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Stan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for th... Read allStan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for the squealing baby.Stan convinces Oliver to adopt a baby to placate his wife, but upon returning home with the infant, they find a process server with a divorce summons, leaving the two buffoons to care for the squealing baby.
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A LAUREL & HARDY Comedy Short. The Boys make THEIR FIRST MISTAKE when Stan convinces Ollie to adopt a tiny baby in order to placate his ferocious wife. Arriving home with the infant, the Boys discover that Mrs. Hardy has left him for good - leaving Stan & Ollie to look after the baby. This, of course, is something they are spectacularly ill-equipped to do.
Not much plot in this little film - plenty of sight gags, though. Stan's preparation to milk the baby is hilarious. That's Billy Gilbert as the process server & Mae Busch as Mrs. Hardy.
Not much plot in this little film - plenty of sight gags, though. Stan's preparation to milk the baby is hilarious. That's Billy Gilbert as the process server & Mae Busch as Mrs. Hardy.
This Laurel and Hardy short, with the guys stuck with a baby they adopted to give Ollie's wife something to do during the day (loved that) was an eye opener for me when I first viewed it in the mid eighties, over a half century after it was made.
After the wife storms out, Ollie is holding the baby and Stan is going to leave. Ollie asks where Stanley is going. Stanley asks what does he have to do with the baby.
Ollie: "What do you have to do with it? Why, you're the one who wanted me to have a baby."
Stan: "Well, I can't be tied down to a baby. I have my future, . . my career to think about."
Ollie: "Well, what about me? What will my friends say? I'll be . . . ostracized."
Why are youth panicked into what do and not to do when obviously the same problems have been going on for longer than anyone wants to admit?
Thank you, Laurel and Hardy, for at least documenting it.
After the wife storms out, Ollie is holding the baby and Stan is going to leave. Ollie asks where Stanley is going. Stanley asks what does he have to do with the baby.
Ollie: "What do you have to do with it? Why, you're the one who wanted me to have a baby."
Stan: "Well, I can't be tied down to a baby. I have my future, . . my career to think about."
Ollie: "Well, what about me? What will my friends say? I'll be . . . ostracized."
Why are youth panicked into what do and not to do when obviously the same problems have been going on for longer than anyone wants to admit?
Thank you, Laurel and Hardy, for at least documenting it.
Their First Mistake is a short that really embodies the essence of what Laurel and Hardy were about as a comedic duo. Hal Roach, the famous producer of many of their shorts along with a barrage of other successful ones for the period, famously stated how Laurel and Hardy complimented each other with their slapstick and behavioral tendencies, but what always drove me to their shorts as a means for pleasant escapism besides their inherent humor was how both characters were loyal to one another. It was as if they were all each other had, and no matter how angry they got at each other, they had to stick together, for where else would they go?
When Laurel and Hardy decide to adopt a baby to prove to Hardy's wife (Mae Busch) that they are indeed responsible and trustworthy, they are all they have, and while the short is frequently funny, it also proves this point as it goes on. Notice how even through anger and hostility brew between one another, there both men are, quick to recoup and try to do the right thing, despite going about it in the wrong way. Furthermore, Laurel and Hardy are breathlessly funny, finding a plethora of ways to be entertaining as well as thoughtfully engaging.
Their First Mistake embodies precisely why their careers and shorts have a timeless longevity.
Starring: Stan Laurel, Oliver Hardy, and Mae Busch. Directed by: George Marshall.
When Laurel and Hardy decide to adopt a baby to prove to Hardy's wife (Mae Busch) that they are indeed responsible and trustworthy, they are all they have, and while the short is frequently funny, it also proves this point as it goes on. Notice how even through anger and hostility brew between one another, there both men are, quick to recoup and try to do the right thing, despite going about it in the wrong way. Furthermore, Laurel and Hardy are breathlessly funny, finding a plethora of ways to be entertaining as well as thoughtfully engaging.
Their First Mistake embodies precisely why their careers and shorts have a timeless longevity.
Starring: Stan Laurel, Oliver Hardy, and Mae Busch. Directed by: George Marshall.
In this talking Laurel & Hardy movie Hardy is married. Laurel is also unhappy. With these two statements the short movie starts. Hardy's wife thinks he does to much with Laurel, he likes Laurel more than he likes her. When Laurel calls if they will do something nice tonight Hardy pretends that he is talking to his new boss. When the wife finds out she gets very mad. Laurel thinks he has the solution. They need a baby, because that will draw all the attention of the wife and Hardy can do fun stuff with Laurel again. Hardy thinks it is a pretty good idea and they adopt a baby. When they enter Hardy's home again his wife is gone. A man arrives telling them both that Hardy is sued for divorce and Laurel is sued for the reason of alienation of Hardy from his wife. Now they are stuck with a baby, their first mistake.
This is a very nice short. Of course a baby is an inspiration for a lot of nice little gags. The bottle with milk has a main part for those gags and Laurel makes sure every single one of them works. The usual jokes with tripping over things also work most of the time, although they are very predictable. It is quite an accomplishment that those predictable moments also bring a smile to your face. Like with most Laurel & Hardy shorts you will have a pretty good time.
This is a very nice short. Of course a baby is an inspiration for a lot of nice little gags. The bottle with milk has a main part for those gags and Laurel makes sure every single one of them works. The usual jokes with tripping over things also work most of the time, although they are very predictable. It is quite an accomplishment that those predictable moments also bring a smile to your face. Like with most Laurel & Hardy shorts you will have a pretty good time.
An above-average Laurel and Hardy short feature, this two reel affair is directed by George Marshall (later at the helm of many top-flight comedy features) and is marked, specially so during its initial two-thirds, by a greater emphasis upon character development than upon physical humour, to the work's advantage. After Oliver and his wife Arabella (Laurel/Hardy regular Mae Busch) have a violent spat due to his expenditure of a majority of his free time with Stan, the latter suggests that Ollie adopt a baby with which to occupy Arabella's hours, freeing the two pals to enjoy themselves, and Ollie immediately does so (following an optical wipe), but too late because a process server (Billy Gilbert) presents him with divorce papers along with a similar document to Laurel for "alienation of Mr. Hardy's affections." This leads to one of the better developed scenes from the duo's films wherein Ollie pastiches the Abandoned Maiden genre after his buddy tries to leave him alone to care for his new infant, a very funny and original piece of cinematic business that, in addition to a poignant scene when the men revert to boyhood while lolling atop Stanley's bed in his adjacent apartment, make of this a better than standard effort of Laurel and Hardy.
Did you know
- TriviaA proper ending was scripted, which had Mrs. Hardy returning with an adopted baby of her own. Stan Laurel kept improvising so much he caused the film to go over schedule and over budget, leaving it with no real ending. This is a rare film for the duo, to have no resolution at the end.
- GoofsIn the opening shot, there is an open door behind Ollie's head. In the next, close-up shot, the door is closed, and in the following shot it is open again.
- Alternate versionsThere is also a colorized version.
- ConnectionsFeatured in Omnibus: Cuckoo: A Celebration of Mr. Laurel and Mr. Hardy (1974)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Barnvakten
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 21m
- Color
- Aspect ratio
- 1.37 : 1
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