Mädchen in Uniform

This was more than a gay classic, this film was a social commentary on the time period it was set in. We all now well know the views held on homosexuality by Hitler's socialist party which was coming into power during the time this movie was made. The entire film foreshadowed many of the things that would happen to people who were not seen as desirable in the eyes of the German government. One part especially, where the students and teachers were forbidden to have contact with Manuela, spoke of the public shunning of Jews and other so-called undesirables who were forbidden contact with other people. Of the three movies that Leontine Sagan directed this was the only one made in Germany. Given the fact that Sagan was of Jewish ancestry and the main theme of this movie was of love between women, it's not hard to see why her career in Germany was short lived.

Even though this film wasn't the most crowd-pleasing one I've seen lately, I think it's a rather important one. The openly lesbian themes of the movie are quite surprising, considering that the movie was made in 1931. The theme of sexual discovery in a girls' boarding school was quite revolutionary for film at the time. It was also an interesting critique of society, and was very anti-fascist. The Prussian principal represents the authoritarian, militaristic aspect of society, while the kind teacher represents a more maternal and loving part. The combination of lesbian themes with that kind character shows us that a more female-dominated society would be a positive change. The Prussian school shows that women are oppressed by patriarchal society into a militaristic machine, and the rebel teacher is a movement away from that. This film is an intriguing view of life right before Hitler. It provides a meaningful glimpse into the lesbian subculture of Berlin before the Nazis came to power.

One of the more harrowing themes in cinema centers around school administrators doling out physical and psychological punishment to their students. The first talkie to vividly display such abuse is the German movie, November 1931's "Madchen in Uniform." Based on Christa Winsloe's 1930 play 'Yesterday and Today,' the movie follows a fourteen-year-old daughter, Manuela, (Hertha Thiele), of a military officer whose mother had died, making it necessary for the teenager to board at an all-girls private school. The tension-packed film is also one of the first in cinema to have an exclusive all-female cast.

The play-and the movie-was a personal story of playwright Winsloe, who found herself undergoing the harsh educational private school system in Germany. The character Manuela, a sensitive girl thrusted into a new environment, experiences the rough transformation of her friendly individuality forced to live in an uniformly unfriendly, cold environment. Winsloe personally witnessed the destructive results of such harsh treatment impacting with disastrous long-lasting effects on young women. The actress Hertha Thiele recalls years later that "The whole of Mädchen in Uniform was set in the Empress Augusta boarding school, where Winsloe was educated. Actually there really was a Manuela, who remained lame all of her life after she threw herself down the stairs. She came to the premiere of the film. I saw her from a distance, and at the time Winsloe told me 'The experience is one which I had to write from my heart.'"

Winsloe portrayed one of her teachers, Fraulein von Bernburg (Dorothy Wieck) in the movie, as the only adult in the school having compassion towards the students. The teacher's warmth around the students, treating them as humans instead of objects to be trained like seals, was totally against the school's rigid philosophy, set down by the institution's strict headmistress (Emilia Unda). When she hears of von Bernburg's benevolence towards Manuela, she's instructed never to speak to the student again. Manuela is devastated by the edict, and plans to commit suicide by jumping off the top of a multi-story atrium similar to what Winsloe had witnessed.

"Madchen in Uniform" has enjoyed a cult-like following decades after its release. Because of its topical subject matter of women's affections towards each other, the movie was almost banned in the United States in 1932 before Eleanor Roosevelt, then wife to the governor of New York State, Franklin Roosevelt just before he was elected President, persuaded the state's censor board to allow the movie to be shown. The film, produced shortly before the Nazi Party took control of Germany's government, was banned by the Nazis, who ordered every copy burned. By that time there were so many prints distributed in a number of countries that it has survived intact today.

Winsloe's play, translated as "Girls in Uniform," was her only published stage work. She relocated in the United States early in World War Two before moving to France, where, in 1944, she was accused of being a Nazi spy by four Frenchmen. She was shot along with her companion on June 10, 1944.

Filmed in pre-National Socialist Germany when the economy was at a true low. The girls at this Catholic boarding school are slight, pale, hungry creatures -for food and comfort. Daughters of soldiers, they are taught discipline and deprivation, not luxury. The girls, however, have more personality and strength of character than those in the majority of movies produced nowadays. Manuela is a highly emotional 14 year old 'new girl' who has no mother. She, like the rest of her classmates, yearns for the attention of the fair and beautiful Fraulein von Burnberg. Ilse is the school trouble-maker, leader, and clown. Witty and outspoken, she repeatedly entertains the other girls, binding them together in secret comradery against their oppressive elders. At an after-play function Manuela is the only student who can tolerate the taste of the punch given to them as a reward. Her friends pass their cups on to her and she soon gets herself quite drunk. In a semi-conscious state she announces her feelings for the popular Fraulein von Burnberg to the entire school along with the infuriated Headmistress. These girls are not all lesbians, they are merely children starved of human contact and love. As a result they throw their hearts at the open mind and kind heart of Frau von Burnberg. I found it surprising and beautiful how loyal the girls were to each other. There is very little rivalry or conflict among the students, a vast contrast to the modern representation of teens. Even when Manuela embarrasses herself horribly in front of the school, her classmates stick by her without hesitation. That's cool.

Beautifully filmed. By turns touching, funny, and painfully sad.

It is definitely a classic. A wonderful story for the gay/lesbian audience, and anti-authoritarian to anyone else who's interested. Wonderful artistic depiction of the characters.

Besides, Dorothea Wieck really is hot.