Devotion

This was one stuffy romance. As a lesson in manners and properness, this movie was great, as a love story it was terrible.

Shirley (Ann Harding), the daughter of aristocrats, posed as a "nursery governess" (nanny) in order to work. She wanted to work to be her own woman, for the adventure--you know the cockeypoop rich people say when they're bored. Truthfully, she was doing it for Trent (Leslie Howard), a man she fancied. I guess this was the only way she could get close to him and make him fall in love.

It worked. It was clumsy, awkward, unromantic, and British, but it worked.

Their love was dealt a blow when Trent's estranged wife came home. Before Trent could even tell Shirley that he had an estranged wife, or before he could say that she just appeared again after four years, Shirley was gone. It was the standard romcom split over miscommunication/misunderstanding/misleading.

The whole thing was so stiff and proper it was hard to like. I have a hard time with romances in any case, so an unromantic unfunny romantic comedy certainly had no shot with me.

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"Devotion" is a film which lost money at the box office. Despite this, it's still a decent film and is worth your time.

Shirley (Ann Harding) spends her life taking care of her elderly parents and leading a very predictable life. However, she wants more and when she learns that handsome David Trent (Leslie Howard) is in need of a governess to watch his son. There is no wife in the picture and I wasn't sure if she was dead or what as I watched the film. But Shirley also knows that David wants some matronly middleaged woman for the job...so she dons a wig, uses a bit of makeup and uses a different accent*...and changes her name. However, over time, David is able to tell that she is in disguise and he finds himself drawn to her. What's next? Well, a few surprises, that's for sure!

While Ann Harding was generally good in the film (especially when she was the governess), I found it odd that as Shirley she had no British accent whatsoever...and the story is about Brits living in Britain! Also, the film kept calling David a 'lawyer' but I thought that the correct British term was 'barrister' or 'solicitor' (depending which type of lawyer). I'm not British...and I could easily be wrong.

So how about the film itself? Well, it's an enjoyable story though I agree with the review that said the film was slow. Regardless, it is a decent pre-code romance...pre-code because of some content I won't say more about because it might spoil the surprise.

What a bore. Every bit the "creaky early talkie", DEVOTION (1931) is stagey and the soundtrack is full of dead air and awkward silences. The story concerns "wallflower" Ann Harding disguising herself as a middle-aged governess in order to get closer to Leslie Howard (whom she secretly loves).

The movie is a chore to sit through. I've never really been a fan of Ann Harding, and she looks ridiculous in her old lady disguise. Seen nowadays, the movie is so preposterous and overdone as to be unintentionally funny. Harding's whole plan comes off as really creepy to a modern audience.

And why is Harding, a daughter in a fairly well-off family, doing chores with the servants while her parents and sisters entertain guests in the parlor? Is she the black sheep of the family? Is it a Cinderella situation?

The movie's not a total loss, however.

Robert Williams's naturalistic acting practically jumps off the screen, in contrast to the rest of the cast. Williams's bright future in Hollywood was cut short when he died shortly after this film's release in 1931. He had a natural way of delivering his lines that really stands out in DEVOTION, even though he only has a few scenes. If nothing else, this film gives viewers a rare chance to see Williams at work.

No one suffers more in movie after movie than Ann Harding. The suffering is gloriously acute, intense and wonderfully relentless.

This is a charming, sweet, sometimes clever love story of a barrister and the lovely, dutiful daughter of a well-to-do family in London. Ann Harding wants to get from the grip of "family" (she's sort of a Cinderella here) -- leaves while they are on a holiday and disguises herself as a nanny named Mrs. Halifax. She is hired by Howard who has a small boy (likeable child actor) to look after the boy. Howard almost recognizes Harding beneath her "wig" but it takes a few days before he puts "two and two" together. There's all sorts of great old character actors (Alison Skipworth) who brighten the film with some earthiness before it floats away with ethereal Ann's delicate manner and beauty. One of the charms of a Harding film is looking at her shimmering blonde coiff. Here it's hidden half the time -- but she is quite wonderful in her part and the emotional charge of the story-line is sweet, heartfelt and reminds us of a lost innocence that used to be in early cinema -- that was really lovely.