A radio salesman finds himself transported back in time to King Arthur's court.A radio salesman finds himself transported back in time to King Arthur's court.A radio salesman finds himself transported back in time to King Arthur's court.
- Awards
- 2 wins total
Richard Alexander
- Sagramore's Knight
- (uncredited)
Ralph W. Bell
- Undetermined Secondary Role
- (uncredited)
Stanley Blystone
- King's Knight
- (uncredited)
Ward Bond
- Queen's Knight
- (uncredited)
Heinie Conklin
- Sneezing Man at Radio Station
- (uncredited)
Louise Emmons
- Old Hag in Dungeon
- (uncredited)
Budd Fine
- Queen's Knight
- (uncredited)
Jerry Frank
- Queen's Knight
- (uncredited)
Chuck Hamilton
- King's Knight
- (uncredited)
Rosina Lawrence
- Handmaiden
- (uncredited)
Ivan Linow
- King's Guard
- (uncredited)
Featured reviews
Folksy radio announcer Will Rogers (as Hank Martin) is mysteriously propelled from modern day Connecticut to the medieval past of Great Britain's King Arthur. In Camelot, Mr. Rogers peeves William Farnum (as Arthur) and his "Knights of the Round Table" with homilies and a cigar lighter. Imprisoned with dashing young Frank Albertson (as Clarence), Rogers learns the date is "the year of our Lord" June 20, 528 - the day before a historically recorded total eclipse of the sun. Rogers cleverly promises to "blot out the sun" if he and Mr. Albertson, who likes pretty princess Maureen O'Sullivan, are not released.
Jealous magician Brandon Hurst (as Merlin) doesn't believe Rogers will eclipse the sun, but is proved wrong. Then, Rogers is elevated in the King's court, and modernizes the medieval society. He introduces Camelot to telephones and advertising, which is defined as "to spend money you haven't got, for things you don't want." Soon, the kingdom is threatened by the King's wicked sister, Myrna Loy (as Morgan le Fay). Being an early "talkie" gives this adaptation of Mark Twain's classic an unfortunate creaky quality. Rogers, an interesting cast, and a witty incongruity make relatively enjoyable.
****** A Connecticut Yankee (4/6/31) David Butler ~ Will Rogers, William Farnum, Brandon Hurst, Myrna Loy
Jealous magician Brandon Hurst (as Merlin) doesn't believe Rogers will eclipse the sun, but is proved wrong. Then, Rogers is elevated in the King's court, and modernizes the medieval society. He introduces Camelot to telephones and advertising, which is defined as "to spend money you haven't got, for things you don't want." Soon, the kingdom is threatened by the King's wicked sister, Myrna Loy (as Morgan le Fay). Being an early "talkie" gives this adaptation of Mark Twain's classic an unfortunate creaky quality. Rogers, an interesting cast, and a witty incongruity make relatively enjoyable.
****** A Connecticut Yankee (4/6/31) David Butler ~ Will Rogers, William Farnum, Brandon Hurst, Myrna Loy
I love Will Rogers. Living in Oklahoma near Claremore, his home town. . .I know just how to appreciate him. I've been to his museum/memorial many times. It's so sad to me that he couldn't have made MORE talkies. Silent picture are SO hard to watch! But A Connecticut Yankee is one of his best talkies. . . the jokes are still funny and relivent today. Who would have thought of Will Rogers as Mark Twain's American Yankee? This movie is timeless! I couldn't love it more. Having been to his museum, I've seen his costume for this film. It kind of made me realize that Will Rogers was a real person, and there was something of his that I get get close to. . . something he'd worn. It made this movie more interesting to me. Of course, not everyone can go see his costume. But at least you can watch this film, and remember one of the greatest Americans who ever lived. This movie is a must see for any Oklahoman, Will Rogers lover, or anyone who likes a good joke!
A radio man visits a spooky old house at night. There he briefly meets the strange inhabitants, including a mad scientist who tries to use radio waves to tune into the past. An accidental bang on the head sends the radio man back to King Arthur's Court.
So starts this version of the oft-filmed Mark Twain tale, this time re-worked for the personality of Will Rogers - who certainly doesn't sound like a Connecticut Yankee. In fact, Will is the main reason to watch this early talkie. His humor - one suspects much was ad-libbed - was always refreshing. Fox obviously spent a lot of money on the Camelot scenes; they look very good. Many of the performers, however, have trouble with their stilted dialogue.
Myrna Loy looks beautifully evil, but her part is not developed. The always lovely Maureen O'Sullivan is totally wasted in a small role. William Farnum does the best he can as Arthur, but the other male co-stars are much hampered by the script or just plain immature acting.
Will Rogers, as always, is wonderful - delivering his lines in his soft, shy, Oklahoma drawl. He had star presence without even trying. It is terrific fun seeing him win a joust with a knight by using his excellent roping & riding skills. Mark Twain's Ghost must have smiled...
So starts this version of the oft-filmed Mark Twain tale, this time re-worked for the personality of Will Rogers - who certainly doesn't sound like a Connecticut Yankee. In fact, Will is the main reason to watch this early talkie. His humor - one suspects much was ad-libbed - was always refreshing. Fox obviously spent a lot of money on the Camelot scenes; they look very good. Many of the performers, however, have trouble with their stilted dialogue.
Myrna Loy looks beautifully evil, but her part is not developed. The always lovely Maureen O'Sullivan is totally wasted in a small role. William Farnum does the best he can as Arthur, but the other male co-stars are much hampered by the script or just plain immature acting.
Will Rogers, as always, is wonderful - delivering his lines in his soft, shy, Oklahoma drawl. He had star presence without even trying. It is terrific fun seeing him win a joust with a knight by using his excellent roping & riding skills. Mark Twain's Ghost must have smiled...
First of all, I've heard a lot about Will Rogers over the years and I've always enjoyed his songs. But this movie seems to be a pretty mediocre vehicle for his talents.
First of all, you have Rogers himself, who is uh...... not a Connecticut Yankee by any stretch of the imagination. They should have just called it "An Okie in King Arthur's Court" or something. I mean, he's even doing tricks with the lasso, which I know is a Rogers trademark, but it's pretty loose with the interpretation on Twain's book. Of course since this is a light comedy all the satire of Twain's book is gone, but that's to be expected. But Rogers as the Connecticut Yankee is just not right.
Another thing was the look of the film and the directing, which I found to be very lackluster. I haven't checked but it would not surprise me to find that the director was heavily involved in silent films. It is just a movie that feels like a B movie even though you have Rogers who was a pretty big star at the time. The production values are not up to what you would hope for from MGM, looks more like a Gene Autry movie.
There are a few fun scenes, and it is worth watching for anybody who just wants a look at Rogers' comedy on screen. Basically a kiddie movie though without much to offer adults and would probably bore most modern children.
First of all, you have Rogers himself, who is uh...... not a Connecticut Yankee by any stretch of the imagination. They should have just called it "An Okie in King Arthur's Court" or something. I mean, he's even doing tricks with the lasso, which I know is a Rogers trademark, but it's pretty loose with the interpretation on Twain's book. Of course since this is a light comedy all the satire of Twain's book is gone, but that's to be expected. But Rogers as the Connecticut Yankee is just not right.
Another thing was the look of the film and the directing, which I found to be very lackluster. I haven't checked but it would not surprise me to find that the director was heavily involved in silent films. It is just a movie that feels like a B movie even though you have Rogers who was a pretty big star at the time. The production values are not up to what you would hope for from MGM, looks more like a Gene Autry movie.
There are a few fun scenes, and it is worth watching for anybody who just wants a look at Rogers' comedy on screen. Basically a kiddie movie though without much to offer adults and would probably bore most modern children.
The movie is updated from Mark Twain's 1889 novel, with Will Rogers, as Hank Martin a radio engineer who heads out to a spooky castle sort of pace, where he meets various people, then onto the main body of the story: sentenced to death, the eclipse prediction - which is based on something that actually happened to Christopher Columbus - and the introduction of modern technology and methods: knights getting armor repaired at service stations, telephone switchboards, Model T cars and auto gyros, and Rogers in a tournament with a bunch of armored knights, where he gets to show off rope tricks.
While the visuals are handled nicely, the pacing of the movie is rather slow, both in the way that dialogue is directed, and the editing needs to be quickened; it's a common situation at Fox in 1931. The serious heart of the novel is cut out, and Rogers gets only one great line, a bit of gallows humor. While it's always a pleasure to see Rogers, and there's a fine cast that includes William Farnum and Myrna Loy and Maureen O'Sullivan, this is not among the best of Rogers' vehicles.
While the visuals are handled nicely, the pacing of the movie is rather slow, both in the way that dialogue is directed, and the editing needs to be quickened; it's a common situation at Fox in 1931. The serious heart of the novel is cut out, and Rogers gets only one great line, a bit of gallows humor. While it's always a pleasure to see Rogers, and there's a fine cast that includes William Farnum and Myrna Loy and Maureen O'Sullivan, this is not among the best of Rogers' vehicles.
Did you know
- TriviaThe version presently available, shown on Turner Classic Movies in January 2021, is the 1936 re-release, with a Twentieth Century-Fox logo, redesigned opening and closing credits, and original exit music eliminated. The shorter running time (85 minutes) also indicates that some editing had been done, most likely in order to meet Production Code demands which were not in effect at the time of the film's original release (though Will Rogers' exclamation "Canst thou tell me where the helleth I am?" remains in the print).
- GoofsWhen Hank is to be burnt at the stake at "high noon", the shadows on the ground indicate that the hour is between 4 p.m. and 6 p.m.
- Quotes
Hank Martin: Yes, sir, we're getting the supply here, and then I'll create the demand. All you got to do is to persuade people they need things that they've been happy without all their lives.
King Arthur: And by what magic wilt thou do this?
Hank Martin: Ah, by a special magic called advertising.
King Arthur: Advertising. Hmm. Is it a potent charm?
Hank Martin: Ah, potent? Say, it makes you spend money you haven't got for things you don't want.
- ConnectionsFeatured in Twentieth Century Fox: The First 50 Years (1997)
- How long is A Connecticut Yankee?Powered by Alexa
Details
- Runtime
- 1h 35m(95 min)
- Color
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