Lovers Courageous

ROBERT MONTGOMERY is a wastrel who goes from job to job, finally landing in South Africa where he falls in love with an Admiral's daughter (MADGE EVANS). They meet casually in the shop where he works and for him it's love at first sight. In no time at all they become starry-eyed lovers forced to separate when her wealthy family decides he's the wrong material for a suitor, a struggling playwright who's never had a success.

But they do get together again when she ditches her fiancé (REGINALD OWEN) and returns to Montgomery, offering to marry him. For awhile, it's rough going with no money for food or rent and Evans' father forces Montgomery to give her up and let his daughter return home.

Of course, it all leads toward a happy ending when Montgomery's play based on his real life affair with a wealthy woman becomes a tremendous hit. The dialog is not always as sophisticated as one would like. Evans' last line is: "Let's stay home and have a baby." MADGE EVANS was one of the most attractive blondes of the '30s and gives a sincere performance. Montgomery is first rate as her troubled husband.

Summing up: The material has been done before, over and over again, and more successfully than here where it gets the cornball treatment.

When Halliwell Hobbes describes his and Beryl Mercer's son as a wastrel sad to say he was proved right. The son who grows up to be played by Robert Montgomery is just that. It's a term of the century before the last and more used in the United Kingdom than here. I wish it was in more usage now because it describes many that I've known.

Those people also don't have the good luck to have a happy ending fall from right out of the blue as is in Lovers Courageous. We get to see a bit of Montgomery's life going from place to place and occupation to occupation never 'finding himself'. Eventually he meets and charms Madge Evans in South Africa, daughter of British admiral Frederick Kerr. They marry without his approval and live a life of not so genteel poverty.

I've known a few in my life so that this kind of movie about a wastrel won't find a friendly audience with me. Nevertheless the cast does a fine job.

But I doubt you'll believe the ending either.

Other internet sources state this is a rare direct-to-screen original by Frederick Lonsdale, the playwright responsible for such drawing-room comedies as THE LAST OF MRS. CHEYNEY and like the two versions of that film (1929 & 1937), this one bubbles and sparkles with great lines. From Robert Montgomery's first scene, he delivers clever observations with the clipped wit of an intelligent philosopher filled with the wonder of discovering something better in life. Lots of short funny scenes as he wanders the globe drifting from job to job, gathering experiences to enrich his writing. Lovely Madge Evans (better known for DINNER AT EIGHT & David COPPERFIELD) plays the pretty and pampered daughter of a high society stalwart member, an admiral with plans for her to marry "well." Fate introduces these two idealistic lovers in a lowly tobacconist shop and their perceptive exchange quickly shoots arrows through their hearts. They are fated to love forever before the scene ends. Starting with humor, gracefully slipping into romance, spiking with the passions of obsessive love, dipping down into harsh realities only to be tried and tested… the ending comes as only a playwrights guilty pleasure could imagine.

Bottom line, I loved it and fans of smart precode love stories will relish in this forgotten little gem! 8 out of 10!

English boy Willie Smith (Robert Montgomery) refuses to be only a clerk in the post office. He becomes a globetrotting nomad. He gets various odd jobs like a bell boy in Toronto and a Canadian cowboy. He ends up in South Africa where he meets Mary Blayne (Madge Evans), the daughter of a British admiral. She is left to choose between an unpleasant engagement and Willie on his unlikely playwright dream.

This pre-Code romance is rather straight. The pairing doesn't have the most heated chemistry. As far as I can tell, she falls for him for being a former Canadian cowboy. Maybe it's more than that, but they do need to work on that meet-cute. As for the melodrama, it gets rather boring especially since the couple is apart. I never got that taken with this relationship.

This screen adaptation of a play by Frederick Lonsdale about a young man who has spent his life wandering about the globe, collecting experience so he can become a playwright -- Robert Montgomery -- and the young aristocrat who marries him and is disinherited for her taking up with a wastrel - Madge Evans -- creaks pretty badly as it goes through its predictable plot twists. Director Robert Z. Leonard and the unnamed screenwriters make some effort at opening up the script, but still wind up having the leads conduct most of their earnest dialogue in two-shots. Also, frankly, Robert Montgomery is miscast. He never quite managed to do accents convincingly and he seems overwhelmed, although he carries out his self-effacing courtship of Miss Evans most charmingly.

Nor do most of the other actors manage to be more than straw men. The two exceptions are -- unsurprisingly -- Beryl Mercer, who made a specialty in kindly, clueless mothers -- her best known role was Lew Ayres' mother in ALL QUIET ON THE WESTERN FRONT -- and the always delightful Roland Young, who gets to play someone with brains and heart, who comes up with most of the plot twists here.

All in all, not a movie to search out unless you are a fanatic for any of the personnel involved.