Alice in Wonderland

This is a movie classic from a time gone by. Watch it, and remember it is made in 1933. Charlotte Henry is wonderful, and there are real 'gems' through out the film. The talking pudding, the Mad Hatter's little song Twinkle Twinkle Little Bat(sung to the tune of "twinkle twinkle little star").. and many more. I used to watch this as a child in the 1960s with my parents (depression era) and loved it!! I wish I could get a copy on DVD but cant' find it anywhere. Would also recommend 'March of the Wooden Soldiers' with Charlotte Henry and Laurel and Hardy (don't miss the mouse)- this is a wonderful character in early film. These are real memories from the past that should not be lost.

I remember this movie fondly watching it as a young girl in the 60's and will never forget it...I'm obsessed with viewing this film again...I searched video stores in the Twin cities...searched the internet... talked to anyone who would listen...and finally, sadly, found out that Paramount and another corporation are fighting over the rights to the movie (read that on the internet)... Please resolve your differences so we can all enjoy the classic again..It was aired on TMC to honor W.C. Fields I was told by co-worker...which I didn't see my heart just sank at the thought I missed it...All the baby boomers would love to see it on DVD...HELP

The script combines "Alice's Adventures in Wonderland" and "Through the Looking-Glass" and stays quite close to the original dialog. The sets and costumes are closely modeled on the Tenniel illustrations.

Charlotte Henry does remarkably well as Alice, but the other actors are heavily costumed and made up and rarely add anything distinctive to their roles. Best are W.C. Fields as Humpty-Dumpty and Ned Sparks as the Caterpillar.

It will be enjoyed most by those who have been through the original since some of the language and surrealistic happenings can be hard to follow in the Victorian English that is spoken and satirized.

I bought the video of this 1933 classic after hearing about it for years. Evidently, it hasn't been on TV since the 1960s. I really enjoyed the video copy I bought. Charlotte Henry was great as Alice, and the Paramount all-star cast was great too. The fun is spotting all the various stars under the various masks and guises. W.C. Fields and Baby LeRoy should've shared a scene somehow, though. At any rate, I really liked this version-it's probably the best filming of the Lewis Carroll story ever.

In the depths of the Great Depression, Paramount mounted this spectacular fantasy with a galaxy of top flight stars and just missed creating a classic. Like the stage ALICE IN WONDERLAND Eva LeGallienne had mounted the year before at her Civic Repertory Theatre in New York - only just closed when the film opened - which appears to have inspired this production, the sets and costumes are drawn heavily from the classic and by then in public domain illustrations from the original book by John Tenniel.

The result is a dazzling world - starting with Alice's Victorian drawing room where she is waiting out a snow storm with her cat, Dinah and her aunt before beginning her explorations Through the Looking Glass (the film combines both of Lewis Carroll's most famous books) and continuing through most of the most famous incidents from the books in live action fantasy form.

Only "The Walrus and The Carpenter," delightfully rendered by Max Fleischer's cartoon studio (one would love to have seen the cut footage of the similarly popular "You Are Old Father William" poem!) was deemed too hard to portray with live actors - the baby oysters lured from their bed for culinary conversation - "Shoes and ships and sealing wax" and all that. You've probably seen this cartoon edited from the film and issued separately!

This was a separate Hollywood production, despite similarities with the Broadway play with music, and didn't use the any of that show's Richard Addinsell song score (recorded by RCA during the stage show's 1947 revival) but turned Dimitri Tiomkin loose on it, and it's nice to see that film's premiere composer could also turn out a nice enough song or two too. This was a first class production all the way - and like MGM's WIZARD OF OZ six years later, didn't make money in it's initial release - or initial RE-release in 1935. Lacking ...OZ's Technicolor and popular song score, this ALICE IN WONDERLAND didn't even carve out its classic niche when television came in, and is now almost lost - supplanted in the popular mind by the fine 1951 Disney animated version of the story, but is well worth seeking out for lovers of Lewis Carroll, classic fantasy or classic film.

Technicolor or not, songs or not, the film still has elements which dazzle and only a few serious drawbacks for the "short attention span" set. Charlotte Henry is a fine, natural Alice (in an all too brief career of only 31 films, before retiring during WWII, she also did the Laurel & Hardy BABES IN TOYALAND in 1934 and the best of all the Chans, CHARLIE CHAN AT THE OPERA in 1936 as Boris Karloff's daughter!) and she is ably supported by a cast of great actors - not all of whom have the luxury of costumes revealing their faces like Ned Sparks' Caterpillar, Edward Everett Horton's Mad Hatter or Edna May Oliver's Red Queen, but the voices of rising stars like Cary Grant (a wonderful singing Mock Turtle) and old pro W.C. Fields (Humpty Dumpty) won't really require seeing the faces in their "Tenniel come-to-life" costumes.

The problem, if any, comes in the mad whirl of crazy fantasy that takes Alice deeper and deeper into Wonderland (and its sequel) and after a while can lose the audience's interest as they try clinging to a thru-story line. Stick around though, for Gary Cooper's appearance around an hour into the film as The White Knight (only the name is type casting)! It is one of the greatest treats in a motion picture packed with them - and arguably one of the crowning gems of Cooper's career. Quite wonderful.

Modern audiences may cringe a bit in the opening scene seeing Alice, in a highly starched - and highly FLAMMABLE - dress and apron climbing on the grate in front of a burning fireplace to look in the mirror over the hearth, but someone at the studio did notice (and probably hoped the audience wouldn't). When Alice returns, the fire is out.

After 75 years though, the fire is far from out on this fascinating extravaganza. If you get a chance to see it, grab it.