saved. Unfortunately, thieving Hugh Trevor (as Rocky) walks by and hears them talk about the money. He robs Janney. Later, the victims return the favor by finding Mr. Trevor and his gang. As it turns out, Janney works at the hotel where Trevor and his shady pals play cards. Janney's attempt to hold-up the gang fails, but gang leader Lowell Sherman (as Eugene "Gene" Fenmore) admires the effort. He takes a fatherly interest in Janney and could become even more interested in Ms. Nixon...

"The Pay-Off" is a film adaptation of the Broadway play "Crime" (1927), written by Samuel Shipman and John B. Hymer. The too common title was changed, appropriately. Also changed was the name of the young teenager debuting on Broadway; future film actress Sylvia Sidney's character "Annabelle" becoming "Nancy". The film has a very stagy look, and the writers' names in the Internet Broadway Database's search engine will reveal the origin. As such, it's a good effort, also directed by Mr. Sherman. The former "silent" movie villain serves himself well as star and director. Age on stage matters less; here, Gimbels worker Nixon seems too girlish and Janney is not far behind. As Sherman's understanding servant and friend, authentic character actor George F. Marion helps.

***** The Pay-Off (10/15/30) Lowell Sherman ~ Lowell Sherman, William Janney, Marian Nixon, Hugh Trevor

Another Alpha Video $4.99 DVD bringing a forgotten pre-WWII second (or third?) matinee feature to the DVD player.

A young couple sits in a faux Central Park late at night contemplating their marriage the next day. Fortunately the lad has saved $260 towards their life together. But a real nasty bad guy overhears them and holds them up taking every dime.

But...the almost groom recognizes the creep as a guy who hangs out in the building where he's a super's schlepper (that's NYC talk). So he and fiancee attempt to regain the money by armed robbery and blow it. They're captured by the gang.

The gang, which does high values burglaries and robberies, is headed by a suave guy, Gene Foreman, played actually with some insight by Lowell Sherman who was at the tail end of his acting career. Perhaps he knew that: he seems genuinely sad throughout the film.

Foreman eschews violence-he's a dapper dan in tails who gets leads to promising heists through wining and dining the rich. Foreman sort of adopts the young couple and the girl really likes him. Her boyfriend worries about losing this gem who intones "squeeze me" whenever she's scared, needs affectionate reassurance or both.

The really nasty dude, Rocky, is murdered and the couple are the suspects. Foreman magnificently rises to the occasion, his acting transcending the limitations of predictable plot, sets less realistic than those on "The Honeymooners" and a supporting cast of deservedly unknowns.

Fun flick from the past.

5/10

Catch that brief nightclub scene where the party-goers empty their flasks as the cops charge through. Yup, it's still Prohibition, 1930, though illegal booze doesn't figure in the plot. Instead, it's gangster Fenmore finding out just how much bad guy he is. That's courtesy the youthful innocents Nancy and Tommy who get implicated in his shenanigans. All in all, it's a tepid 65-minutes, without much suspense. Mainly, actor-director Sherman gets to show his skills in what amounts to more of a character study than a crime drama. Note how expressively Sherman uses his eyes to convey what's going on inside. It's really his showcase. I was also impressed by an unknown (to me) Hugh Trevor as tough guy Rocky. Too bad he had such a brief career. And what about plug-ugly George Marion as Mouse. Facially, he resembles Wallace Beery on a really bad day. Here, the cast outshines the plot.

Since talkies are still fairly new, scenes are pretty much confined to indoor sets, though some like the mansion living room are striking. I guess my only real gripe is why they had to make the two kids so sweetly innocent. They fairly drip sugar. Anyway, the film amounts to a programmer, 1930's style, and not much more.