The Story of the Fox

Alternate title: The Frenchtastic Mr. Fox.

It's honestly crazy how this looks, and how well it's aged. It's hard to even describe the animation style, but what I can say is that nothing else looks quite like this. For the visuals alone, it's worth checking out for anyone who's interested in animation.

Thankfully, the rest of the film's also pretty good. The story is simple but interesting enough, and I liked the film's odd sense of humour, too.

This is an underrated decades-old animated movie that I never would have known about were it not for Letterboxd. Gotta love how easy it is to find such weird and cool movies online nowadays - I continue to make sure I don't take it for granted.

One of the first animated feature films of the world, The Tale of the Fox still holds up after 80 years since its completion. The story is based on old fables about the great anthropomorphic fox trickster Reynard: the sly and eloquent fox is making a living by cheating and stealing from the other animals of the kingdom, eventually provoking the lion king to send several of his servants to capture the fox and to put an end to his carefree lifestyle. The fox proves out to be anything but easy to stop even by the best of the king's men.

I've always been fond of animation, and the charming stop-motion technique of The Tale of the Fox doesn't let a fan down. The creators have clearly put a lot of effort to the puppets' lifelike appearances and mannerisms: especially the lion king and his reticent lioness queen look excellent but also funny with all the details on their faces and costumes. The movements of the characters and the camera are also well planned; the action-packed comedic scenes and the adorable little carnival of frogs and mice made me laugh out loud out of joy. Especially the grand battle scenes and the fox's elaborate traps in the castle at the end are pure slapstick, perfectly equal to many live-action comedies of the era. The music and the French voices are also top-notch and haven't dated at all.

Despite the hilarity of the fox's antics, it is also easy to feel sorry for his gullible victims thanks to their lifelikeness, be they bears, wolves or cats. Among the medieval set pieces there are also some obvious references to modern society that further emphasize the longstanding relevancy of the film; namely the newspaper ad, the commentated duel sporting event and the overly talented barrister badger who keeps twisting the truth like the best defense lawyers or our days. The queen's silly infatuation with the troubadour cat is also a subplot worth mentioning.

As even the ending avoids the predictable "evil will get its pay" message, The Tale of the Fox can only be strongly recommended to any enthusiast of classic animation. Hopefully the film will receive wider attention some day, as it is certainly superior to many modern family films that only rely on noisy bumbling or colourful CGI.

Even in black and white, and years after it's been supplanted, stop-motion animation still impresses with the lush detail it's able to convey. The best movies rendered with graphics programs on a computer can tug at our heartstrings, but there's vivid, tangible life and texture in the meticulous frame by frame movement of figures and set pieces that is at least as awe-inspiring. It requires terrific imagination to produce any such feature, let alone a fable that anthropomorphizes animals and embraces pure fantastical whimsy. And that's just what we get in 'The story of the fox,' complete with a medieval setting and sometimes jarringly dark overtones. For various reasons this may not be for everyone, but one way or another there's no mistaking that this is a vibrant, dazzling viewing experience.

Inspired by classic folklore of the vulpine as a trickster figure, this treatment especially highlights the wily, sometimes cruel cunning. As it does, the picture bursts with wit, intelligence, and heart to build each scene and the overall story - figuratively and literally, as there are many small elements to painstakingly adjust from one shot to the next. All my congratulations to directors Ladislas and Irene Starevich, editor Laura Sejourné, and all others involved in the fundamental crafting of the picture: 'The story of the fox' is unquestionably a labor of love, and the hard effort shines through with rich, fanciful storytelling and film-making that stands tall and stands out even 85 years later.

Barely over 1 hour, the picture still arguably is a tad overlong, perhaps particularly at the climax. Nevertheless, the writing is excellent and whole, weaving in timeless archetypes, themes, and otherwise notions. Every square centimeter of the tableau laid before us, down to the slightest facet of a character's appearance, is considered and executed with utmost care. It's one matter to watch a Pixar film and recognize the 0s and 1s on the other side of the screen; it's another to see stop-motion animation and know there's not one scrap of the presentation that wasn't handmade, probably from scratch, and moved by hand. I feel like I'm repeating myself in saying so, yet that's just the point: most any film can tell an engaging story, as is true here as well, but the way in which the tale is told can make all the difference. This movie is simply a delight in every capacity.

For non-French speakers who don't care for subtitles, or for those whose personal preferences lie outside old titles or black and white imagery, some viewers may be better served seeking their entertainment elsewhere. Even for devoted cinephiles, I won't say that 'The story of the fox' is perfectly, absolutely enthralling. Yet it represents such a tremendous endeavor, and is so enjoyable on its own merits, that it's hard not to offer a blanket recommendation. It's not so essential that you need to go out of your way for it, but if you get the chance to watch this 1937 picture, it's well worth 62 minutes of your time.

I saw this last night as part of the Exeter animation festival. It was preceded by two great shorts, but nothing prepared me for the Tale of the Fox. You might expect stop-motion animation from 1930 to be stilted, with locked-off camera set-ups and slow, jerky animals with ruffling fur (see King Kong, for instance). Starewitch's (this, according to his grand-daughter's website, is the correct way to spell his name) characters are incredibly expressive, fast moving and dynamic, and he includes crash zooms, whip pans and close-ups to stunning effect. If you've studied animation before, you'll be blown away by the use of motion blur, and the compositing of animated creatures with seemingly flowing water, but for non-nerds there is a fast, very funny story to be enjoyed. The Tale of the Fox might just be the single greatest achievement in animation there has ever been. That includes Willis O'Brien, Ray Harryhausen, Walt Disney and perhaps even Hayao Miyazaki.

I love this little gem of a film. It does deserve a place along side Snow White and the New Gulliver. I saw this quite by accident on Youtube and I am glad I did. I don't want to tell you anything about the story. Instead, read the great story it is based on. I read it in French. It is a refreshingly medieval take on morality, refreshing compared to the tales of Perraut or La Fontaine. Some here say the film can't be shown in the US because of some law or other forbidden the exhibiting of Nazi financed films. That could be, though I would find that very hard to believe as I saw both Triumph of the Will (at a theater in San Francisco) and Olympiad (on television-AMC I believe, though maybe not) in the USA. How more Nazi can you get than those two films and yet they are both distributed in the USA. So, to me, there should be no reason that this true, and joyful, classic should not be seen in the US. If not, see if you can see it on Youtube. It comes in six parts with English subtitles. There it is called 'Tale of the Fox.' Hope you can see it and laugh along.