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If I Had a Million

  • 1932
  • Approved
  • 1h 28m
IMDb RATING
6.9/10
2.5K
YOUR RATING
If I Had a Million (1932)
Screwball ComedyComedyDrama

A dying tycoon gives million-dollar windfalls to eight people picked from the city directory.A dying tycoon gives million-dollar windfalls to eight people picked from the city directory.A dying tycoon gives million-dollar windfalls to eight people picked from the city directory.

  • Directors
    • James Cruze
    • H. Bruce Humberstone
    • Ernst Lubitsch
  • Writers
    • Robert Hardy Andrews
    • Claude Binyon
    • Whitney Bolton
  • Stars
    • Gary Cooper
    • Charles Laughton
    • W.C. Fields
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    2.5K
    YOUR RATING
    • Directors
      • James Cruze
      • H. Bruce Humberstone
      • Ernst Lubitsch
    • Writers
      • Robert Hardy Andrews
      • Claude Binyon
      • Whitney Bolton
    • Stars
      • Gary Cooper
      • Charles Laughton
      • W.C. Fields
    • 53User reviews
    • 15Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos74

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    Top cast88

    Edit
    Gary Cooper
    Gary Cooper
    • Steve Gallagher
    Charles Laughton
    Charles Laughton
    • Phineas V. Lambert
    W.C. Fields
    W.C. Fields
    • Rollo La Rue
    George Raft
    George Raft
    • Eddie Jackson
    Jack Oakie
    Jack Oakie
    • Private Mulligan
    Richard Bennett
    Richard Bennett
    • John Glidden
    Charles Ruggles
    Charles Ruggles
    • Henry Peabody
    • (as Charlie Ruggles)
    Alison Skipworth
    Alison Skipworth
    • Emily La Rue
    Mary Boland
    Mary Boland
    • Mrs. Peabody
    Roscoe Karns
    Roscoe Karns
    • Private O'Brien
    May Robson
    May Robson
    • Mrs. Mary Walker
    Hooper Atchley
    Hooper Atchley
    • Hotel Desk Clerk
    • (uncredited)
    Irving Bacon
    Irving Bacon
    • China Shop Salesman
    • (uncredited)
    Eddie Baker
    Eddie Baker
    • Second Desk Clerk
    • (uncredited)
    Reginald Barlow
    Reginald Barlow
    • Otto K. Bullwinkle
    • (uncredited)
    Ada Beecher
    • Idylwood Resident
    • (uncredited)
    Vangie Beilby
    • Idylwood Resident
    • (uncredited)
    Clara T. Bracy
    Clara T. Bracy
    • Idylwood Resident
    • (uncredited)
    • Directors
      • James Cruze
      • H. Bruce Humberstone
      • Ernst Lubitsch
    • Writers
      • Robert Hardy Andrews
      • Claude Binyon
      • Whitney Bolton
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews53

    6.92.4K
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    Featured reviews

    7Philipp_Flersheim

    Experimental

    Seven directors contributed eight episodes to this experimental film that explores how different people react to receiving 1 million dollars as a gift. The only things linking the episodes are the fact that the donor is the same person and that it is the same lawyer who delivers the checks. The result is in part dramatic and in part funny but altogether as disparate in style and quality as it is in content. Personally, I found the longer episodes (H. Bruce Humberstone's and William Seiter's) more enjoyable than the brief ones (e.g. Ernst Lubitsch's and James Cruze's). If watching a regular movie is a bit like reading a novel, watching 'If I Had a Million' is more like reading a collection of short stories where you arrive at the conclusion that you like some while others fail to impress you.
    zpzjones

    Great episodic comedy that is too often overlooked

    Eight directors wow! I think this movie may still hold some kind of record for most directors on one production. But then again! This is actually eight small productions rolled into one. Robert Altman's Shortcuts tried the same kind of thing minus the eight directors. My favorite parts are the Wynne Gibson/prostitute sequence- a gem, Charlie Ruggles & Mary Boland/henpecked husband "Gimme Your Check Dear", WC Field & Allison Skipworth/Roadhog! Roadhog!, and of course dear ole May "I Can Bake Biscuits" Robson in the last sequence,... Fernwood home for elderly ladies. You gotta give Paramount credit for trying something different with eight different well-known directors set loose to run amuck. The moral of this movie or 'movies' is the underlying theme of money. What would you do if someone just came into your life one day and gave you a million dollars as Richard Bennett does in each of the eight stories? This movie was released near the start of the Depression so it must have plucked then audiences' nerves. A million dollars was a dream for many in 1932. And probably a dream for Paramount hoping this would be box office gold. I wish this movie was made a staple of the Thanksgiving-into-Christmas season period just like that classic 'It's A Wonderful Life'. This is a great comedy to be viewed over and over again. And even though it's a comedy it has a good ethical theme. It just gets better with each viewing. Just pray for a vhs or dvd release.

    (** Years ago this movie 'HAD' been released on home Laserdisc in the late 1980s-early 1990s)
    9ptb-8

    Seeing this film feels the same way.

    What a terrific 1932 film! Paramount's expensive depression comedy drama is one of the very best films made in the '30s and both a poignant and hilarious look at life in 1932 America. If you saw 42ND STREET and American MADNESS and perhaps THE KID FROM SPAIN all made the same year, you would have possibly the definitive early 30s films that allow as full a view of emotions and community as could be found. The cast is astonishing.. all the Paramount A- level stars, 8 of the best directors and 8 truly inspired vignettes present a balanced view of ordinary people 'winning a million dollars'... and their next move. My personal favorite was the prostitute who just wanted a good night's sleep, unmolested, and in a clean bed. The production values are huge, massive sets and elaborate scenes, especially the short one with Charles Laughton... the attention to detail and the fully realized settings are indicative of a very expensive film. All 8 scenes are terrific, not a slouch among them, and the final sequence in the old ladies home is particularly touching. George Raft's con man sequence and Gene Raymond's electric chair scenes are real eyeopeners given the irony involved. IF I HAD A MILLION is a film to find and celebrate. How amazing to have seen this in a 3000 seat cinema in 1932! imagine the cheering from the audience in the comedy scenes! What a crowd pleaser. In Australia this film ran prime time Saturday night 8.30pm on Nationwide free to air TV, such is its treasured reputation. It scored a ratings hit. True! check The TV guides here for ABC2 Saturday night Nov 1st 2009 if you do not believe me.
    srushton

    Know where I can find it?

    I love this movie. I saw it once 26 years ago. Now I run a classic movie series in my community, and I'd love to find a 16mm print of the feature so I can show it. All I've been able to find is the W.C. Fields sequence, but I want the whole thing. Anyone have any ideas? Please e-mail me!

    I remember finding the sequence of the prostitute receiving the money to be haunting and poignant: she goes to bed, sees she has TWO pillows on the bed, and gets rid of one. No way will she ever sleep with anyone she doesn't want to sleep with!
    8lugonian

    Who wants to be a millionaire?

    "If I Had a Million" (Paramount, 1932), directed by seven directors including Ernst Lubitsch and James Cruze, etc., is the first of it's kind released during the early sound era, an all star cast with eight separate stories. The central character is the supposedly dying John Glidden (Richard Bennett), an elderly millionaire, who would rather leave his fortune to various strangers whose names he picks with a medicine dropper from a telephone directory, than to his immediate relatives. The first name he picks happens to be John D. Rockefeller! (If this movie were to be remade today, it probably would be Bill Gates!) Turning the pages, he settles with the next name in line. The story to each beneficiary is told.

    (1) Henry Peabody (Charles Ruggles), a nervous clerk in a china-ware store finds his paycheck is limited by him breaking all the china. He must also cope with his nagging wife (Mary Boland) who awaits at the door to get and spend his paycheck money. See the results when Henry receives his million dollar check by Glidden; (2) Violet Smith (Wynne Gibson), a waterfront prostitute, is given the check personally by Glidden in a bar, and after being convinced the check is "not a gag," she uses the money to sleep alone in a hotel. This short segment was sometimes the one that got the ax from local TV prints; (3) Eddie Jackson (George Raft), a check forger wanted by the police, receives the check from Glidden, but finds he can't cash it; (4) Emily LaRue (Alison Skipworth), and Rollo (WC Fields), a vaudevillian and juggler, are owners of a boardinghouse. They acquire a brand new car, and after a drive, they return with a car wrecked that was caused by a "road hog." After obtaining the million dollar check by Glidden, they purchase a fleet of cars and get even with the "road hogs," about town by having a car smashing day. Of all the episodes, this is the one most remembered, even long after the movie is over; (5) From the comedic standpoint comes a dramatic theme featuring John Wallace (Gene Raymond), a condemned murderer, who pleads innocent, getting the check shortly before he is to be executed in the electric chair. But can he use the money in time to get a new lawyer and trial? Frances Dee appears briefly as John's wife who visits him in prison. This segment is another one that was usually cut from TV prints. It's now restored; (6) Phineas Lambert (Charles Laughton), a meek little office clerk, gets his check by mail, and in his own special way, walks up a flight of stairs and goes through office door to office door to go tell his employer what he can do with his job. (Everyone's dream, I gather, then and now). This short segment, done mostly in mood and silence, is in many ways, priceless; (7) Steven Gallagher (Gary Cooper), a U.S. Marine in the brig, gets his check on April Fool's Day, and upon his release, decides to give it away to pay a back debt to a lunch stand owner. Although this is a so-so segment, the result is funny. Jack Oakie and Roscoe Karns add some comedy relief as Cooper's Marine buddies; (8) The most touching and longest segment is the last one with Mary Walker (May Robson), a forgotten grandmother couped up in the Idylwood Home for the Aged, who must tolerate unbearable rules and regulations by the unsympathetic supervisor (Blanche Frederici), until she gets her check from Glidden and gets her revenge.

    Each story in "If I Had a Million" speaks for itself as to what ordinary people would do or want to do if they had that opportunity to have a million dollars. As in most episodic movies, some segments are good, others could be weak, and maybe one or two that could be best and the most talked about.

    Frequently shown on commercial television back in the 1960s until the 1980s, with certain segments taken out to fit in the usual 90 minute time slot with added commercial breaks, "If I Had a Million," did resurface, much to the delight of classic movie fans, on Turner Classic Movies from July 2001 to May 2002. A video or DVD copy with complete story and segments can be purchased by going on the website of Movies Unlimited. (***)

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    Related interests

    Barbra Streisand and Ryan O'Neal in What's Up, Doc? (1972)
    Screwball Comedy
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Three sequences intended for the movie were not in the final print: "The Pheeneys" with Cary Grant, Richard Arlen and Miriam Hopkins, "The Man Who Drops Dead" by Oliver H.P. Garrett, directed by Thornton Freeland with Tallulah Bankhead, and Clive Brook, and "The Randall Marshalls" with Sylvia Sidney, Carole Lombard, Randolph Scott and Fredric March, and directed by Lothar Mendes. It is not known if the first two segments were filmed and dropped or simply not filmed. The last sequence was partially filmed, but dropped because March would not participate in retakes without salary.
    • Goofs
      Discovering he's about to die, millionaire Glidden decides to leave his money to names he's randomly selected from the phone book. But when first name he chooses turns out to be John D. Rockefeller, he flips a few pages further into directory and selects someone named Peabody - a name that would actually have appeared in the book before Rockefeller.
    • Quotes

      Mrs. Mary Walker: There ain't any jail of steel or stone that can hold a body prisoner as tight as one built of old age... and lack of money.

    • Alternate versions
      Some local censors deleted objectionable scenes in the "Violet" and "Death Cell" segments. In "Violet," when she throws off the covers and removes her stockings, and in "Death Cell," the preparation for execution and the opening of the door to the execution chamber.
    • Connections
      Featured in Woman of Tokyo (1933)
    • Soundtracks
      (I'll Be Glad When You're Dead) You Rascal You
      (1931) (uncredited)

      Written by Spo-De-Odee

      Sung by an unidentified male voice on a record

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    Details

    Edit
    • Release date
      • February 22, 1933 (Sweden)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • China Shop
    • Filming locations
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, California, USA
    • Production company
      • Paramount Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 28m(88 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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