The Mystery Train

Hedda Hopper has been speculating in the market and lost everything. Bryant Washburn says his trust for millionaire Nick Stuart is about to be dissolved. They decide a niece for Mrs. Hopper will repair the holes in each of their finances by marrying young Mr. Stuart. Fortunately(!) the train they are on has a wreck, and Marceline Day escapes custody. Mrs. Hopper immediately adopts her and the plan moves forward.

It's a good set-up, although fans of old movies will find few novelties in its execution. The senior pair are good in their acting; the youngsters a bit stiff. Although Hampton Del Ruth inserted several funny bits in the movie, like Al Cooke and Carol Tevis as quarreling newlyweds, director Phil Whitman doesn't seem to integrate them into the story. Even the title seems to have been chosen to suggest thrills that never appear; the only mystery having to do with trains here is why they keep crashing when the principal actors are on them.

Hedda Hopper's movie career was basically a lifetime of bit-parts (147 credits on IMDb, most of them forgettable), and no-one ever claimed she was a great actress, except in her other career as a gossip-columnist, where she could be highly convincing as a helpless little frilly female, to whom men would confide their secrets - only to find them plastered all over next morning's paper. (Spencer Tracy was so furious, he kicked her in the pants.) So this is one of the few opportunities to see her in a starring role, though at just 62 minutes, it's obviously a B-film and the low budget does show through.

When you hear that it's a story of mistaken identity, involving the theft of a priceless diamond, you can't help thinking of Wodehouse, who had a surprisingly strong influence on Hollywood, and that is the kind of light snack we're talking about. (Why it needed four writers is anybody's guess.)

The date of 1931 signals the first shock of the Depression, so the unremarkable footage of the rich at play would have provided much-needed escapism for hard-up viewers in a thousand small-town cinemas. There is topicality in Hopper's character losing everything in a stock-market gamble. And film-buffs will note the signs that we are just pre-Code, with a distinctly suggestive passage where a young man teaches the girl golf by reaching around her from behind.

This was a pretty foggy print, and the sound is a bit dim too. The climactic fight-scene is so fake and feeble, you can almost hear John Wayne sneering "Fight-scene? Heck, I thought it was a love-scene." But at least Hopper is looking her best - a distinguished beauty, however widely disliked.

Like "Defenders of the Law", this is another interesting "B" scripted by Hampton Del Ruth (this time in collaboration with skillful director Phil Whitman). As the title implies, this one is an absolute must for railroad buffs – and unlike some other "B" movies which promise much but deliver little, this one doesn't disappoint, with some terrific train footage at both the beginning and the climax (which will have most fans on the edge of their seats). Queenly villainess Hedda Hopper is top billed over the lovely Marceline Day, Nick Stuart makes a more-than-adequate hero, Bryant Washburn of course is a collaborating heavy, while Al Cooke and the super-attractive Carol Tevis play a comic groom and bride.

Wealthy Hedda Hopper (Marian) isn't so wealthy anymore and needs money. She discusses her predicament with her lawyer friend Bryant Washburn (William) whilst on a train journey. He suggests that it is a pity she doesn't have a daughter as the current case he is working on could prove fruitful for her if she had one. There is a valuable diamond to be passed on to whoever marries bachelor Nick Stuart (Ron) and this provides the basis for the wicked scheme. What Hedda needs is to find a 'daughter' from somewhere and set up a marriage to this rich youngster in order to get the diamond into her position. Once that is completed, job done - welcome back wealthy lifestyle.

The film has interesting beginning and ending sequences that are set aboard a train, and in between we get the trickery associated with the romance. Whilst it isn't the best acted film - Marceline Day (Joan) as the 'daughter' character has some pretty dreadful intonation and line delivery - there is still an element of tension to proceedings that keeps you watching. It gets a bit confusing at the end once the jewel goes missing and then the film resolves itself rather conveniently but it retains a dramatic interest as the audience wants to know what will happen next.

Hedda Hopper, respected and feared Hollywood gossip columnist, began her Hollywood career acting in bit parts. In this pre-Code quickie, she has a rare leading role as a society lady whose estate is dwindling fast and in order to save her "assets," she hatches a plan to inherit money. The train she's on derails and she befriends and uses a young lady who is running from the law. She vouches for her and makes her masquerade as her niece to marry into a wealthy family. Therefore, as the Aunt, she will then come into some very valuable jewelry she has been coveting. This exciting and fast-paced programmer has some predictable complications as the young man/victim and the "niece" fall in love, and she doesn't like lying to him. But Hedda threatens to expose her if she doesn't comply with this temporary deception. Logic flies out the window here. What does Hedda expect to happen – to get away with her shenanigans? But this little film is long on entertainment and has a very exciting finale on a runaway train. Every once in a while, I find a film I love to talk about and recommend to real film lovers; this is my latest one! "Mystery Train" is a long- lost film classic that should be discovered today!