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Stan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for th... Read allStan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for the squealing baby.Stan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for the squealing baby.
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An above-average Laurel and Hardy short feature, this two reel affair is directed by George Marshall (later at the helm of many top-flight comedy features) and is marked, specially so during its initial two-thirds, by a greater emphasis upon character development than upon physical humour, to the work's advantage. After Oliver and his wife Arabella (Laurel/Hardy regular Mae Busch) have a violent spat due to his expenditure of a majority of his free time with Stan, the latter suggests that Ollie adopt a baby with which to occupy Arabella's hours, freeing the two pals to enjoy themselves, and Ollie immediately does so (following an optical wipe), but too late because a process server (Billy Gilbert) presents him with divorce papers along with a similar document to Laurel for "alienation of Mr. Hardy's affections." This leads to one of the better developed scenes from the duo's films wherein Ollie pastiches the Abandoned Maiden genre after his buddy tries to leave him alone to care for his new infant, a very funny and original piece of cinematic business that, in addition to a poignant scene when the men revert to boyhood while lolling atop Stanley's bed in his adjacent apartment, make of this a better than standard effort of Laurel and Hardy.
Their First Mistake is a short that really embodies the essence of what Laurel and Hardy were about as a comedic duo. Hal Roach, the famous producer of many of their shorts along with a barrage of other successful ones for the period, famously stated how Laurel and Hardy complimented each other with their slapstick and behavioral tendencies, but what always drove me to their shorts as a means for pleasant escapism besides their inherent humor was how both characters were loyal to one another. It was as if they were all each other had, and no matter how angry they got at each other, they had to stick together, for where else would they go?
When Laurel and Hardy decide to adopt a baby to prove to Hardy's wife (Mae Busch) that they are indeed responsible and trustworthy, they are all they have, and while the short is frequently funny, it also proves this point as it goes on. Notice how even through anger and hostility brew between one another, there both men are, quick to recoup and try to do the right thing, despite going about it in the wrong way. Furthermore, Laurel and Hardy are breathlessly funny, finding a plethora of ways to be entertaining as well as thoughtfully engaging.
Their First Mistake embodies precisely why their careers and shorts have a timeless longevity.
Starring: Stan Laurel, Oliver Hardy, and Mae Busch. Directed by: George Marshall.
When Laurel and Hardy decide to adopt a baby to prove to Hardy's wife (Mae Busch) that they are indeed responsible and trustworthy, they are all they have, and while the short is frequently funny, it also proves this point as it goes on. Notice how even through anger and hostility brew between one another, there both men are, quick to recoup and try to do the right thing, despite going about it in the wrong way. Furthermore, Laurel and Hardy are breathlessly funny, finding a plethora of ways to be entertaining as well as thoughtfully engaging.
Their First Mistake embodies precisely why their careers and shorts have a timeless longevity.
Starring: Stan Laurel, Oliver Hardy, and Mae Busch. Directed by: George Marshall.
"Their First Mistake" is restricted to just 3 very simple sets and the comedy does the rest. Released in 1932, Ollie's wife leaves him after she accuses him of deserting her for Stan. An almighty argument occurs at the beginning which leads to the early exit for Mae Busch as the irate wife. Stan convinces Ollie that adapting a baby would solve his marital problems but it is still too late. The boys are left to fend for themselves, baby and all. They truly need to rely upon each other as Ollie is being sued for divorce and thinks all his friends will ostracise him. Moments like this are more like drama and it compliments the comedy perfectly. Stan and Ollie in their efforts to care for the baby are so funny! It is a case of lurching from one disaster to another. The comedy builds very carefully but surely, just like with all Laurel and Hardy talkie films.
This Laurel and Hardy short, with the guys stuck with a baby they adopted to give Ollie's wife something to do during the day (loved that) was an eye opener for me when I first viewed it in the mid eighties, over a half century after it was made.
After the wife storms out, Ollie is holding the baby and Stan is going to leave. Ollie asks where Stanley is going. Stanley asks what does he have to do with the baby.
Ollie: "What do you have to do with it? Why, you're the one who wanted me to have a baby."
Stan: "Well, I can't be tied down to a baby. I have my future, . . my career to think about."
Ollie: "Well, what about me? What will my friends say? I'll be . . . ostracized."
Why are youth panicked into what do and not to do when obviously the same problems have been going on for longer than anyone wants to admit?
Thank you, Laurel and Hardy, for at least documenting it.
After the wife storms out, Ollie is holding the baby and Stan is going to leave. Ollie asks where Stanley is going. Stanley asks what does he have to do with the baby.
Ollie: "What do you have to do with it? Why, you're the one who wanted me to have a baby."
Stan: "Well, I can't be tied down to a baby. I have my future, . . my career to think about."
Ollie: "Well, what about me? What will my friends say? I'll be . . . ostracized."
Why are youth panicked into what do and not to do when obviously the same problems have been going on for longer than anyone wants to admit?
Thank you, Laurel and Hardy, for at least documenting it.
I suspect that a few years after its released "Their First Mistake" might've not been allowed to show all the things that it did. Much of it is Stan and Ollie doing their usual stuff - with Ollie constantly irritated at Stan's idiocy - but their is a scene showing them in bed together with the baby. Maybe it was more acceptable since this was a comedy and thus not to meant to get taken seriously, but I can imagine that a number of people would've found it extreme back then.
Aside from that, it's a funny short, with no shortage of the pair's typical mishaps. As always, Hardy suffers the most due to Laurel's incompetence. The best scenes involve the lamp.
Good one.
Aside from that, it's a funny short, with no shortage of the pair's typical mishaps. As always, Hardy suffers the most due to Laurel's incompetence. The best scenes involve the lamp.
Good one.
Did you know
- TriviaA proper ending was scripted, which had Mrs. Hardy returning with an adopted baby of her own. Stan Laurel kept improvising so much he caused the film to go over schedule and over budget, leaving it with no real ending. This is a rare film for the duo, to have no resolution at the end.
- GoofsIn the opening shot, there is an open door behind Ollie's head. In the next, close-up shot, the door is closed, and in the following shot it is open again.
- Alternate versionsThere is also a colorized version.
- ConnectionsFeatured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Barnvakten
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 21m
- Color
- Aspect ratio
- 1.37 : 1
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