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Vanity Fair

  • 1932
  • Passed
  • 1h 18m
IMDb RATING
5.5/10
435
YOUR RATING
Myrna Loy and Montagu Love in Vanity Fair (1932)
Costume DramaPeriod DramaDramaRomance

This cinematic adaptation of William Makepeace Thackeray's novel stars Myrna Loy in her first starring role.This cinematic adaptation of William Makepeace Thackeray's novel stars Myrna Loy in her first starring role.This cinematic adaptation of William Makepeace Thackeray's novel stars Myrna Loy in her first starring role.

  • Director
    • Chester M. Franklin
  • Writers
    • William Makepeace Thackeray
    • F. Hugh Herbert
  • Stars
    • Myrna Loy
    • Conway Tearle
    • Barbara Kent
  • See production info at IMDbPro
  • IMDb RATING
    5.5/10
    435
    YOUR RATING
    • Director
      • Chester M. Franklin
    • Writers
      • William Makepeace Thackeray
      • F. Hugh Herbert
    • Stars
      • Myrna Loy
      • Conway Tearle
      • Barbara Kent
    • 17User reviews
    • 5Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos12

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    Top cast15

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    Myrna Loy
    Myrna Loy
    • Becky Sharp
    Conway Tearle
    Conway Tearle
    • Rawdon Crawley
    Barbara Kent
    Barbara Kent
    • Amelia Sedley
    Walter Byron
    Walter Byron
    • George Osborne
    Anthony Bushell
    Anthony Bushell
    • Dobbin
    Billy Bevan
    Billy Bevan
    • Joseph Sedley
    Montagu Love
    Montagu Love
    • Marquis of Steyne
    Herbert Bunston
    Herbert Bunston
    • Mr. Sedley
    Mary Forbes
    Mary Forbes
    • Mrs. Sedley
    Lionel Belmore
    Lionel Belmore
    • Sir Pitt Crawley
    Lilyan Irene
    • Polly
    Elspeth Dudgeon
    Elspeth Dudgeon
    • Sir Pitt's Housekeeper
    Ray Culley
    • Casino patron
    • (uncredited)
    Bill Elliott
    Bill Elliott
    • Minor Role
    • (uncredited)
    Tom Ricketts
    Tom Ricketts
    • Sir Pitt's Butler Parker
    • (uncredited)
    • Director
      • Chester M. Franklin
    • Writers
      • William Makepeace Thackeray
      • F. Hugh Herbert
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    5.5435
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    Featured reviews

    6lugonian

    The Unfaithful

    VANITY FAIR (Allied Pictures, 1932), directed by Chester Franklin, is labeled in the opening credits as "a modern dress adaptation to BECKY SHARP by William Thackeray." With classic literature transformed to the screen dating back to the silent film era, VANITY FAIR, being one of them in 1915 and 1923, marks the first sound edition to the classic novel, bringing forth the unlikely candidate of the youthful Myrna Loy (courtesy of Metro-Goldwyn-Mayer) in this "poverty-row" production. Somewhat miscast in some respects, Loy managed to rise above material regardless of her softer appeal to such better suited actresses as British born actress, Heather Angel, for example, who might have made adventuress Becky Sharp a bit acceptable in character portrait.

    In a limousine bound for London, Amelia Sedley (Barbara Kent), a rich college girl, accompanied by her best friend and classmate, Becky Sharp (Myrna Loy). Having no family of her own, Becky is invited to spend Christmas with Amelia and her family. After making the acquaintance with her parents, George (Herbert Bunston) and Rita Sedley (Mary Forbes), Becky is introduced to Amelia's brother, Joseph (Billy Bevan), having just arrived from his trip in India. Regardless of his overweight, Becky takes a fancy to him. After inviting Becky to spend the weekend with him in Brighton, Becky "accepts" this as a wedding proposal, thus scaring Joseph off to Scotland, leaving Becky a farewell note through Amelia. With Joseph out of the way, Becky takes an interest in Amelia's fiance, George Osborne (Walter Byron). Seeing them alone together has Mrs. Sedley advising Becky to leave. Accepting a position as governess to the two daughters of Sir Pitt Crawley (Lionel Bellmore), amiddle-aged man whose wife has been deadly ill for ten years. Sir Pitt comes on to Becky, though she shows more interest in Pitt's sophisticated adult son, Rawdon (Conway Tearle) instead. After Pitt's wife dies, he goes quickly to Becky to propose, only to discover she has married his son instead. Angry and bitter, Pitt leaves Rawdon penniless and orders the couple out of his home. On their own, Becky and Rawdon struggle financially, avoiding debt collectors, and cheating at card games to acquire extra money. After Amelia's husband, George, who Becky has been seeing secretly, dies in a fox hunting accident, Amelia begins her new relationship with Dobbins (Anthony Bushnell), her former beau. Having served time in prison, Rawdon returns home to find Becky alone with the Marquis of Steyne (Montagu Love). Learning he's been supporting her financially with expensive jewelry, Rawdon orders Becky out of his life. Living in Paris, Becky meets with one of her former suitors at the gambling casino, only to later see herself the way others have been for years. Others in the cast include Lilyan Irene (Polly), Tom Ricketts (Parker, the Butler), and Elspeth Dudgeon (The Housekeeper).

    In spite of its slow packing and visuals that make VANITY FAIR look more like an early 1929 talkie, the film is made interesting through the presence of Myrna Loy. How she got this assignment to appear in an independent production as Becky Sharp remains a mystery. Though Loy starts off by speaking in British accept early in the story, this is soon abandoned for more natural speaking flair. Except for a couple of scenes, VANITY FAIR lacks background scoring. With other classic literature turned motion pictures by minor studios as Monogram's OLIVER TWIST (1933) and JANE EYRE (1934), major studios soon got into the act with Charles Dickens' GREAT EXPECTATIONS (Universal, 1934) and DAVID COPPERFIELD (MGM, 1935) before RKO Radio revamped VANITY FAIR three years later as BECKY SHARP (1935) starring Miriam Hopkins. Aside from resuming the original Thackeray story back to 19th Century England, BECKY SHARP went a step further as being produced in the newly formed three-strip Technicolor. Even with some dull stretches and not being a scene-by-scene remake, BECKY SHARP (1935) definitely was an improvement over VANITY FAIR (1932).

    Virtually forgotten and out of television circulation since the 1950s, VANITY FAIR has come out of oblivion through its distribution decades later on home video, DVD and TCM cable television (TCM premiere: April 4, 2025). Initially clocked at 73 minutes, beware of shorter 67-minute DVD editions using a new opening that reads: Screen Craft Pictures Present "INDECENT: THE PRIVATE LIFE OF BECKY SHARP" starring Myrna Loy. Following this 1932 production, Loy returned to MGM, where she truly belonged. (**)
    6JoeytheBrit

    Vanity Fair review

    A ruthless young woman uses her feminine wiles to climb the social ladder. A pre-Code updating of Thackeray's famous satirical novel features an enjoyable performance from a young Myrna Loy, who looks ravishing as the scheming opportunist Becky Sharp, a woman more than willing to throw friendship aside in her pursuit of wealth. It's a little too episodic to be successful, but there's something strangely endearing about the way Sharp accepts each setback with uncomplaining stoicism.
    6boblipton

    Myrna Loy In A Lead

    Myrna Loy is cast as Becky Sharp, and this appears to be her first starring role, a step away from the exotic vampires she played earlier in her career (such roles would continue through 1934, even after her breakthrough role in THE THIN MAN), but it would be Frank Capra and W.S. Van Dyke who would reimagine her as what she was: a great American beauty.

    Miss Loy was lent from MGM to M.H. Hoffman at Chesterfield for this modern-dress version of Thackeray's novel, and despite the cheapness of the production and the wonky soundtrack on the copy I saw, director Chester Franklin's desire to make a serious version of the story about the girl who knew men only wanted her for one thing, and she was going to make them pay for it, shines through. The casting includes some good silent movie talent, including Conway Tearle as Rawdon Crawley, able to support a leading lady without distracting the audience; Lionel Belmore as his lascivious father;Barbara Kent as her friend, Amanda Sedley.

    It's a nice version, and undoubtedly was a turning point in Miss Loy's career. Unfortunately, Franklin's polite and family-friendly handling failed to ignite any major response in a year when movie grosses and profits were at a low point; and the sumptuous Technicolor version of 1935 all but erased this movie from the public consciousness.
    dougdoepke

    Loy Shows She's A Star

    Rather affecting little morality flick adapted from the classic novel of same name. Wow, Becky Sharp is one sharp looking cookie. As Becky, Loy turns every rich guys head into a hormonal surge. Trouble is she's got no moral principles that might guide her into something other than a mercenary direction. As a result, she looks to fleece potential suitors just for her own benefit. Still, she's having trouble sorting through the wealthy pursuers, who are a crowded lot. At the same time, her mis-judgements and maybe cosmic fate keep getting in the way.

    Loy's perfect in her first starring role, big eyed, statuesque, and nicely modulated in her coyness. In fact, it cleverly takes a while to figure out she really is a gold-digger and not just an attention-getter. Then too, I love the way she never answers a bedroom door except in her robe-less nightgown. No wonder the guys keep coming. But Loy's real performance triumph is not making Becky dislikable despite her unremitting selfishness. To me, that helps make the movie watchable. But don't look to the storyline for action or real suspense. Rather, the plot hinges on character and what the goldigger's outcome will be. Then too, I found the climax rather surprising, but then it is 1932 while censorship is still two-years away.

    Anyway, for fans of Loy, it's a showcase, while for movie fans, the 60-minutes is surprisingly contemporary in its dealings.
    4bkoganbing

    Social Climber

    You know I'm willing to bet that Myrna Loy was excited that she would get to do a film version of Thackery's Vanity Fair. But she lost her enthusiasm upon finding it was for a poverty row outfit called Allied Pictures. God only knows whether Louis B. Mayer owed something to producer Chester Franklin or Myrna Loy committed some transgression that caused her to be punished.

    With the usual MGM productions values and had they kept it in the mid Victorian era it was written, Vanity Fair might have turned out to be a classic film. But it was a poverty row production set during the Jazz Age of the 20s. Where in the United Kingdom it wasn't all that different from us except they were smart enough not to put in Prohibition.

    Barbara Kent brings school girl chum Myrna Loy home for the holidays. Myrna is an orphan who once she tastes some of the good life that Kent's family enjoys she's going to have it whatever the cost. The film is a lot like the Barbara Stanwyck classic Baby Face except Baby Face is far less pretentious.

    Thackery's writing was of Victorian times and it just didn't make sense for the Roaring 20s. Myrna had a lost look and I'm sure she was grateful to finish the film and get back to MGM.

    What could she have done to deserve this?

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    Storyline

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    Did you know

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    • Trivia
      Shot in ten days.
    • Quotes

      Joseph Sedley: Ever been to Brighton?

      Becky Sharp: Brighton? No, never.

      Joseph Sedley: How would you like to come with me for a weekend?

      [lecherous wink]

      Joseph Sedley: Lovely place. Lots of fun. Lots of champagne.

    • Connections
      Referenced in Hollywood Hist-o-Rama: Myrna Loy (1961)

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    Details

    Edit
    • Release date
      • March 15, 1932 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Indecent
    • Filming locations
      • Tec-Art Studios - 5360 Melrose Avenue, Hollywood, Los Angeles, California, USA(Studio)
    • Production company
      • M.H. Hoffman Inc.
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 18m(78 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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