Inspiration

"Isn't life always full of romance?" (the personal quote by Greta Garbo)

The Garbo's words I entailed at the beginning of my review do not only refer to an individual life that they were meant to but, more importantly, appear to resemble most of Garbo's career in Hollywood. Aren't most of her films full of romance? And that is perfectly all right when we consider this movie made at the dawn of talkies, along with ANNA Christie and ROMANCE by Clarence Brown, Garbo's beloved director. Again, INSPIRATION appears to discuss the similar theme of self sacrifice, honest feelings changing people from within, significant decisions that require courage and that lead to love that inspires and illumines life. What a classical, timeless theme of old cinema!

And...who makes INSPIRATION worth seeing is, of course, Garbo whose gracious presence in movies will always live in the hearts of her fans and classic movie buffs worldwide. Again, as it is the case with most movies she made in MGM between 1925 and 1941, her exceptional acting and glamorous photography by William Daniels leave a lasting impact on the viewer's memory. Moreover, among the supporting cast, we can admire Lewis Stone, the wonderful actor whose memorable performances I have mentioned in many of my reviews on Garbo films. Here, he is equally convincing.

And everything would seem to make way for INSPIRATION to be successful, to be inspiring for both the viewers of the 1930s and for today's classic buffs. Yet, INSPIRATION is usually mentioned as one of Garbo's least significant films. Why?

The reason for that lies in the leading man, Robert Montgomery. His role of Andre, a 24 year-old man in love with delicious Yvonne is an interesting role that could be depicted with desirable passion and memorable chemistry. Surely, that would have been not so hard for Garbo's ultimate leading man, John Gilbert, as well as for Melvyn Douglas (who played at her side in NINOTCHKA, for instance), for John Barrymore (in GRAND HOTEL), Robert Taylor (in CAMILLE) and Ramon Novarro (in MATA HARI). But it was beyond Robert Montgomery's skills and attempts. It is worse than ever with absolutely no chemistry between Garbo and Montgomery. One can say while looking at them that he is the worst leading man for Garbo, which, above all, makes their love in the plot hardly convincing. There are moments when Garbo intuitively tries to create a natural, authentic situation (because she was known to create things in acting situations galore) and Montgomery maintains fake and pathetic. Consider, for instance, their scenes on stairs that could have been so well executed.

Therefore, I think that INSPIRATION is, in no way, one of Garbo's first films that you should plan to see. It's worth for Garbo fans who know her great top movies of the 1920s and 1930s and want to see the queen of MGM in yet another role. No top movie whatsoever! 5/10

Cocktail circuit coquette trades in her lavish lifestyle for the sake of a more genuine attachment, the pursuit of which only seems to involve compromise, disappointment and despair. It's a philosophical little film suffused with romantic melancholy.

There are more famous films where Garbo says she wants to be alone, and where she laughs, but she does both here too. There's little in the way of action but it has a pleasing lilt as it shifts from high glamour to an almost expressionist gloom.

Two fine contrasting scenes - a sunny breakfast in the park and a snowy night - capture the mood of the transition between hope and resignation - and we get to see Garbo go from some of Adrian's most impressive creations to a dishevelled dressing gown.

Was saving this for a sleepless night and it went down a treat in the small hours when it was just me and the night and Garbo.

Inspiration (1931)

** 1/2 (out of 4)

A beautiful model (Greta Garbo) begins dating a good, shy guy (Robert Montgomery) but things hit hard times when he learns of her rather sluttish past. Once again Garbo is quite good and Montgomery is strong but the story lets both of them down. Things start off quite nice and move well but at the 45-minute mark things just fall apart because the story keeps repeating itself. He forgives her, learns something else, hates her, forgives her, learns something else and hates her again. A nice ending almost saves the film but not quite.

Romance (1930)

** (out of 4)

An Italian opera diva (Greta Garbo) with a troubled past falls in love with a priest (Gavin Gordon). Like many early sound films this one here talks and talks and talks but sadly most of the talk isn't very interesting. Garbo is very good in her role, although it's a bit hard to believe her as an opera star. Gordon on the other hand is fairly weak and it's a shame Garbo couldn't get Gary Cooper like she wanted. The ending is so incredibly bad you can't help but laughs but hey, there's Garbo.

In a plot with some similarities to the much better Camille, Greta Garbo is an artist's model who like the rest of her peers lives on the financial favors of those in the artist's colony. I wouldn't doubt she does those things professionally as well. It costs a lot to be an artist's Inspiration.

However she gets inspired by a young callow youth played by Robert Montgomery and she's willing to shake off all her patrons, chief among them being Lewis Stone for life with a young man entering France's diplomatic service. No matter because Lewis Stone seems rather enthralled with Karen Morley at the moment.

Probably Inspiration would not sit well with today's audiences. It's not one of Garbo's better vehicles.

One thing I did like about Inspiration was its torch song theme. Though it's not sung in Inspiration, the theme has lyrics and it's entitled How Long Will It Last. It was recorded by Bing Crosby the following year and was one of his early successes. It's the best thing about Inspiration.

I'd really recommend that you see this side by side Camille and judge for yourself how much better Camille is. Still Garbo and Montgomery do their best by this dated melodrama.

Don't get me wrong. I love both Garbo and Montgomery. They are both very talented and extremely sexy. This film, however, was not. As the previous poster has said, there is NO chemistry between the 2 stars. It was as if they were not even in the same movie.

Montgomery looked very bored with it all, and, although very dapper in his tuxedo, looked as though he were going to fall asleep throughout the film. I had to laugh when he WAS asleep in the last scene and never woke up, credits rolling. Looks like the poor thing finally got his nap after all. Still, he's always wonderful to look at!

The same goes for Garbo, only this time, her slow talking got on my nerves not just a little bit. I loved her outfits, and she could definitely be a model, but her speech was simply too languid for the film. Even Bob spoke slowly. What the hell?

The supporting players were given awful dialog, stock characterization, and no substance whatsoever, thus making no impact. All this accomplished was to get screen time away from the 2 stars, thankfully, I suppose. (The little doggie was cute, though.)

Nobody looked as though they had any enjoyment making this film, and the same can be said for the unfortunate viewer.

Bottom line: lovely to look at, painful to follow through.