The Crime of the Century

This is an absolute hoot! It's like one of those silly murder mystery games you play at dinner parties and just as much fun. It's difficult to categorise this: it's a really intriguing who-done-it but doesn't take itself at all seriously. It's brilliantly made whist at the same time absolute garbage.

It's exactly the sort of picture which could have garnered a real cult following. You could imagine hundreds of fans dressing up as these outrageously cliched characters: bungling cops, a cocky reporter, a femme fetale, a roguish playboy, a mad scientist and his sweet innocent daughter.

Of course, having that fabulous unsophistication of early thirties pictures, after knowing each other for about six hours, the reporter and the daughter fall instantly in love and get married - so nineteen thirties! It's certainly not your typical B picture - it's cheap, tacky, unashamedly over-acted but brilliant, brilliant, brilliant!

Although all the clues are there, you'll never figure out who the murderer is. Even if you rewind back to the bit with the murder during the minute you're invited to guess yourself, you'll chase those red herrings down the wrong path cleverly laid out to trick you. For a B picture, it's got a surprisingly clever story (it is of course based on a play so Paramount can't take all the credit) You also benefit from dynamic direction from pre Will Hay-William Beaudine and even decent, atmospheric photography like a camped-up Old Dark House.

It would never win any awards for filmmaking but if you enjoyed SCOOBY DOO, you'll love this magnificent nonsense.

Really Great Mystery So much So I never Could figure out who was the actual Culprit Until the Very End So if you love old detective mystery films this one is a must see .. One of 1930s Talkie at its Best !! It has Everything Romance Comedy,Action and Crime Thriller .. They Surly don't make movies like this anymore and if they try its so Corny it fails to entertain .. This is a must see in my Opinion .. I admit some of the scenes are hard to believe but you have try and remember this film is almost over 80 yrs ago so have and open mind and focus on the facts of the case and you will surly enjoy the Story .. Enjoy !!

I'm not an expert on William "One Shot" Beaudine, but I would venture to say that with a nickname like "One Shot" that you probably weren't so highly regarded as a film artist. From the films I've seen of his, I tend to be unimpressed and not very entertained. However, after a deep sigh at seeing his name in the opening credits, I spent the rest of the movie being happily entertained.

Crime of the Century is for fans of the 1930s-styled whodunits. It has the classic elements of what you would expect from an old mystery - a murder taking place in the dark with many suspects; an ensemble cast; a reporter who is one step ahead of the detective; the prime suspect is of course, the most innocent; and, an unexpected twist in the end. This film seemed to be very conscious of its' genre. There is a wonderful old-fashioned moment near the end when a narrator comes on-screen and gives us a short intermission to let the audience of the film take time to guess the murderer. The filmmakers' reasoning is that when reading a mystery novel, you have time to put the book down and think before you finish the end and films never offer you that opportunity. This was a refreshing moment and a great example of how this movie tries to be as original as it can.

The cast is very good. Stuart Erwin comes off better here than he did in a very similar film and role a year earlier in Before Dawn. Jean Hersholt is heartfelt and convincing as the doctor who tries to prevent himself from making a grave mistake. Look for Samuel S. Hinds in an early role as the poor hypnotized victim. The film moves along at a brisk pace. There are enough camera moves to make the film visually interesting and the film was made at Paramount and the production values really help for this type of film. The plot is about a doctor who goes to police to prevent him from killing a man who stole money for him. However, when the man ends up being dead the doctor becomes the prime suspect and it's up to the reporter to find out who was behind it. Crime of the Century is an excellent forgotten whodunit and is a must for fans of these drawing room mysteries.

A mystery the way they used to make them, full of clues, an on screen detective and the expectation that the audience is working hard to make sense of everything. Near the end, they stop the film and an announcer appears to give the audience a minute to guess.

The murderer is hard to guess, and this also has some interesting genre features. One is that the main suspect turns himself in before the crime. What mars this is that we have that one anti-cinematic device: the lights go out and events happen without us being able to see them. All crimes happen on-screen, but the crime itself is occluded. This happens twice, each time there is a murder.

As a narrative device, we have evolved away from this one, and I guess I am sad to see it go, because with it, you have purity: everything essential happens in front of you. But evolved away we have, to be replaced by off screen unknowns.

We have also lost the character who is our on-screen detective, but not as a result of cinematic development. These guys just faded from life in general, the newspaper crime reporter. That is a loss too.

Jean Hersholt walks into the police station and confesses. He's a hypno-therapist, desperate for money because of Wynne Gibson, his second wife, and her spendthrift ways. So he has hypnotized a client into embezzling ten thousand dollars and bringing it to him. Hersholt killed him and took the money. Or he will.

Which, the cops inform him, isn't a crime until he does it. He goes with one of them to his home, where the patient is waiting..... and the corpses start to pile up.

It's a heck of a set-up, and a pretty good mystery in this definitely pre-code movie, in which reporter Stu Erwin falls in love instantly with Frances Dee, Hersholt's daughter and tries to solve the murder himself. With Torben Meyer, William Janney, Samuel S. Hinds as the patient and Fred Kelsey as a dumb cop.