Marian and William manage Ronald's huge fortune. In order to skim some of that for themselves they make him fall for their protege Joan, a convict on the lam. When they all board a train the... Read allMarian and William manage Ronald's huge fortune. In order to skim some of that for themselves they make him fall for their protege Joan, a convict on the lam. When they all board a train the chase is on for the family jewels.Marian and William manage Ronald's huge fortune. In order to skim some of that for themselves they make him fall for their protege Joan, a convict on the lam. When they all board a train the chase is on for the family jewels.
Al Cooke
- The Bridegroom
- (as Albert Cooke)
Mary MacLaren
- Nurse
- (as Mary McLaren)
Joseph W. Girard
- Sheriff
- (as Joseph Girard)
Spec O'Donnell
- Caddy
- (as Speck O'Donnell)
Eddie Fetherston
- Archie Benson
- (as Eddie Fetherstone)
Jack Richardson
- A Crook
- (uncredited)
Ellinor Vanderveer
- Couturiere
- (uncredited)
Featured reviews
Hedda Hopper has been speculating in the market and lost everything. Bryant Washburn says his trust for millionaire Nick Stuart is about to be dissolved. They decide a niece for Mrs. Hopper will repair the holes in each of their finances by marrying young Mr. Stuart. Fortunately(!) the train they are on has a wreck, and Marceline Day escapes custody. Mrs. Hopper immediately adopts her and the plan moves forward.
It's a good set-up, although fans of old movies will find few novelties in its execution. The senior pair are good in their acting; the youngsters a bit stiff. Although Hampton Del Ruth inserted several funny bits in the movie, like Al Cooke and Carol Tevis as quarreling newlyweds, director Phil Whitman doesn't seem to integrate them into the story. Even the title seems to have been chosen to suggest thrills that never appear; the only mystery having to do with trains here is why they keep crashing when the principal actors are on them.
It's a good set-up, although fans of old movies will find few novelties in its execution. The senior pair are good in their acting; the youngsters a bit stiff. Although Hampton Del Ruth inserted several funny bits in the movie, like Al Cooke and Carol Tevis as quarreling newlyweds, director Phil Whitman doesn't seem to integrate them into the story. Even the title seems to have been chosen to suggest thrills that never appear; the only mystery having to do with trains here is why they keep crashing when the principal actors are on them.
"The Mystery Train" is an alluring title for a movie. And it has the premise for a good plot. Unfortunately, it goes the way of so many other poverty row productions of the early Hollywood years. The screenplay is poorly done, and the script is very weak. The technical aspects are poor, the cinematography is low rate and the directing and acting are examples of why so many lesser studios and would-be stars didn't last long.
The only person of any stature in the film is Hedda Hopper. She never attained stardom as an actress, but kept plugging away with small roles into old age. She had 146 film credits in her lifetime. Of course, she was most known as a Hollywood gossip columnist. That was from the mid- 1930s to the mid-1950s. And she kept doing small parts in movies here and there while peddling her popular and lucrative gossip business.
Hopper had a rival – Louella Parsons, who came on the gossip scene much sooner. But, Parsons didn't have an acting career. The interest in this film is mostly to see Hopper in one of her roles. She wasn't in any major hits or high quality movies. So, movie buffs might have to look hard to find films in which she has a role.
I was curious about some of the actors, so I looked them up on IMDb. Some of them had long stints in silent films, but didn't go much beyond that. Al Cooke had 152 film credits but his last appearance was in a 1933 short. Bryant Washburn had 377 credits, mostly bit parts through the 1940s. Marceline Day, the heroine in this film, had 64 credits but had a short-lived career of just 25 years. Nick Stuart, a Romanian born actor, had 52 credits – all small roles and bit parts through the 1950s.
The only person of any stature in the film is Hedda Hopper. She never attained stardom as an actress, but kept plugging away with small roles into old age. She had 146 film credits in her lifetime. Of course, she was most known as a Hollywood gossip columnist. That was from the mid- 1930s to the mid-1950s. And she kept doing small parts in movies here and there while peddling her popular and lucrative gossip business.
Hopper had a rival – Louella Parsons, who came on the gossip scene much sooner. But, Parsons didn't have an acting career. The interest in this film is mostly to see Hopper in one of her roles. She wasn't in any major hits or high quality movies. So, movie buffs might have to look hard to find films in which she has a role.
I was curious about some of the actors, so I looked them up on IMDb. Some of them had long stints in silent films, but didn't go much beyond that. Al Cooke had 152 film credits but his last appearance was in a 1933 short. Bryant Washburn had 377 credits, mostly bit parts through the 1940s. Marceline Day, the heroine in this film, had 64 credits but had a short-lived career of just 25 years. Nick Stuart, a Romanian born actor, had 52 credits – all small roles and bit parts through the 1950s.
Marian Radcliffe (Hedda Hopper) is an awful person. She's lost her fortune and with her lawyer friend she's scheming to find a way to get back on easy street. When their train wrecks, a woman who is a prisoner chained to an officer finds the man dead...and manages to get out of the cuffs. Marian sees this and takes full advantage-- convincing the lady to pose as her daughter or else! The plan is to get this pretty young lady to use her charms on a young heir the lawyer is working for...and marry him for the money. And, since Marian knows the lady is a fugitive, she can then bleed the young lady.
Soon after this scheme is put into place, the Sheriff arrives. He's gone through all the information on the passengers and didn't see a ticket for the daughter! However, he's NOT there to arrest her. It's turned out that she wasn't guilty of a crime after all and he wanted to let the lady know she was free...but Marian promises to tell her 'daughter' but says NOTHING!!! What's next? See the film and find out for yourself.
The plot, according to IMDb, is all about a runaway train...but that is only in the final portion of the film. This is a very exciting and action-packed portion, though, and the film was far, far better than I expected from some poverty row B-movie. The acting was only fair but the writing and action were both exceptionally good...making the movie worth seeing--especially if you like Bs.
Soon after this scheme is put into place, the Sheriff arrives. He's gone through all the information on the passengers and didn't see a ticket for the daughter! However, he's NOT there to arrest her. It's turned out that she wasn't guilty of a crime after all and he wanted to let the lady know she was free...but Marian promises to tell her 'daughter' but says NOTHING!!! What's next? See the film and find out for yourself.
The plot, according to IMDb, is all about a runaway train...but that is only in the final portion of the film. This is a very exciting and action-packed portion, though, and the film was far, far better than I expected from some poverty row B-movie. The acting was only fair but the writing and action were both exceptionally good...making the movie worth seeing--especially if you like Bs.
Like "Defenders of the Law", this is another interesting "B" scripted by Hampton Del Ruth (this time in collaboration with skillful director Phil Whitman). As the title implies, this one is an absolute must for railroad buffs – and unlike some other "B" movies which promise much but deliver little, this one doesn't disappoint, with some terrific train footage at both the beginning and the climax (which will have most fans on the edge of their seats). Queenly villainess Hedda Hopper is top billed over the lovely Marceline Day, Nick Stuart makes a more-than-adequate hero, Bryant Washburn of course is a collaborating heavy, while Al Cooke and the super-attractive Carol Tevis play a comic groom and bride.
Hedda Hopper, respected and feared Hollywood gossip columnist, began her Hollywood career acting in bit parts. In this pre-Code quickie, she has a rare leading role as a society lady whose estate is dwindling fast and in order to save her "assets," she hatches a plan to inherit money. The train she's on derails and she befriends and uses a young lady who is running from the law. She vouches for her and makes her masquerade as her niece to marry into a wealthy family. Therefore, as the Aunt, she will then come into some very valuable jewelry she has been coveting. This exciting and fast-paced programmer has some predictable complications as the young man/victim and the "niece" fall in love, and she doesn't like lying to him. But Hedda threatens to expose her if she doesn't comply with this temporary deception. Logic flies out the window here. What does Hedda expect to happen – to get away with her shenanigans? But this little film is long on entertainment and has a very exciting finale on a runaway train. Every once in a while, I find a film I love to talk about and recommend to real film lovers; this is my latest one! "Mystery Train" is a long- lost film classic that should be discovered today!
Did you know
- TriviaThe film was shown with the title "Bride For Sale" in various cities like Williamsport, Pennsylvania and Troy, New York, advertised in newspapers sometimes with a studio-generated ad mat.
- GoofsNear the end of the movie a close up of a newspaper has a misspelling when it lists train passengers and includes "Two *Unidetified* Train Bandits."
- ConnectionsFeatures Transcontinental Limited (1926)
Details
- Release date
- Country of origin
- Language
- Also known as
- To mystiriodes traino
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 2m(62 min)
- Color
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