The Mummy

This Universal classic (1933)¨The mummy¨ that ahead many follow-ups was finely directed by Karl Freund with Boris Karloff, Edward Van Sloan , David Manners and it results to be the first and classic rendition of the ¨Mummy¨. As a group of archeologists seeking lost tomb of Egyptian kings at an archeological dig , 1921 , examine a sarcophagus from an unmarked grave , then a macabre mummy is revived after thousands of years . An ancient Egyptian mummy is awakened from his centuries-old sleep when a royal tomb is desecrated . Those suffer consequences their acts , to everyone's regret . So Imhotep (Boris Karloff bearing a heavy and masterly made makeup , as we can almost smell the dust and must) , a 4000-year-old who was disgraced and buried alive is now revived . The very deadly mummy takes avenge on some archaeologist and descendants who desecrated the tomb . Then the scary , sinister mummy revenges himself on those who have defiled his tomb and he attempts to get his aim , heroine Helen (Zita Johann) whom the wrapped one believes is the reincarnation of his long-love Anc-kes-en-Amon , his beloved princess . However , the macabre mummy attacks anyways and suddenly stops when meets the reincarnation of ancient sweet heart .

Horror classic based on the novel by John Balderston with effective atmosphere , sense of awe and wonder along with fine performances . Entertaining blend of thrills , chills , drama , terror and visual are most impressive . Remarkable makeup and eerie scenes make it chilling and frightening . Superb atmosphere , flavorful music , make this one of the best terror movies from Universal , using intelligence and interesting dialogue rather than guts and blood to horrify its audience . In spite of its age this all time classic has lost none of its qualities. Boris is terrific as the terrifying mummy and David Manners is good as an obstinate archaeologist , one of the men he frightens , being attacked by the mummy, as well as Zita Johann as the damsel in distress . The Mummy is masterfully incarnated by Boris Karloff , giving one of his best movie portrayals along with Frankenstein . Boris is almost irrecognisable beneath layers of skillful make-up, undergoing 8 hours of top-notch make-up to transform him into the creepy mummy , being layered on his face filament by filament , and actually giving the impression of having been hidden away for centuries . The motion picture excellently photographed by Charles Stumar in tenebrist cinematography plenty of lights and shades , being very well made under the perfect direction of an expert cinematographer : Karl Freund who made too few appearances in the fimmaker's chair . It marked the direction debut of this famed German cameraman and master of expressionist photography . Rating : Better than average , it's high-power entertaining .

Other pictures about Mummy character are the following ones : the main is this one ¨The mummy (1932) ¨ being the initial appearance of the mummy re-awakened after thousands of years and sequels rapidly ran out the ideas as what to do with him once he was on loose , such as : ¨Mummy's hand (1940) by Christy Cabanne with Dick Foran , Wallace Ford and Cecil Kallaway . ¨The mummy's ghost¨ 1944 by Reginald LeBorg with Lon Chaney Jr , John Carradine , Robert Lowery . ¨The mummy's curse¨ 1944 by Leslie Goodwins with Lon Chaney Jr. , Peter Coe . ¨The mummy¨directed by legend from Hammer Productions Terence Fisher with Peter Cushing , Christopher Lee , Felix Aylmer , Eddie Byrne . It's followed by ¨Mummy's shroud¨(1967) also produced by Hammer Films, directed by John Gilling with Andre Morell and Elizabeth Sellars. The Spanish ¨The mummy's revenge¨ 1973 by Carlos Aured with Paul Naschy or Jacinto Molina , Jack Taylor , Helga Line . And modern updating full of computer generator FX as ¨The mummy¨(1999) by Stephen Sommers with Brendan Fraser , Rachel Weisz , John Hanna , Arnold Vosloo and ¨Mummy returns¨ (2001) with similar players and The Rock . And recent ¨The mummy¨ (2017) with Tom Cruise and Sophie Boutella .

Although frequently reinterpreted, the original 1932 THE MUMMY remains the most intriguing film version of a story inspired by both 1920s archaeological finds and the 1931 Bela Lugosi Dracula: when an over-eager archaeologist reads an incantation from an ancient scroll, he unexpectedly reanimates a mysterious mummy--who then seeks reunion with the princess for whom he died thousands of years earlier and ultimately finds his ancient love reincarnated in modern-day Egypt.

Less a typical horror film than a Gothic romance with an Egyptian setting, THE MUMMY has few special effects of any kind and relies primarily upon atmosphere for impact--and this it has in abundance: although leisurely told, the film possesses a darkly romantic, dreamlike quality that lingers in mind long after the film is over. With one or two exceptions, the cast plays with remarkable restraint, with Boris Karloff as the resurrected mummy and Zita Johann (a uniquely beautifully actress) standouts in the film. The sets are quite remarkable, and the scenes in which Karloff permits his reincarnated lover to relive the ancient past are particularly effective.

Kids raised on wham-bam action and special effects films will probably find the original THE MUMMY slow and uninteresting, but the film's high quality and disquieting atmosphere will command the respect of both fans of 1930s horror film and the more discerning viewer. Of all the 1930s Universal Studio horror films, THE MUMMY is the most subtle--and the one to which I personally return most often.

Gary F. Taylor, aka GFT, Amazon Reviewer

Another film that puts the basic storyline of Dracula to better use. This time, it's the undead Egyptian priest, I'm-ho-tep (Boris Karloff), who puts the beautiful Helen under his spell. David Manners and Edward Van Sloan both reprise their Dracula roles as the young hero, and the wise old mentor respectively. Van Sloan, who is the only actor to appear in Frankenstein, Dracula and The Mummy, gives his best performance here. Karloff is also quite good as the evil villain, I'm-ho-tep. This remains the only mummy movie that can really be called a suspense film or thriller rather than a monster movie. It's not quite as good as Frankenstein, but it's still one of the better classic horror flicks.

With one of Boris Karloff's numerous acting successes and a production done the way that a horror feature should be made, this is a well-crafted classic of the genre. From the first scene, the right atmosphere is established, and the story is told at an implacable pace that slowly builds up the tension and possibilities.

As he does with his characters in so many of his horror features, Karloff makes "The Mummy" a menacing monster, yet one with enough human motivations to keep him from becoming cartoonish. Karloff's approach, as does the movie as a whole, stimulates the imagination rather than the senses, giving this classic version a depth and permanence that cannot be matched by those more recent adaptations that rely on boring "special" effects and contrived "action" sequences instead of a well-told story with solid characters.

Edward Van Sloan, David Manners, and the rest of the supporting cast also help out. The atmosphere and settings are kept relatively simple, but effective. Naturally, the story is far-fetched, but it has a consistency that makes it relatively easy to suspend disbelief. The picture fits together well, and it remains a solid entry in the list of classic horror films.

Everyone is familiar with the story of the Mummy. He wants to revive his long lost love. Not nearly as graphic as the modern version, we can enjoy the story with the always interesting Boris Karloff.

The mummy appears only briefly, and Karloff assumes the character Ardath Bey. But , we know he is Imhotep. His goal is to get Helen Grosvenor (Zita Johann), who he believes is the reincarnation of Anck-es-en-Amon.

Now, one may yearn for the beauty of Rachel Weisz in skimpy Egyptian outfits, but this classic is superior overall because of the skill of the actors.

This is probably not the last version we shall see.