Fighting Caravans

Quick and amusing dialogue, fun characters, great location shooting, and high production values for the time, I was very happy to stumble upon this wonderful old film. I found it thoroughly entertaining.

Seeing the charismatic glow of a skinny young Gary Cooper makes me regret that he adopted such a dull and wooden persona later in his career.

A lot of the negative critiques of this film here seem to be based on superficial criticisms of the look and pacing of movies of this era, and not with the movie itself. If a movie is engaging, one soon gets used to the shortcomings of the time when early talkies were still finding their way with dialogue delivery and pacing. In fact, I thought they did a pretty good job here. While it is somewhat episodic, the performances are sensitive, and it does give us a rich and convincing glimpse of the wagon train era, even with the white man's simplistic perspective of Native American culture.

This film, Originally titled BLAZING ARROWS, is the first of several based upon a Zane Grey novel published only two years prior, and the version that is most faithful to the book, while being one of the largest budgeted Westerns of the early sound era, with the viewer advised to remember that the period of the narrative (1862) antedated its audience only to the extent that the Great Depression does to spectators today. The story tells of a caravan of freight wagons journeying from Independence, Missouri, to the West Coast during a pre-railroad time, with settlers accompanying, and the procession's four month struggle with hostile Indians, very harsh winter weather, forbidding terrain and renegade betrayal, and is particularly full of interesting detail as to the methods of the freightmen and their metier. Gary Cooper portrays Clint Belmet, a Missouri guide who has been reared and trained as a member of a successive generation of scouts and trappers by two veterans of the breed, Bill Jackson (Ernest Torrence) and Jim Bridger (Tully Marshall), who are unaware that their way of life is to be ended by an advancing intracontinental rail system, only temporarily slowed by the War Between the States. Because of plot circumstances, Belmet must pretend to be married to a lone traveller, Felice (Lily Damita), and their seesaw relationship provides one of the main themes of a wideranging scenario, with Belmet and his mentors trumpeting of the glories of their fading way of life while Felice seeks to inculcate within her swain a sense of domestic virtue. The cinematography of Lee Garmes is very effective with its images of the travails of the wagon train and his work is not compromised by the editing which is crisp and appropriate for a film as episodic as is this one. The work's most serious failing is a lack of a consistent point of view, as it is essentially a comedy, due largely to a highly effectual performance from Torrence, here permitted to utilize his native Scottish burr to its fullest, and is somewhat reduced in impact during scenes of action and romance as a result of only cursory emphasis upon each.

"The old time west is passing," says one of the characters in "Fighting Caravans." This early 'talkie' is also one of the earliest 'big budget' westerns from what I read. Unfortunately, this is a B Movie all the way, and not that entertaining either. A young Gary Cooper plays a scout of some sort who is working for a wagon train caravan carrying freight from Missouri to Sacramento, California in the 1860's during the civil war and right before the railroads had been built throughout the west. There is hardship, danger, Indians, romance and cornball humor in this vintage western. Somehow, when you mix them all up together, the recipe isn't all that tasty. The humor is obnoxious at times and the acting, even Gary Cooper's, is noticeably weak during some scenes. This movie tries to be several different types of movies all rolled in to one and it doesn't pull it off. Interestingly enough, there are moments in the film where it is evident that the style of acting and camera work from silent films is still being used. It is a bit fascinating to see how an early 1930's filmmaker portrayed the 1860's. I'd say pass on this movie unless you are a Gary Cooper fan or a hard core fan of early westerns. 61/100.

In Missouri, during the Civil War, "high, wide, and handsome" Gary Cooper (as Clint Belmet) gets a little jail cell shut-eye. Awakening, he moseys over to the local saloon, where he is held at gunpoint by the town's drunken sheriff. Mr. Cooper's guardians, Ernest Torrence (as Bill Jackson) and Tully Marshall (as Jim Bridger), secure his release by convincing French lass Lili Damita (as Felice) to pretend she is Cooper's wife. Then, the quartet join a caravan to California. A real romance begins to bloom between Ms. Damita; but, Mr. Torrence and Mr. Tully want Cooper's bachelorhood preserved. Along the way, Indians (Native Americans) lurk…

Old pros Torrence and Marshall are "Fighting Caravans" main attraction. They were responsible for many memorable character roles (mostly) in silent films (mostly); and they are in excellent form, reprising their "Covered Wagon" roles. Cooper obviously enjoys working with them. Ms. Damita is cute and effective. The production levels are relatively high, leading to the obligatory ending battle; but, the performances make it entertaining. Unnecessarily re-made as "Wagon Wheels" (1934), with stock footage and Randolph Scott.

******* Fighting Caravans (2/1/31) Otto Brower, David Burton ~ Gary Cooper, Ernest Torrence, Tully Marshall

During the Civil War, FIGHTING CARAVANS of freight wagons make their way West, crossing hostile Indian country.

This sturdy Zane Grey Western, largely forgotten over the decades, offers some fine entertainment with its good performances and vivid location filming. The number of wagons, livestock and extras used show that Paramount Studios paid out a fair few pennies for decent production values. The dramatic struggles across the wilderness and a rousing Indian attack help punch up the action considerably.

Laconic Gary Cooper stars as the trail guide helping to lead the teamsters and settlers through dangerous territory. Hot-tempered Lili Damita plays a solitary French maiden driving her wagon West. Their intermittent romance is completely predictable, but the two young performers make it all very watchable.

Stealing their every scene are a pair of old pros from the Silent days: Ernest Torrence & Tully Marshall. Playing a couple of grizzled, drunken, women-hating trail guides--as well as Coop's best buddies--they are very amusing in their attempts to break-up the budding romance between their protégé and the troubling Miss Damita.

Rotund Eugene Palette is on hand as a lovelorn member of the wagon train. Charles Winninger enlivens the film's opening minutes as the blustery Marshal of Independence, Missouri.

Movie mavens will recognize sweet Jane Darwell as a pioneer and Iron Eyes Cody as a Fort Indian in search of firewater, both uncredited.