Land Without Bread

After Un Chien Andalou and L'Age d'Or had caused such earthquakes, Bunuel picked for his next project a documentary on the Hurdanos. These people live in mid-western Spain, near the border of Portugal, under the most horendous conditions possible. They are a primitive, almost neolithic people, who only barely understand the principles of farming and are otherwise so superstitious as to starve themselves rather than eat any animals besides disease-carrying pigs.

Now, it is difficult to know how to take this film. Following Un Chien Andalou and L'Age d'Or, I personally expected a comedy, and took it as that when I was watching it. If you read down, you will notice the first person who commented on the film takes it this way. My reasoning went thus: Bunuel saw the Hurdanos in his peculiar surrealist light. Here was a people degraded to the point of utter absurdity. For instance, there is a scene where the farmers are working in a place where adders are plentiful. The adders frequently bite them, but these bites are not fatal. They would eventually heal, but these people don't know that. Instead, they use a kind of ointment to cover the wound, and this treatment actually leads to infection, which eventually mangles or even kills them. In another scene, we are told that the children only know bread from the bits that the local church gives them. They are not allowed to take these bits of bread home because their parents don't trust bread, and will confiscate it and toss it out (this is what I read in an essay about the film; the version I watched had an English voiceover, whose explanation for the parents' actions was to steal the bread for themselves. I believe that the version in the essay is the more correct one).

The surrealist aspects of the scenes I mentioned are there. But, reading that aforementioned essay (and a second), I realize that I was wrong about the humor. Surrealism, you should note, does not = comedy. This is a more serious surrealism. In fact, Bunuel made the documentary as a political statement, showing how the Spanish government treated its people (in fact, he was wrong on this point; Franco idolized the area and had great sympathy for the people, believing them to represent the primitive aspects of Spain; in later decades, he would pour a lot of money into the region). It caused an upset, though not as much as the previous two films. I imagine that people then didn't know how to take it either, since many critics were up in arms over this apparently massive change in Bunuel's style. Nowadays, Las Hurdes seems better than ever before. It is an amazing documentary, and the people represented in it deserve our sympathy. I wonder if their lives have now changed. 9/10.

Luis Buñuel's approach to film-making was so unusual, and his intentions so hard to decipher, that you can never be quite sure what his movies were meant to convey. So it should probably not be too surprising that even when he makes a documentary it is still hard to tell exactly what he was doing. While this gives every initial appearance of being a straightforward documentary, it is not long before Buñuel's detailed yet surrealistic approach begins to show in subtle ways.

Whatever else may be true, it is an unusual film, and a generally interesting one. It is also unsettling - at times, very much so. It depicts a civilization that, though located in the midst of Spain just before the Franco era, could almost be from pre-historic times. Many of the images and much of the commentary are disturbing and uncomfortable to watch, to say the least. Yet the tone is far from emotional, and in fact it seems to be deliberately withdrawn, even unsympathetic, much of the time.

At the same time, it's easy to see why there are those who suggest that Buñuel was not filming a strictly objective documentary. While there are no outlandish or fantastical images, his distinctive style shows up in less obvious ways, through odd details and sequences. There also seem to be a number of different versions of the narration, which do not always cast events in the same light. So, as so often tends to be the cast with Buñuel, all that you can do is to watch it for yourself and then make your best guess as to what it all means.

"Las Hurdes" may be the Surrealist documentary par excellence, a tendentious film discourse about poverty shot in Las Hurdes Altas, a human settlement out of a nightmare, among steep precipices, in an almost deserted landscape. Even based on Maurice Legendre's 1927 anthropological text "Las Jurdes: A Study of Human Geography", Buñuel forced into the harsh situations his own obsessions with insects and donkeys that would appall today any society for the protection of animals. Done at a time when Spain was among the nine countries with the highest level of economic development, by contrast this work shows the state of misery of a community marginalized by landowners, forgotten by authorities, and living in the cruelest of conditions. The cynic commentary makes the facts more striking, but the music score by Darius Milhaud is an obtrusive element. Although banned by the authorities, it was re-released with a Spanish narration read by actor Francisco Rabal.

I saw this movie with absolutely no idea what it would be about or when this movie was made, only that it was made by Luis Bunuel, and I felt I HAD to at least have seen 1 movie made by the man so many people see as one of the many movie gods.

I must add that before seeing Las Hurdes ("Land Without Bread") in the theatre where I saw it, they had programmed the documentary "Bunuel's Prisoners". In which the people of the Hurdes region comment on the movie and the circumstances under which this movie came to be. This movie gave me enough information to watch the main feature (Las Hurdes) with a much more realistic view than if I had seen this movie without seeing the doumentary first.

In the documentary several people express their annoyance and irritation with the manner in which Bunuel has twisted and fabricated some of the scenes in the actual movie/documentary. The goat falling from the cliff is not exactly falling per accident and the "dead" baby in one of the last scenes is not dead at all (this can be seen by watching the moving chest of the baby).

All in all I enjoyed this slightly fictional documentary very much and I recommend everybody to go see it. It will either make you laugh out loud at times and leave you deeply disturbed at other times.

A must for people who are not allergic to foreign movies from before WW2. 9/10

I found it very interesting reading the reactions of others here, from interpreting this as everything from a pure comedy to a pure documentary. The truth is that it denies classification, and for many that just simply does not compute. Therefore, it has obviously done exactly what Bunuel wanted.

The aim of surrealism is to lure you in with the trap of a conventional narrative, and then hit you right in the face with something impossible to just passively accept. This film is the perfect example of this. You are absolutely forced into the role of active observer; forced to draw your own conclusions. Independent thought is pulled to the surface, returning comprehension to it's original purity. Reality lies not in what you are seeing, and not in what you are hearing, but somewhere in-between.

My God, this man was a genius, and so far ahead of his time it's unbelievable. Spielberg shows you what you want to see. Bunuel shows you what you need to see. Find this film and see it. Its value is incalculable.