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7.2/10
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Stan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for th... Read allStan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for the squealing baby.Stan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for the squealing baby.
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A LAUREL & HARDY Comedy Short. The Boys make THEIR FIRST MISTAKE when Stan convinces Ollie to adopt a tiny baby in order to placate his ferocious wife. Arriving home with the infant, the Boys discover that Mrs. Hardy has left him for good - leaving Stan & Ollie to look after the baby. This, of course, is something they are spectacularly ill-equipped to do.
Not much plot in this little film - plenty of sight gags, though. Stan's preparation to milk the baby is hilarious. That's Billy Gilbert as the process server & Mae Busch as Mrs. Hardy.
Not much plot in this little film - plenty of sight gags, though. Stan's preparation to milk the baby is hilarious. That's Billy Gilbert as the process server & Mae Busch as Mrs. Hardy.
Mr Hardy is married, his wife disapproves of his friendship with Mr Laurel and sees neither of their lives going anywhere. When Hardy tries to sneak out with Laurel without letting her know she snaps and a large fight ensues. Laurel has the idea that a baby in the family will distract and placate Mrs Hardy and the pair go off to adopt. Returning home with the baby, Laurel and Hardy find that Mrs Hardy has left and is filing for divorce, leaving them, quite literally, holding the baby.
I love Laurel and Hardy. I found something wonderful about the fact that their shorts were made before even my parents were born but yet ¾ of a century later I'm still watching (and enjoying) their films. The fact that the humour is so universal is shown in the way they not only travel well but have transcended generations. Laugh for laugh this is not one of their best shorts, the reason being the lack of really strong routines.
The plot only allows for basic knockabout stuff and the final scene is not anywhere near strong enough to finish on. The only really strong bit is the `lights out' sequence but the rest is quite ordinary. Happily we have a talent like Hardy to lift things for me he made this better than it was. His constant double-takes and looks of amazement to camera are worth the price of this film alone. Even lacking several strong physical scenes, he plays the dialogue for all it's worth and makes Laurel's clowning funnier than it is by complimenting it with double takes etc. That's not to say Laurel is lesser, but here he is much more clearly in a supporting role than in other films.
Overall this has some good moments and is carried through the rest by a well used and on-form Hardy, but it is not one of their better efforts too much of it is ordinary and lacking their inspired wit.
I love Laurel and Hardy. I found something wonderful about the fact that their shorts were made before even my parents were born but yet ¾ of a century later I'm still watching (and enjoying) their films. The fact that the humour is so universal is shown in the way they not only travel well but have transcended generations. Laugh for laugh this is not one of their best shorts, the reason being the lack of really strong routines.
The plot only allows for basic knockabout stuff and the final scene is not anywhere near strong enough to finish on. The only really strong bit is the `lights out' sequence but the rest is quite ordinary. Happily we have a talent like Hardy to lift things for me he made this better than it was. His constant double-takes and looks of amazement to camera are worth the price of this film alone. Even lacking several strong physical scenes, he plays the dialogue for all it's worth and makes Laurel's clowning funnier than it is by complimenting it with double takes etc. That's not to say Laurel is lesser, but here he is much more clearly in a supporting role than in other films.
Overall this has some good moments and is carried through the rest by a well used and on-form Hardy, but it is not one of their better efforts too much of it is ordinary and lacking their inspired wit.
An above-average Laurel and Hardy short feature, this two reel affair is directed by George Marshall (later at the helm of many top-flight comedy features) and is marked, specially so during its initial two-thirds, by a greater emphasis upon character development than upon physical humour, to the work's advantage. After Oliver and his wife Arabella (Laurel/Hardy regular Mae Busch) have a violent spat due to his expenditure of a majority of his free time with Stan, the latter suggests that Ollie adopt a baby with which to occupy Arabella's hours, freeing the two pals to enjoy themselves, and Ollie immediately does so (following an optical wipe), but too late because a process server (Billy Gilbert) presents him with divorce papers along with a similar document to Laurel for "alienation of Mr. Hardy's affections." This leads to one of the better developed scenes from the duo's films wherein Ollie pastiches the Abandoned Maiden genre after his buddy tries to leave him alone to care for his new infant, a very funny and original piece of cinematic business that, in addition to a poignant scene when the men revert to boyhood while lolling atop Stanley's bed in his adjacent apartment, make of this a better than standard effort of Laurel and Hardy.
"Their First Mistake" is restricted to just 3 very simple sets and the comedy does the rest. Released in 1932, Ollie's wife leaves him after she accuses him of deserting her for Stan. An almighty argument occurs at the beginning which leads to the early exit for Mae Busch as the irate wife. Stan convinces Ollie that adapting a baby would solve his marital problems but it is still too late. The boys are left to fend for themselves, baby and all. They truly need to rely upon each other as Ollie is being sued for divorce and thinks all his friends will ostracise him. Moments like this are more like drama and it compliments the comedy perfectly. Stan and Ollie in their efforts to care for the baby are so funny! It is a case of lurching from one disaster to another. The comedy builds very carefully but surely, just like with all Laurel and Hardy talkie films.
I suspect that a few years after its released "Their First Mistake" might've not been allowed to show all the things that it did. Much of it is Stan and Ollie doing their usual stuff - with Ollie constantly irritated at Stan's idiocy - but their is a scene showing them in bed together with the baby. Maybe it was more acceptable since this was a comedy and thus not to meant to get taken seriously, but I can imagine that a number of people would've found it extreme back then.
Aside from that, it's a funny short, with no shortage of the pair's typical mishaps. As always, Hardy suffers the most due to Laurel's incompetence. The best scenes involve the lamp.
Good one.
Aside from that, it's a funny short, with no shortage of the pair's typical mishaps. As always, Hardy suffers the most due to Laurel's incompetence. The best scenes involve the lamp.
Good one.
Did you know
- TriviaA proper ending was scripted, which had Mrs. Hardy returning with an adopted baby of her own. Stan Laurel kept improvising so much he caused the film to go over schedule and over budget, leaving it with no real ending. This is a rare film for the duo, to have no resolution at the end.
- GoofsIn the opening shot, there is an open door behind Ollie's head. In the next, close-up shot, the door is closed, and in the following shot it is open again.
- Alternate versionsThere is also a colorized version.
- ConnectionsFeatured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Barnvakten
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 21m
- Color
- Aspect ratio
- 1.37 : 1
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