Beer and Pretzels

Larry Fine, Moe Howard, Curly Howard, and Ted Healy are Heely-Heely-Heely & Heely. They are a bottom rung vaudevillian act getting thrown out of the theater. They are reduced to working as restaurant waiters. Of course, it goes horribly wrong.

Ted Healy and the Stooges are working out the premise. The Three Stooges are really the backup performers for Healy. This is a must for any Three Stooges fans. It's part of their origins story. The best is when the Stooges go crazy and Healy tries to direct the chaos. One can also see why Healy isn't necessary to the act. Without him, the chaos can be fully unleashed.

Beer and Pretzels (1933) was one of the first one screen appearances of the Moe Howard, Larry Fine and Curley Howard line-up. The "brains" behind the trio is Ted Healy. He bullies and punks out his "stooges" as he mack's on women. Curley is thin in his role as the central comic foil of the group. The trio hasn't fine honed their permanent characteristics of the lovable doofs that we have grown to love over the next eleven years.

A strange short. I was a bit shocked to Moe being smacked around by someone else. It felt odd and I wished that Ted Healy would have made a few more shorts with them. But Healy was a complicated individual. I wish someone would make a biographical picture on him. That guy was something else.

Recommended as a curio.

The boys really threw themselves around, tossing their bodies, all over the place, during these early MGM shorts, that they did with Healy. The copy I saw of Beer and Pretzels (1933), on YouTube, was a nicely restored version. The quality was great. The boys try to get jobs being waiters. This one is a little chaotic, with the dancing though. Bonnie Bonnell returns from the boys last film, Nertsery Rhymes (1933). In one dance scene, a dancer looks like she's having a seizure. It was weird. It was odd. The three tap dancer guys, who popped up, were slightly entertaining though. The director, Jack Cummings, lighted the sets strategically, so the dancers were in shadow, showing a silhouetted look. It was the second film in a five series run, produced by MGM studios.

There are signs of magic, to these early Stooge films. Previews of things to come. It is great seeing these again with a 21st century perspective. It is really interesting trying to analyze, what is going on in the boys' minds, as they act out these scenes, knowing what we know now, from a real-world perspective. It's an odd contrast, when some of the characters discuss the concept of being solo. It contrasts to what happens to Healy, Moe, Larry and Curly, the following year, when the gang split and the Three Stooges were born. Healy does do some of the gags in Beer and Pretzels (1933), that the Stooges made famous, later on, during their 25 year run, that followed. This one just felt a tad sloppy in its design, compared to their previous film.

6.1 (D+ MyGrade) = 6 IMDB.

This is the second Three Stooges short and it's obvious that MGM Studios had no idea what to do with the boys. Part of this confusion may have been because the Stooges still were not the same lovable team we have all come to know. Instead, they were essentially the vaudeville team of Ted Healy and His Stooges--with the obnoxious and totally untalented and unlikable Healy as the front man. In real life, Healy was an alcoholic and bitter man and his 'Stooges' resented his taking the lion's share of the money and headlining the act--they also resented his treatment of them. Incidentally, shortly after the three left this team, Healy was beaten to death in a bar fight.

As for this short, it has some lovely Stooge moments but unfortunately there is also LOTS and LOTS of singing and dancing--little of which was done by the Stooges. Because of this, the short is very frustrating to most Stooge fans, though die-hard fans and film historians would no doubt find this interesting.

Primarily of historical interest, "Beer and Pretzels" is one of a handful of shorts made by Ted Healy and His Stooges for 20th Century Fox in the early '30s. Most of these shorts are difficult to find, but they are sometimes screened at oddball times on cable stations, like AMC, for instance. Of the ones I've seen, this is not one of the best, but it is by no means bad. Basically, the formula was this: take some musical numbers from Busby Berkeley films that got left on the cutting room floor and pad them out with comedy from Healy and His Stooges. His Stooges, of course, are comprised of Larry Fine, Moe Howard, and Curly Howard, who would later gain immortality and fame as the Three Stooges. But, though, they have plenty of screen time, the show belongs to Ted Healy. At the time, Healy was a huge vaudeville star but is virtually forgotten today (except as a footnote on the careers of the Three Stooges). He can best be described as a '30s Richard Belzer or Dennis Miller - acerbic and abusive, a domineering know-it-all who happens to have some charm and a nice tenor voice. Basically, his "boss" role was overtaken by Moe when the Stooges went solo. In the film, Healy & his Stooges play vaudevillians who are fired as the film opens. They soon find work as waiters in a posh nightclub and chaos ensues. Though their characters are by no means as defined as they would become, it's fascinating to see glimpses of Moe's pugnaciousness, Larry's wishy-washiness, and Curly's overgrown kid act.