Mata Hari

Anyone wishing to know the truth about Mata Hari, the exotic dancer who was executed as a spy during World War I, will soon realize this is not the movie for them. But the real Mata Hari was a pathetic middle-aged woman who got in way over her head when she tried espionage--her legend is much more entertaining. Greta Garbo plays the femme fatale brought down by love to the hilt and the cast ably supports her, although modern audiences may find Ramon Novarro ludicrous as the romantic lead. The best are C. Henry Gordon as the French police chief and Lewis Stone as the leader of Mata Hari's spy ring. Nearly every line is out of melodrama--I just wish I had a better memory to quote some for you. My recommendation: just enjoy it.

As the notorious "Mata Hari", Greta Garbo makes both the role and the character her own, providing a portrayal that is much deeper and more complex than the historical character probably was. The rest of the cast and production work well enough, but they are mostly there only to provide Garbo the backdrop and the foils that she uses to develop the main character.

The story focuses Mata Hari's liaisons with two Russian officers, an older general played by Lionel Barrymore, and a young aviator played by Ramon Novarro, with an implacable Secret Service man (played by C. Henry Gordon) trying to stop her. Each of the three plays his part well, while allowing Garbo to take the spotlight. Lewis Stone also makes good use of his limited screen time, and Karen Morley has some memorable moments as another spy.

The story probably has little in common with the historical facts, and while the historical character is an interesting one, it seems certain that Garbo's character is more so, combining her obvious appeal with a depth of feeling and a complicated set of priorities, as few other actresses could have done. Designing the story and characters with her in mind works well, making for good drama and one of Garbo's many effective performances.

In 1917, in Paris, the famous dancer Mata Hari (Greta Garbo) has a double life as a German spy, obtaining secrets from French and Russian officers in bed. The chief of the French Secret Service Dubois (C. Henry Gordon) is unsuccessfully in her tail trying to find proofs to incriminate Mata Hari. The Russian general Serge Shubin (Lionel Barrymore) has a crush on Mata Hari, but when she meets the young Russian pilot lieutenant Alexis Rosanoff (Ramon Novarro), she sleeps with him to photograph secret documents in his possession. But they fall in love for each other, and the jealousy of her lover Shubin provides the evidences to Dubois to arrest her.

This fictional and naive romance based on the life and death "Mata Hari" is an enjoyable melodramatic love story. Of course it is not a historic event, but this pleasant romantic fantasy is supported by an extremely beautiful Great Garbo performing a charismatic role in a great production. In spite of not being a masterpiece, I totally disagree with the unfair reviews in IMDb. My vote is seven.

Title (Brazil): "Mata Hari"

Seductively mysterious, the exotic dancer MATA HARI pays the ultimate price for being the most famous spy of World War One.

Coming only fourteen years after the execution of its title character, here is a densely plotted film given the full MGM gloss & glamour. Production values are excellent, even if the script strays a bit too much into fiction to tell its story.

Languid & languorous, Greta Garbo slinks across the screen like a large cat, almost purring her dialogue rather than speaking it. Utterly fascinating, it is easy to see why she dominated her generation & why her legend still endures. Finally coming fully alive during a penultimate murder scene, Garbo exhibits the frenetic energy of which she was capable on screen. Fortunately, she is only required to dance once, leaving to the imagination the full impact of Mata Hari's original private performances.

Ramon Novarro, who receives co-equal billing with Garbo, had been an important movie celebrity far longer than she, but her rising sun tended to obscure most other stars in her orbit and Novarro has to work hard to get much notice in their joint scenes .As always, MGM's chameleon actor (this time he plays a Russian) gives a very competent performance, but as a romantic pair they make a rather unusual couple - which simply means that Novarro's sexual ambiguity is perfectly mirrored by Garbo's intrinsic androgyny.

Lewis Stone is quite effective as a sinister German spymaster. C. Henry Gordon gives some nice moments as a tough French policeman. Lionel Barrymore is also on hand, flamboyantly overacting as a Russian general who delivers military secrets to Mata Hari in exchange for her favours; he apparently decided Garbo wasn't going to steal the entire picture and he puts up an outrageous display of ham acting.

Karen Morley & Frank Reicher appear as German agents who learn the price of becoming no longer useful to Berlin; movie mavens will recognize an uncredited Mischa Auer in the opening scene as an unfortunate victim of Mata's wiles.

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Born to a prosperous hatter in The Netherlands on August 7, 1876, Margeretha Geertruida Zelle was convent schooled and later attended a teacher's college. In 1895 she married British-born Campbell MacLeod, a captain in the Dutch colonial army and lived with him in Java & Sumatra from 1897 until 1902.

After their divorce, Margeretha settled in Paris, where she changed her name to the Malay 'Mata Hari,' which means 'eye of the day.' Fabricating a mystique of exotic mysticism, the beautiful Mata supported herself quite nicely as a courtesan and erotic dancer, giving special performances around Europe to delighted clientele. Several military officers of various nations counted themselves among her lovers.

The details of Mata's involvement in espionage still remain rather vague. It's possible she entered the German Secret Service as early as 1907, but she later is thought to have worked for the French Secret Service, as well. As a citizen of neutral Holland, she was still able to travel freely after the commencement of the War and it is alleged that she garnered secrets from Allied officers for her German employers. It was the British who tipped off the French as to Mata's supposed activities while in Belgium, and she was arrested upon her return to France.

At the court martial trial, she could only be found guilty of giving outdated information to the Germans, which she claimed was entirely innocent. However, it was more than enough to imprison her for three months, before her final rendezvous with a firing squad on October 15, 1917.

"Mata Hari" is a pre-code film that took lots of liberties with the real life story of the World War One spy, but who cares? One watches a film like this to enjoy the old stars in action, including Lionel Barrymore, hamming it up sans wheelchair. Though Garbo has never been one of my favorites I enjoyed her performance here; she smiled quite a bit and never once said she wanted to be alone. Most of the time she just wanted to be with handsome Ramon Novarro, and who could blame her?

Funniest moment to me: Ramon's character is obviously Catholic (as Ramon was in real life) and he has promised his mother to keep a candle lit before this Madonna icon and never let the flame go out, because if it goes out then evil will descend upon him. So Mata (Greta) tells Alexi (Ramon) that his room is too brightly lit; he goes around and turns off all the lights -- except for the candle. So then she asks him to blow out the candle. "If I am everything to you then you will blow it out." He asks her in shock: "But why would you ask me to?" (a perfectly reasonable question she doesn't answer). He ends up rejecting the sacred for the profane, blowing the flame out and the room goes into darkness. The camera pulls away and we are supposed to know instinctively that they are making love all through the night. And of course evil descends on Ramon's character, and he goes blind, but what the heck, this is Hollywood.

Watch it for the stars, not for history. If you want history, read a book.