Diplomaniacs

"Diplomaniacs" certainly lives up to its daft title and this movie probably was one of the silliest of the Wheeler and Woolsey collaborations in the 1930s. The boys find themselves this time uprooted from their Indian reservation barber's shop (where the Indians don't need shaving and only ever seem to say 'oompah', that is, except the Chief who went to Oxford), and sent to stop all wars at the Geneva Peace Conference.

Cue a swipe at every possible stereotype concerning the various peoples and countries of the world, from the Chinaman who wants to return to his wife, who he hates; to the Swiss national costume (don't ask), and even a number, 'No More War', in blackface! And Robert Woolsey even surfaces from sleep with a cigar; the guy must have gone through hundreds of them...

The songs, more of them than usual for one of their movies, are high points amongst the bizarre plot (including one sequence where Bert Wheeler recreates his old vaudeville act with 'Annie Laurie'). In support, Phyllis Barry is a hoot as smoke-breathing siren Fifi, while Marjorie White sizzles as Bert's violent love interest (brilliant number for them in 'Sing to Me'). Louis Calhern and Hugh Herbert also appear.

I know that this movie in particular annoys some commentators who see it as politically incorrect, but viewed in the context of the time, and accepting its mischevious spirit, it has enough good points to keep it watchable today. An excellent comedy classic!

Wheeler and Woolsey made a ton of these silly, ridiculous films in the early 1930s. SOoooo many one liners... two liners. typical wheeler and woolsey puns and jokes. They have set up shop near an indian reservation, and get caught up in the politics -- the tribe wants to be part of the Geneva convention, so they get Willy and Hercules (Wheeler and Woolsey) to help them out. There are a bunch of (very okay) song and dance numbers in here, and some special effects as well. This was a typical Wheeler and Woolsey film, with quick comedy bits, and all over in about an hour. Vaudeville funny guy Hugh Herbert is also in here as "the chinaman". Fast talkin, jokes and slapstick falls. Fun, light fluffy stuff, if you don't take it too seriously. Woolsey died quite young, but Wheeler carried on. warning -- right near the end, there's a minstrel show, where everyone wears blackface, but it was a real part of entertainment history, so i guess that's why we don't see this film too often. and there actually WAS a Geneva convention discussion on war and treatment of prisoners in 1929. Directed by William Seiter, and written by Joseph Mankowicz. Pretty good. some fun jokes, and a tidbit of actual history.

This riotous, politically incorrect classic has a lot in common with the Marx Brother's film "Duck Soup". Consider: (1) Both films were released in 1933. (2) Both films had a strong anti-war message to them. (3) Both films starred Louis Calhern and Edgar Kennedy. (4) Both films had hilarious musical numbers in them. A film that is unjustly forgotten today, it has a lot of bizarre, but wonderful moments in it. The film opens with Wheeler & Woolsey as barbers on an Indian reservation. The Indians recruit the boys to attend the Geneva Peace Conference and convince all of the other countries to pledge to end war. However, the owners of an ammunition company sets out to stop them. A delight!

Wheeler & Woolsey have been about as ill-used & forgotten as Shakespeare's Rosencrantz & Guildenstern from the play Hamlet. In the abyss of the Great Depression our country turned to its clowns for solace and distraction from calamity. They did not disappoint us, keeping us howling with mirth lest we howl with despair. In return a grateful nation has given most of them an icon sheen, reviving their films, putting their visage on posters & t-shirts, and encouraging savants, pedants, and just plain journalists, to turn their histories into myths, and their myths into history. All of them, it seems, but Wheeler & Woolsey. These two fine cuckoos have been relegated to the basement of the Museum of Comedy. Their movie Diplomaniacs shows them to be sassy, musical and self-aware comics of the first water. So why is their memory as dead as the Firestone tire? Because the American public and its media minions insist on a simplistic & single view of our great clowns. No ambiguity need apply, seems to be the sign posted on the windows of our souls. Con man & boozer? Why that's W.C. Fields, only. Wisecracker? Groucho! Silly silent girl chaser? Harpo! Wistful vagabond? Only Chaplin. We have forgotten, or never knew, that there is a common gene pool for all great clowns and their comedy. Stan Laurel chased girls in early L & H ventures. Harold Lloyd portrayed a homeless stumblebum before inventing his glass character. And so it goes. Wheeler & Woolsey practised well and wisely the common foibles of the great-hearted boobies -- they drank to excess, warbled irreverent ditties, ogled the girls, and cracked wise at the drop of a pun. But they never got a RESERVED spot in the Hollywood parking lot. Groucho, Buster, each of you can make a little room for 'em, can't you? Your brother fools? Maybe Hollywood can even make amends by filming THE WHEELER & WOOLSEY STORY, with Jim Carrey & Steve Martin. I'd pony up the bucks for that!

"Diplomaniacs" is not one of their best movies, but it still has one of the best comedy teams of early Hollywood. As always, the plot is not the main focus of the film; just wait for the boys to throw off one-liners and to work out some wacky situations.

Now, this was 1933 and some of their gags and jokes are old and have been done over and over, but it's special for their fans when it comes from these two. And some of the material would have to be reworked for modern audiences. Some would find some of the situations dated or offensive, this being 2018. But fans of Wheeler and Woolsey will not be disappointed - they're still funny.

6/10 - Website no longer prints my star ratings.