I Am a Fugitive from a Chain Gang

America has always prided itself on its just laws and it's sense of fairness. However, there are some segments of the country where law and justice, like money, have failed to trickle down into the general public. In some states, the legal system is as harsh and unforgiving as the crime itself. As a consequence, many heartless authorities believe the more brutal a punishment, the more justice is dispense. Indeed, the Southern states, established so sever a retribution on its criminals they became the focus of this accusatory film. The story is taken from the actual exploits of Robert Burns (Paul Muni) who finds himself convicted of the theft of $5.50 and sentenced to ten years Hard Labor. It's bad enough to be sent to a prison, but he's also sentenced to dehumanizing, torturous treatment. The bestial and barbaric practices drive him to dare an escape. Using ingenuity and daring, he makes for Chicago where he does well and soon climbs the ladder of success. Years later, he is discovered and threatened with a return. The Governor and many citizens sponsor his safety. However, using an old legal trick, the prison authorities convince Burns to return with a promise of release in a few months. Trusting them he voluntarily returns. However Burns learns he is not to be released as promised. The stripes, the Ball and Chain await him and upon learning of the deception, plots again to escape but the guards are waiting for him to try. A magnificent Black and White film and one which has established itself as a true Classic ****.

Being a man who has a very unhealthy penchant for any film that deals with incarceration, it is with great elation that I can proudly proclaim this to be one of the greatest films of the genre. I had to finally give way and import the film on Region 1 to see what I was missing, boy was it joyous to see how this film has influenced some of my favourite film's of all time.

This is one tough movie, it pulls no punches and the only surprise is that it was made in 1932, that the film is a grizzled masterpiece is down to the astute direction of Mervyn LeRoy and a quite brilliant performance from Paul Muni in the lead role of James Allen. Based on the real life writings of Robert Elliot Burns, the film is a harsh kick in the guts about the brutal penal system that existed when most of us were mere glints in our Father's eyes. It is part of a Warner Brothers controversial classic's box set that is available on Region 1, and its place on any controversial classic list is worthy.

The film had major impact on reviews of the penal system, it caused uproar in Georgia (the film never mentions Georgia, but they knew it was about them), law suits followed and Robert Elliot Burns himself was constantly pursued by the authorities despite the state being privy to the actual facts of his case. I wont be boorish with the details as it is well documented across the net and those who haven't seen the film really need to address that issue. This picture strips it down to a primal story that begs a viewing from anyone interested in the genre - or actually for those interested in brilliant cinema from a golden era - period! 10/10

Paul Muni comes back from the war (WWI) a hero. He's offered his old job back but declines it--he wants to make it on his own. He inadvetantly gets involved in a stickup and is (unjustly) sent to a chain gang for 9 years. The prisoners there are treated horribly--beaten by sadistic guards and forced to eat wretched food. After a few months Muni has had it. He escapes, changes his name, makes a living for himself and is very successful. But his past begins to catch up on him...

A very early Warner Bros. social drama--and one of their best. It's pretty strong stuff. I remember originally seeing this on TV back in the 1970s and really being shocked by it. It's not graphic but what you hear is even worse then being shown it (the whippings in particular). It also shows a law system that doesn't give a damn about how they treat their prisoners. They should be treated like dirt--and are! The story moves quickly and Muni is just superb. This movie made him and you can see why. Also it has one of the most depressing endings I've ever seen in a motion picture. It hit me hard back in the 1970s and still works today. Muni's haunted face and the final line are harrowing. A true classic--a must-see.

Be warned--some non-cable TV prints cut out the final line!

Without a doubt, this is one of the finest films I have seen. Paul Muni's performance is so good, it's practically indescribable. I thought he was extremely believable as the unduly accused and convicted James Allen. This story will rip your heart out, and rightly so. The film is very well done in every way, down to the smallest detail (best example of this: the disgusting looking prison food – if you can call it that). The use of newspaper headlines is extremely effective, as well as the very realistic scenes in the prison and work yard, and the whole environment in which Allen must live. The viewer can almost feel Allen's pain as the other inmate hammers away at his leg chains to give him a glimpse of hope toward freedom. However, even the scenes of Allen's life on the outside still evoke a sense of foreboding. This is a very powerful film.

I saw it as part of the Essentials series on Turner Classic Movies, and Robert Osborne said that the real-life protagonist on whom this film is based acted as a consultant. Since he was still on the run, however, he was not credited. The whole situation is so sad, and this sadness and feeling of oppression hang over the film with such realism, that sometimes it is as though you are watching Allen's life caught on videotape, instead of a motion picture. It is extremely gripping and downbeat, with a killer ending. The fact that it's a true story just adds to the pervasive feeling of doom. Way ahead of its time, and a brave picture to make in its indictment of the justice system. WOW.

TWO FAVORITE MOMENTS: 1) Allen looking directly at the policeman in the barbershop with a determined, steely glare, as if suddenly realizing that he will not be recognized, and simply defying the cop to recognize him. The barber doesn't recognize him either, even though the cop and barber have just been describing Allen. This scene, I am sure, meant to emphasize the incompetence of the police and justice system, without using any words to do so. Fantastically done. I am in awe.

2) Chain gang inmate Barney Sykes (played by supreme character actor Allen Jenkins), finally released from jail, is offered a ride from the prison staff, who are carting the coffin of a dead inmate off the grounds. Very matter-of-factly, as though he has done this before (and thus demonstrating the de-humanizing effects of prison life) Sykes hops up onto the back of the truck and sits right on the coffin. Upon seeing this out the window, the other inmates ruminate on the fact that there are only two ways to leave the chain gang – `get let out, or die out.'

I will not give the ending away, but if it doesn't move you to tears, I don't know what will. Haunting.

My ONLY (minor) problem with the film is that all of the ladies in Allen's life look so similar, I could barely tell them apart!

HIGHLY RECOMMENDED!!!!! See it.

Mervyn LeRoy's chain gang movie from 1932 starring Paul Muni ruffled feathers on its initial appearance, and still packs a considerable punch when viewed today.

James Allen is implicated in a robbery and is sentenced to hard labour - seeking justice and the ability to clear his name he escapes from the brutality of the prison regime and sets up a new life (as Allen James, not that much of a name change really). The new Allen is a man of influence and importance, who does good for his community. The State still wants revenge though and when he is betrayed, his life really goes pear-shaped.

A sharp and perceptive script is the greatest strength of this drama, plus Paul Muni's exceptional performance in the lead during the different situations faced by his character. Glenda Farrell also makes an impression, but it is probably the last sequence you'll remember the longest, as a desperate Muni fades into the shadows and a lifetime on the edge of society. A heavy verdict indeed on American justice of the 1930s.