The Phantom of Crestwood

This film is the concluding episode of a radio mystery, wherein listeners were to try to figure out who the murder is.

In a unique plot twist, the head of a gang (Ricardo Cortez) becomes a "detective" to find the "real killer" before the

police arrive and accuse HIM.

The reviewer who wrote that the "ending makes no sense at all" should watch it more carefully; it makes COMPLETE sense, and shows how the movie "steers you" into thinking that the reason for the murder is one thing, while the ACTUAL reason is something totally different! (I can't say any more without spoiling the ending).

By ALL MEANS, see it! Norm

Lots of suspects with motive, plenty of opportunity, and an unusual means of death are behind this tight old-fashioned mystery set in a creaky house with thunder and lightening. The mystery opens up with an announcement by the producers that it follows on to a successful radio drama series that concluded with a contest for listeners to send in what they thought should be the ending. The final solution to "who killed Jenny Wren" leads a group of crooks into hidden passages and false leads executed via a series of flashbacks before the real killers identity is revealed. An alert viewer should be able to figure out the two most likely suspects and eventually "who done it" before all is revealed. Enjoyable film worth watching.

This one does not show up very often, so watch for it. It's a rather curious film directed by journeyman director J. Walter Rubens and has a cast to die for if you are an early film buff.....Ricardo Cortez, Karen Morley, H.B. Warner Pauline Frederick, Anita Louise et al.

The story revolves around a thoroughly unlikeable schemer (Karen Morley) who is a blackmailer and all around con woman. Inviting her former victims to a party she makes one last demand for money and is murdered by one of those guests.....but who? Other murders occur and general mayhem results. The murderer wears a glowing mask which adds a nice touch to the creepiness of this film The identity of the killer is fairly easy to guess but that does not take away from the film's interest. When finally cornered by Ricardo Cortez, the killer's manner of demise is rather surprising and the camera work on the death scene is quite good for the time.

This is a tidy little film that runs just over an hour. It's a keeper.

Radio Pictures was prolific in the early days of sound, and thanks to Turner Classic Movie Channel, many can be seen.

Phantom of Crestwood's opening is a rare combination of radio in the movies: The well known announcer, Graham MacNamie, stands before an early dynamic microphone and announces the introduction of the picture with a full orchestra in the studio. This really captures what early radio stations must have been like in the early 30s.

The mystery story is well done and a delight for fans of the era. His name once a household word, Ricardo Cortez is now mostly forgotten.

Other than the presence of Ricardo Cortez, who is one of those very cool actors nobody remembers, and the beautiful Karen Morley (who died in March 2003, only a couple of months ago), Crestwood is somewhat unique as it is the finale of a popular radio program. But it may also be the first interactive mystery!

According to the opening titles, radio listeners were invited to submit their storyline for the finale in a nationwide contest, with the movie to be based on their plot.

There were disclaimers, of course, and who knows what RKO really did with the winner's script, but the film deserves a place in history for the attempt at least.

Convoluted, yes. Stiff and rather lurid, perhaps. But Crestwood is an archeological clue to the once close bond between the radio and the movie theater.

At the very least, truly an "RKO Radio Picture"!